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Molly Hatch: Reverie https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1490718951869-JSQHRB552RLSTBNX36WZ/MollyHatch_7.png Curating - Molly Hatch: Reverie https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1490718958472-6LP2TAV0GU77I16ZW0VM/MollyHatch_8.png Curating - Molly Hatch: Reverie https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1490718956552-WYOKG5H2O8IH9Y0TL4CP/MollyHatch_9.png Curating - Molly Hatch: Reverie https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1490718962072-5AKD9XRAODOWWJVNZO51/MollyHatch_10.png Curating - Molly Hatch: Reverie https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1490718963795-KTT5SQGR4PSJT6N483DO/MollyHatch_11.png Curating - Molly Hatch: Reverie https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1490718965727-X82Y9AA33GHN7C0Z73WG/MollyHatch_12.png Curating - Molly Hatch: Reverie https://www.sarah-archer.com/curating-content/2012/9/6/legends-studio-jewelry-by-emily-cobb monthly 0.5 2017-06-06 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493141143979-KB7AWT0PZ8VZ8X4HILRG/image-asset.png Curating - Legends: Studio Jewelry by Emily Cobb Emily Cobb, The Elk With Antlers That Never Stopped Growing, Headpiece, 2012. Glass-filled Nylon, photopolymer, gypsum. https://www.sarah-archer.com/curating-content/2017/4/25/bright-future monthly 0.5 2017-06-06 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493139610704-JZKIKX4BNFN39ZJ8F2M8/image-asset.png Curating - Bright Future https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493140277886-AAW327Q3RRZ3CE1HG4F3/image-asset.png Curating - Bright Future https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493140309775-D1FGAY3SKC58DU7UH58Q/image-asset.png Curating - Bright Future https://www.sarah-archer.com/curating-content/2011/2/1/beth-katleman-folly monthly 0.5 2017-06-06 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1496418480041-PZMHBVEZPQV9FJMEMFRS/image-asset.png Curating - Beth Katleman: Folly https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1496418432180-5FBSBJZMYOZ70GHMHSQE/image-asset.png Curating - Beth Katleman: Folly https://www.sarah-archer.com/curating-content/2010/1/7/mid-century-style-and-studio-pottery monthly 0.5 2017-06-06 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493142511615-HN8VPS0RLKAIZUBPYT16/image-asset.jpeg Curating - Mid Century Style and Studio Pottery https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493142541446-SEIZ30V91XEAZTP2IHP9/image-asset.jpeg Curating - Mid Century Style and Studio Pottery https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493142551340-Z16NY9DMU0T1UM1QET46/image-asset.jpeg Curating - Mid Century Style and Studio Pottery https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493142576880-FGQ2JSVFVNQX2E0VNXL3/image-asset.jpeg Curating - Mid Century Style and Studio Pottery Poster advertising a Street Dance to Benefit GHP by Byron Browne, 1950, Gift of Sylvia Baker, pastel and ink on paper https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493142622155-ONRXFES0C3XBVXPMB6DR/image-asset.jpeg Curating - Mid Century Style and Studio Pottery Reproduction poster for Alfred Hitchcock’s “Vertigo” from design by Saul Bass, 1958 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493142654411-BWOD9SRFH34V4W6NBWU9/image-asset.jpeg Curating - Mid Century Style and Studio Pottery https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493142683263-JT024YDMBFPARSMB1XWT/image-asset.jpeg Curating - Mid Century Style and Studio Pottery https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493142697772-MAT006J76J67D83KOEAC/image-asset.jpeg Curating - Mid Century Style and Studio Pottery https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493142727336-B74WLTXJ5L5VJS8SX939/image-asset.jpeg Curating - Mid Century Style and Studio Pottery https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493142793369-DCGPMLIK1MPD2MRE7FBC/image-asset.jpeg Curating - Mid Century Style and Studio Pottery https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493143004222-UT4A04V4PK14J236LSVN/image-asset.jpeg Curating - Mid Century Style and Studio Pottery https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493143030060-RFXOVVECH8YC09TEW4M5/image-asset.jpeg Curating - Mid Century Style and Studio Pottery https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493143105543-7TRQUNA58NUJJH4LEVWO/image-asset.jpeg Curating - Mid Century Style and Studio Pottery