Encountering Alice Kagawa Parrott
When artists are gone, we usually have two ways of getting to know them visually: through their work, and through photographs or film documenting them or their studio. Alice Kagawa Parrott, a fiber artist, ceramist, and ACC Fellow, died in 2009, at 80. Though there is something irksome about accomplished artists – particularly women artist who were active in the middle of the 20th century – being “rediscovered” by style-seekers on the internet, Parrott’s work is indeed enjoying a well-deserved resurgence of interest, with articles appearing in the past several years on the Gravel & Gold collective’s blog and Esoteric Survey.
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Levi's Denim Art Contest
Jeans are a kind of uniform and a category of clothing unto themselves. In a pinch, they offer a face-saving way to punt the bottom half of an ensemble, acting as an always-cool stand-in for something more well thought through. Titans of Silicon Valley regularly turn up in jeans to give talks and make major new product announcements. Jeans are different from pants as a broad category because they mean something distinctive, much in the way that high heels are a category apart from shoes.
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In Search of Sleep, with Bob Ross
It seems only fair that, since our phones keep us awake at night as we scroll helplessly through our feeds, and then wake us up in the morning with an alarm, they should also help us fall asleep once in a while. Recently, the sleeping and meditation app Calm added the famously soothing voice of Bob Ross, the painting instructor with big hair, who hosted the television program “The Joy of Painting,” which ran on PBS from 1983 to 1994.
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How Furniture Shapes What We Teach Children
How long have children had designed objects to call their own? Ancient toys from Greece, Rome, Egypt, and the Indus Valley suggest that kids in the ancient world were playing with tiny horses on wheels, bird-shaped whistles, dolls, and even yo-yos several millennia ago. Portrait paintings of well-to-do and royal children from the Renaissance onward suggest that privileged kids wore custom-made clothing, and sometimes had their very own picturesque pets. But the mass marketplace for furniture, books, clothes, and games, as well as public spaces designed specifically with children in mind, is a surprisingly recent phenomenon, as Alexandra Lange explains in her fascinating new book The Design of Childhood: How the Material World Shapes Independent Kids (Bloomsbury, $20).
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Power Object: Rose B. Simpson’s Maria
Every inch of Maria is matte black, except for the lines and curves of the shiny, geometric design that animates its surface. It looks as though these glossy areas were carefully burnished to make them visually pop against their flat background. The abstract shapes are inspired by the work of Maria Martinez and echo Pueblo motifs of a vast and dramatic natural landscape dating back centuries. As for horsepower, you’d have to ask the artist, Rose B. Simpson.
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Artful Furniture Takes the Stage in Philadelphia
Philadelphia is no stranger to exquisite handmade furniture: It’s a city full of design galleries and renowned university craft programs. In the colonial period and in the early days of the Republic, Philadelphia craftsmen made some of the finest furniture in the New World. Later, nearby Bucks County was home to the furniture makers Phillip Lloyd Powell, George Nakashima, Wharton Esherick, and Paul Evans. So the city of Brotherly Love is a natural fit for the Philadelphia Furniture Show, which, for the past 24 years, has showcased the work of top independent designers from across the country.
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Keeping up with the Eamses
In her 1963 manifesto of emergent feminism, The Feminine Mystique, Betty Friedan identifies the middle class housewife as the “chief customer” of American business, and theorized that it was women’s unmet need for intellectual stimulation, not avarice or keeping-up-with-the- Joneses, that was driving their eager consumerism. She dismisses domestic labor as a non-occupation, a routine of make-work that diverts women from meaningful engagement with the world. Friedan’s point of view assumes that the care of home and family exists in a kind of bizarro world of non-professional work, in which women’s intellect was all but wasted.
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The Forgotten Everyday Origins of ‘Craft’
You’ve probably encountered this cliché before: Something in the news—perhaps a sea of handmade Pussyhats—is “not your grandma’s knitting.” The word “craft” can seem to demand an apology or clarification: a reminder that no serious, technically accomplished endeavor should ever be confused with the homespun. For decades, academics have explored the ways in which traditionally domestic and feminine pursuits (as well as the creative traditions of communities of color and of artists in the developing world) tend to be dismissed as “craft,” as distinct from “art” or “design.”
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Artists and Designers Tell New Stories of Old Silver
Silver took a star turn late last year, as Tiffany & Company’s collection “Everyday Objects,” designed by the firm’s chief artistic officer Reed Krakoff, made headlines. Some of them have been choice: the New York Daily Newsoffers commentary on “6 Ridiculous ‘Everyday’ Items from Tiffany & Co.” Fortune notes, with implied humor, that “Tiffany & Co. Is Selling a $1,000 Tin Can.”