https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493143124322-1QVQZCYHJCA63HMYGWZ0/image-asset.jpeg Curating - Mid Century Style and Studio Pottery https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493143147572-HUH7FLMBX8P9OBC2X646/image-asset.jpeg Curating - Mid Century Style and Studio Pottery https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493143218773-A6A5E0ZYK0GGTZM3U3R3/image-asset.jpeg Curating - Mid Century Style and Studio Pottery https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493143257597-OKH9H0CW3RZM964JEYVX/image-asset.jpeg Curating - Mid Century Style and Studio Pottery https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493143277221-CT9APOTJL0EKHE32SFNX/image-asset.jpeg Curating - 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Everything Must Go - Make it stand out A cyanotype documenting a drawer at the Smithsonian, taken by the institution’s first photographer, Thomas Smilie (1843–1917). // Courtesy of the Smithsonian Archives via Flickr https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/5294eda2-5fcb-4aab-b19b-dae9fb67e89e/EverythingMustGo2.jpg Writing - Everything Must Go - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/9a3597fb-f92e-452f-bcf5-f438c10711e6/EverythingMustGo3.jpg Writing - Everything Must Go - Make it stand out Courtesy of the Smithsonian Archives via Flickr https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/358aecac-a961-4c0d-aa0c-91b37114a614/EverythingMustGo4.jpg Writing - Everything Must Go - Make it stand out Courtesy of the Smithsonian Archives via Flickr https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/65c5c343-2fe7-4909-9b68-f5f60e5f8e5e/EverythingMustGo5.jpg Writing - Everything Must Go - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/b5f7763a-c602-487e-b91c-dd892b87ffd0/EverythingMustGo6.jpg Writing - Everything Must Go - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/87d962f0-5f9d-4c7c-8ccc-17efcf96483f/EverythingMustGo7.jpg Writing - Everything Must Go - Make it stand out Courtesy of the Smithsonian Archives via Flickr https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/09625dc1-3f98-49e7-9b7a-4ba11077bcd4/EverythingMustGo8.jpg Writing - Everything Must Go - Make it stand out Courtesy of the Smithsonian Archives via Flickr https://www.sarah-archer.com/writing/see-frank-lloyd-wrights-final-design monthly 0.5 2026-03-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/ba5314b5-d819-4371-bbbb-3f7d733f587a/FrankLloydWright1.jpeg Writing - See Frank Lloyd Wright’s Final Design, Revealed for the Very First Time - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/243b661e-5030-4e1f-add0-27b6486e2089/FrankLloydWright2.jpeg Writing - See Frank Lloyd Wright’s Final Design, Revealed for the Very First Time - Make it stand out RiverRock House in Willoughby Hills, Ohio, completed by Sarah and Debbie Dykstra 65 years after Frank Lloyd Wright drew the original plans. Photo: Malissa Mabey Photo https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/b3dff3aa-364f-42e3-8994-c8a64bd8d8f4/FrankLloydWright3.jpg Writing - See Frank Lloyd Wright’s Final Design, Revealed for the Very First Time - Make it stand out The fireplace in the living room at RiverRock House. “Frank Lloyd Wright referred to the fireplace as the heart of the home,” Sarah says. Photo: Malissa Mabey Photo https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/42e26b87-2810-40cd-af24-e0f8eb3a0ddb/FrankLloydWright4.jpeg Writing - See Frank Lloyd Wright’s Final Design, Revealed for the Very First Time - Make it stand out RiverRock House’s dining table and chairs were custom-made by Debbie’s high school friend Jeff Myers. It took Debbie 27 hours to tape and paint the red cutouts on the chairbacks. Photo: Malissa Mabey Photo https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/c26676a6-db7f-491a-a04f-239a9c7702ee/FrankLloydWright5.jpeg Writing - See Frank Lloyd Wright’s Final Design, Revealed for the Very First Time - Make it stand out A vintage globe and an antique quilt add color to the primary bedroom, and wraparound windows provide expansive views of the landscape. Sarah says this bedroom is “everyone’s favorite.” Photo: Malissa Mabey Photo https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/85ff9041-0e63-4ea7-96c5-4c90b756b860/FrankLloydWright6.jpeg Writing - See Frank Lloyd Wright’s Final Design, Revealed for the Very First Time - Make it stand out Sarah says that the kitchen, though compact, has successfully hosted parties for nearly 50 people. “The vintage appliances are a hit with everyone,” she says. Photo: Malissa Mabey Photo https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/a2f05166-186a-4ff7-9831-76284103bde7/FrankLloydWright7.jpeg Writing - See Frank Lloyd Wright’s Final Design, Revealed for the Very First Time - Make it stand out Sarah and Debbie Dykstra spending time at RiverRock House with their new property puppy, Finn. Photo: Malissa Mabey Photo https://www.sarah-archer.com/writing/how-trading-spaces-made-us-over monthly 0.5 2026-03-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/8366b337-bd36-4061-9d75-bd9432867bdd/TradingSpaces1.jpg Writing - How “Trading Spaces” Made Us Over - Make it stand out Cheryll Hairstone, left, and her husband Torrey, right, sneak a wave to their friends during the filming of the home renovation show “Trading Spaces” in 2002. // Photo by The Washington Times/ZUMAPRESS.com/Alamy https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/0830b21f-5313-4d66-ba2a-b1a28a1f1e25/TradingSpaces2.jpg Writing - How “Trading Spaces” Made Us Over - Make it stand out An advertisement for Martha Stewart’s own Kmart line in Martha Stewart Living, June 2008. // Photo by Patti McConville/Alamy https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/b34e11fe-6951-4a46-a2bf-c05fc06e9535/TradingSpaces3.jpg Writing - How “Trading Spaces” Made Us Over - Make it stand out A shopper in the clearance aisle at the Target Store in Brentwood, Missouri, in 2003. // Photo by UPI Photo/Bill Greenblatt/Alamy https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/a0a65915-9991-4a93-afa2-3c4c23a29353/TradingSpaces4.jpg Writing - How “Trading Spaces” Made Us Over - Make it stand out Genevieve Gorder, an interior designer who was one of the original lineup of decorators on “Trading Spaces.” // Photo courtesy the designer https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/7070b8c9-3e01-410f-861c-2b6195e44839/TradingSpaces5.jpg Writing - How “Trading Spaces” Made Us Over - Make it stand out Gorder at the time of the show. // Image courtesy the designer https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/5d63b5e8-097e-4336-8ad4-40681fdc2212/TradingSpaces6.jpg Writing - How “Trading Spaces” Made Us Over - Make it stand out Left to right: Production assistant Bruce Streukens, host Paige Davis, and designer Hildi Santo-Tomas of “Trading Spaces,” help Elaine Perkins, right, and her husband Sean. // Photo by The Washington Times/ZUMAPRESS.com https://www.sarah-archer.com/writing/inside-the-waldorf-astorias-dazzling-restoration-from-cigar-smoke-to-snowy-owls monthly 0.5 2026-03-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/613f4b3f-95c4-4efa-b2d8-58d2583db382/Waldorf-Astoria01.jpg Writing - Inside the Waldorf Astoria's dazzling restoration, from cigar smoke to snowy owls - Make it stand out The newly-restored lobby to the Waldorf Astoria New York. (Image credit: Courtesy Waldorf Astoria New York) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/d904fc08-96b6-4e57-83da-804c1a9cf632/Waldorf-Astoria02.jpg Writing - Inside the Waldorf Astoria's dazzling restoration, from cigar smoke to snowy owls - Make it stand out The exterior of the Waldorf Astoria New York. (Image credit: Waldorf Astoria New York) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/d5bf61b6-1f24-432e-a210-78e97c59a669/Waldorf-Astoria03.jpg Writing - Inside the Waldorf Astoria's dazzling restoration, from cigar smoke to snowy owls - Make it stand out The hotel's Park Avenue lobby, shown here in the 1930s. (Image credit: Courtesy Waldorf Astoria New York) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/321c832a-c3be-469c-b55e-71806a9a319d/Waldorf-Astoria04.jpg Writing - Inside the Waldorf Astoria's dazzling restoration, from cigar smoke to snowy owls - Make it stand out A view of 'Peacock alley,' complete with its grand Victorian clock. (Image credit: Courtesy Waldorf Astoria New York) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/3af2ec82-2ac7-4504-9723-7ef88ff712b6/Waldorf-Astoria05.jpg Writing - Inside the Waldorf Astoria's dazzling restoration, from cigar smoke to snowy owls - Make it stand out The Silver Corridor, as it originally appeared. (Image credit: Courtesy SOM) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/3e6fc09d-0c57-4d7f-b908-c637900beccd/Waldorf-Astoria06.jpg Writing - Inside the Waldorf Astoria's dazzling restoration, from cigar smoke to snowy owls - Make it stand out The Silver Corridor, after restoration. (Image credit: Courtesy Waldorf Astoria