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Wendell Castle, a Legend of the Furniture and Design Worlds, Dies at 85
Since the morning of Sunday, January 21, design Instagram has been awash in images of sinuous objects that defy easy categorization. A silver chair looks as though it could be the tongue of a colossal human figure; a massive white seat resembles nothing so much as a gigantic, gleaming back tooth. Candy-colored neon lamps sit on bases that resemble sturdy elephant’s feet. In some of these images, a slight, silver-haired, bespectacled man looks at the camera, seated on a wild creation with three legs, or at the edge of a sculptural object comprised of curvaceous cones and scoops.
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Fake Fur: An Essay
Stuffed animals beckon to us constantly: from retail kiosks, amusement park prize shelves, and toy stores, eventually finding their “forever homes” in countless childhood bedrooms around the world. They elicit deep sentimental attachment, and even love. Unlike pets, there is theoretically no limit to their lifespans. With us from the first moments of our lives through the scrapes and dramas of youth, they are witness to every secret embarrassment, comfort us through every lonely worry. One of the most famous narratives involving a stuffed toy, the story of The Velveteen Rabbit, is so poignant that it can move adults to tears.
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The Magazine Antiques: Handle with Care #5
Thanksgiving is behind us, and Saturnalia—the ancient Roman equivalent of the holiday season—is right around the corner. The Romans celebrated the annual festival in honor of Saturn, their god of agriculture, time, and liberation, by turning rules and regulations upside down—feasting, drinking, and generally poking fun at their society’s hierarchies.
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The Magazine Antiques: Handle with Care #4
Russophiles know that this month marks 100th anniversary of Russia’s October Revolution. Perhaps less well known is the fascinating ‘porcelain revolution’ that unfolded in the wake of the political upheaval. Russia’s 18th and 19th century elites had a taste for fine china. The famously western-oriented and modernizing Russian emperor Peter the Great visited Dresden in 1718, and, delighted by the delicate wares he saw there, tried establishing a porcelain manufactory at home, to no avail.
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The Met snares a splendid piece of southern stoneware
Face jugs crafted in the mid-nineteenth century by slaves and freedmen working in the Edgefield District of South Carolina are among the rarest and most historically significant of American folk art ceramics. The Metropolitan Museum of Art in New York recently acquired a superb one.
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Steampunk Meets Contemporary Luxury in Amuneal's Creations
Situated on a busy industrial corridor of Philadelphia’s Frankford neighborhood, Amuneal’s 60,000-square-foot fabrication space looks every bit an artisanal design mecca. Furniture and shelving are meticulously crafted from metal and wood every square inch of which has been treated by hand to achieve just the right surface texture and color. Finished pieces are packed with installation instructions and diagrams that are almost works of art in their own right.
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Ceramic Excellence for Archie Bray
This catalog from Archie Bray Foundation features writing on five different Bray fellows of contemporary ceramic arts. Each year the Bray invites a writer into their realm to survey their rich creative community, spend time with the artists, and create a body of writing guided by their experience. Their 2017 writer-in-residence is Sarah Archer. All of the writing in this catalog was produced by Archer. This year’s fellows include Ling Chun, Nicholas Danielson, En Iwamura, MyungJin Kim, and Noah Riedel.
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The Magazine Antiques: Handle with Care #3
Autumn is an ideal time for a visit to the Corning Museum of Glass in New York’s Finger Lakes region. As the leaf-changing season peaks, an equally dazzling display awaits inside, where daily glass-blowing demonstrations draw crowds so transfixed that they forget to Instagram the experience. Corning’s permanent collection galleries hold glass vessels, lighting fixtures, jewelry and even furniture dating as far back as Mesopotamia and Ancient Egypt.
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Exposing Time
Museum visitors all seem to be dedicated photographers these days, navigating galleries as they capture vivid design details and immersive art installations with their smartphones, then sharing their images instantly. To view art and to experience a museum through a smartphone camera’s viewfinder is so commonplace now as to be unremarkable.
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Ettore Sottsass’s Candy-Colored Utopian Design
The late, legendary Italian architect and designer Ettore Sottsass has been — to paraphrase Yogi Berra — rediscovered all over again. In recent years, his work has been shared with wide audiences through a series of articles and “explainers,” like this recent short video from Vox, or this 2014 piece about Memphis by Alissa Walker that appeared on Gizmodo. And his profile got a big boost from his prominence in the exhibition Postmodernism: Style and Subversion, 1970—1990 at the Victoria & Albert Museum in 2011.
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The Magazine Antiques: Handle with Care #2
It’s the height of summer, and like the shimmery dragonflies and beetles of the season, fin de siècle-style iridescence seems to be in the air these days. The New York Historical Society unveiled “A New Light on Tiffany,” a luminous re-installation of its famed collection of Tiffany lamps in late April of this year, and in addition to its dreamy exhibition space, designed by Czech architect Eva Jiricna, the long-overlooked story of the “Tiffany Girls” now takes center stage.
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