New York) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/5b3bf8e1-46d3-4890-a18b-322442d430f7/Waldorf-Astoria07.jpg Writing - Inside the Waldorf Astoria's dazzling restoration, from cigar smoke to snowy owls - Make it stand out Specialists from Art Care Conservation carefully restore the ceiling murals. (Image credit: Lucas Blair Simpson / SOM) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/592b9030-139e-4622-b5ba-aec2cc5b136f/Waldorf-Astoria08.jpg Writing - Inside the Waldorf Astoria's dazzling restoration, from cigar smoke to snowy owls - Make it stand out The December panel before restoration was obscured by a film of grit. (Image credit: Courtesy Art Care Conservation) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/8394a70c-163f-4561-bb9e-735894042ab8/Waldorf-Astoria09.jpg Writing - Inside the Waldorf Astoria's dazzling restoration, from cigar smoke to snowy owls - Make it stand out The December panel after restoration. (Image credit: Courtesy Art Care Conservation) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/abae001f-5a3c-4868-b184-0b76f4400fce/Waldorf-Astoria10.jpg Writing - Inside the Waldorf Astoria's dazzling restoration, from cigar smoke to snowy owls - Make it stand out A view of the Basildon room. (Image credit: Waldorf Astoria New York) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/6b3070fb-3500-482e-aae4-c4a75ad4a0be/Waldorf-Astoria11.jpg Writing - Inside the Waldorf Astoria's dazzling restoration, from cigar smoke to snowy owls - Make it stand out The ceiling of the Basildon room features two dozen paintings. (Image credit: Waldorf Astoria New York) https://www.sarah-archer.com/writing/frank-lloyd-wrights-final-design-was-finished-66-years-after-his-deathand-you-can-watch-its-construction monthly 0.5 2025-08-18 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/d005909e-42f2-4be4-8751-10915cb191be/Last-Wright1.jpeg Writing - Frank Lloyd Wright’s Final Design Was Finished 66 Years After His Death—And You Can Watch Its Construction - Make it stand out RiverRock House in Willoughby Hills, Ohio was constructed using plans created by Frank Lloyd Wright.Malissa Mabey Photo https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/b722e163-bf78-432e-8697-12ebfcc853a1/Last-Wright2.jpg Writing - Frank Lloyd Wright’s Final Design Was Finished 66 Years After His Death—And You Can Watch Its Construction - Make it stand out Sarah and Debbie Dykstra outside the Penfield House, built by Frank Lloyd Wright Photo: Angelo Merendino https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/6a8209cb-5247-421e-8018-bfbb3c0e537c/Last-Wright3.jpg Writing - Frank Lloyd Wright’s Final Design Was Finished 66 Years After His Death—And You Can Watch Its Construction - Make it stand out Debbie and Sarah Dykstra looking over plans with site surveyor Dave Novak Courtesy of Warner Bros. Discovery, Inc https://www.sarah-archer.com/writing/field-notes-reading-the-room monthly 0.5 2026-03-31 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/27718ccd-8c39-4298-a7f1-5f3936c929ff/ReadingTheRoom1.jpg Writing - Field Notes: Reading The Room - Make it stand out The Richmond Room at the Metropolitan Museum of Art was re-created using the elaborate woodwork from a house built 1810 –1811 (demolished 1936) in Richmond, Virginia, for the prominent local attorney William Clayton Williams (1768–1817), the mahogany woodwork bespeaking his wealth built in part on the backs of slaves. The furnish- ings in the room, including the furniture seen here by or attributed to Duncan Phyfe (1770–1854), are not original to the room but represent the finest in Federal style. Photographs courtesy of the Metropolitan Museum of Art. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/f6944282-aa56-44a2-adc4-4301129e6e86/ReadingTheRoom3.jpg Writing - Field Notes: Reading The Room - Make it stand out Detail of a door surround at the time the room was acquired by the Met. The discolorations indicate the location and design of missing carvings. Another woodwork detail photo from that time shows the incised signature of Theophilus Nash (c. 1790– 1874), suggesting he was responsible for the elaborate carving. Library of Congress, Washington, DC. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/f7825705-819f-428f-bdce-29eef7c5dd24/ReadingTheRoom1.png Writing - Field Notes: Reading The Room - Make it stand out The pier table is by Charles-Honoré Lannuier (1779–1819), 1815–1819. The wall- paper is a reproduction of a paper popular in upper-class homes of the day. https://www.sarah-archer.com/writing/in-defense-of-china-cabinets monthly 0.5 2025-08-18 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/a6dcc509-e49a-4f15-8252-2d6c6d9a534a/China-Cabinets1.jpg Writing - In Defense of China Cabinets - Make it stand out Antique china cabinet. (Courtesy Wikimedia Commons) https://www.sarah-archer.com/writing/susumu-shingus-dynamic-sculptures monthly 0.5 2025-08-18 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/cc4ad4ca-b63a-4fc3-8b0a-2eb6b62b5932/Susumu-Shingu1.jpg Writing - See This: Susumu Shingu’s Dynamic Sculptures, on View at the Japan Society in New York - Make it stand out Left: Susumu Shingu’s “Birth of Rainbow” (2021) at 565 Broome Street in Manhattan’s SoHo neighborhood. The sculpture will be among the works on view during a Japan Society tour and talk with the artist on June 18. Right: Shingu’s “Stream of Time” (2013), which will be featured with other hanging works in the Japan Society’s galleries.Credit...Left: Nathan Shapiro. Right: photo: © Chiaki Yukioka/Ichigan Company https://www.sarah-archer.com/writing/formafantasma-digs-into-referents-and-rectangles monthly 0.5 2025-08-18 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/59023f49-1eb0-419d-b098-b0953bbc4b67/Formafantasma1.jpg Writing - Formafantasma Digs into Referents and Rectangles - Make it stand out Views of Formafantasma’s “Floor L Textile” (2024). (Photo: Marco Cappelletti. Courtesy Friedman Benda and Formafantasma) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/d5546edd-d20e-4e60-bc8b-7bd6eb3a0382/Formafantasma2.jpg Writing - Formafantasma Digs into Referents and Rectangles - Make it stand out “Table Lamp” (2024). (Photo: Marco Cappelletti. Courtesy Friedman Benda and Formafantasma) https://www.sarah-archer.com/writing/step-inside-castle-howard-a-british-icon-in-the-midst-of-a-major-restoration monthly 0.5 2025-08-18 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/41d62c82-dd42-435c-98ba-787702d856ab/Castle-Howard01.jpg Writing - Step Inside Castle Howard, a British Icon in the Midst of a Major Restoration - Make it stand out In the Long Gallery Octagon, workmen hang a new chandelier made by Wilkinson LTD. to replicate the 19th-century originals designed by Charles Heathcote Tatham that hang at the opposite ends of the space. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/e45858de-04ec-4fe6-a369-35222bb92eb5/Castle-Howard02.jpg Writing - Step Inside Castle Howard, a British Icon in the Midst of a Major Restoration - Make it stand out An 18th-century lead copy by Andrew Carpenter of the Farnese Hercules, one of several statues that placed along the temple terrace running south east from the main house (seen in the distance). https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/00522152-faa9-452c-be29-20ec896258eb/Castle-Howard03.jpg Writing - Step Inside Castle Howard, a British Icon in the Midst of a Major Restoration - Make it stand out Victoria and Nicholas Howard with Remy Renzullo (far right) in the Great Hall. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/6cc12289-5d14-4b25-bdb7-7b7fca268d31/Castle-Howard04.jpg Writing - Step Inside Castle Howard, a British Icon in the Midst of a Major Restoration - Make it stand out A 2nd-century statue of the goddess Athena stands on a pedestal in the west hall's antique passage. A column is wrapped for temporary storage during the renovations. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/0bb0605f-ec6e-4a98-8e19-43211a3e86fc/Castle-Howard05.jpg Writing - Step Inside Castle Howard, a British Icon in the Midst of a Major Restoration - Make it stand out Aged pink silk panels, applied in the 1950s, define the Little Sitting Room. The George III–style sofas wear a Watts 1874 damask. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/0408b64b-b7cc-4f39-8f91-21c71216c608/Castle-Howard06.jpg Writing - Step Inside Castle Howard, a British Icon in the Midst of a Major Restoration - Make it stand out Art handlers move A View of Castle Howard From The Park, From The South East by Hendrik De Cort, circa 1800. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/d43ce7e4-a639-4148-af56-d350abf62987/Castle-Howard07.jpg Writing - Step Inside Castle Howard, a British Icon in the Midst of a Major Restoration - Make it stand out In the Lake Sitting Room, a 1626 portrait of an unknown Jacobean lady by Cornelius Johnson hangs above a regency rosewood desk on which is displayed a collection of silver snuffboxes. The walls are adorned with Watts 1874's Cassius amber gold brocatelle. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/50208302-6474-473b-9a64-16c787ef7427/Castle-Howard08.jpg Writing - Step Inside Castle Howard, a British Icon in the Midst of a Major Restoration - Make it stand out A George III painted and parcel gilt tester bed by John Linnell with hangings of red Trianon damask by Tassinari & Chantel and custom passementerie by Watts 1874 commands the Castle Howard bedroom. The walls are swathed in a gathered silk faille by Claremont, and a 19th-century Axminster carpet covers the floor. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/733fd95e-392b-4e10-8ab5-d142e2e91170/Castle-Howard09.jpg Writing - Step Inside Castle Howard, a British Icon in the Midst of a Major Restoration - Make it stand out George III Hall chairs by Ince and Mayhew stand in the East Wing Octagon outside the wing’s dining room. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/eb394675-634b-4a05-ba71-bd8e82161bb1/Castle-Howard10.jpg Writing - Step Inside Castle Howard, a British Icon in the Midst of a Major Restoration - Make it stand out Handlers moving a portrait of Frederick Howard, 5th Earl of Carlisle, and George Augustus Selwyn by Joshua Reynolds, circa 1770. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/ad178cfd-e294-4598-b937-ac128edbbf68/Castle-Howard11.jpg Writing - Step Inside Castle Howard, a British Icon in the Midst of a Major Restoration - Make it stand out Looking up into the frescoed central dome, which was restored in the early 1960s after being destroyed by fire in November 1940. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/a703343c-1eb1-48ec-aaac-9d8f632032d8/Castle-Howard12.jpg Writing - Step Inside Castle Howard, a British Icon in the Midst of a Major Restoration - Make it stand out The walls of Lady Georgiana’s dressing room are papered in De Gournay’s Abbotsford (upper portion) and a custom bamboo fretwork pattern designed by Remy Renzullo (dado). An antique scale stands next to a Queen Anne-style armchair wearing Colefax and Fowler’s Carlotta. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/fed5ef1b-cf7a-45e8-804b-1892efaacdc6/Castle-Howard13.jpg Writing - Step Inside Castle Howard, a British Icon in the Midst of a Major Restoration - Make it stand out Watts 1874's Osborne wallpaper in a custom color envelops the Admiral's Bath. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/36b52639-2c64-467e-9ada-efb4df087609/Castle-Howard14.jpg Writing - Step Inside Castle Howard, a British Icon in the Midst of a Major Restoration - Make it stand out The recently refurbished Tapestry Drawing Room features a set of 1706 wall hangings depicting the four seasons, now reunited and displayed for the first time in 250 years. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/17a7aee4-1817-471e-b80b-edeb8e026928/Castle-Howard15.jpg Writing - Step Inside Castle Howard, a British Icon in the Midst of a Major Restoration - Make it stand out The Archbishop’s Bedroom’s circa 1780 lit à la polonaise bed is hung with a bronze silk damask by Tassinari & Chatel and lined in apricot silk from Claremont. Walls covered in a goose-pattern wallpaper purchased by Rosalind Howard, 9th Countess of Carlisle, around 1884; late-19th-century Agra carpet from northern India. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/ad98e968-832f-468a-8295-c692c550697e/Castle-Howard16.jpg Writing - Step Inside Castle Howard, a British Icon in the Midst of a Major Restoration - Make it stand out A custom handmade tassel by Watts 1874 adorns the bed in the Archbishop's Bedroom. A lamp made from a 17th-century Delft gourd vase stands atop an early 18th-century Japanese black lacquer chest. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/653fe22f-c675-466d-bb33-61831ebd5309/Castle-Howard17.jpg Writing - Step Inside Castle Howard, a British Icon in the Midst of a Major Restoration - Make it stand out A dressing room was converted to use as a bathroom for the adjoining Castle Howard Bedroom. The artworks are all either by, or in the circle of, Jean Baptiste Monnoyer. Antique tub from The Water Monopoly; Dutch painted leather four-panel screen. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/9bc1165b-ffdd-4463-a3f8-8cfe39216190/Castle-Howard18.jpg Writing - Step Inside Castle Howard, a British Icon in the Midst of a Major Restoration - Make it stand out Furniture and artworks were stored in the Great Hall ahead of the completion of rooms. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/d3af2ef7-c146-44e8-a7a0-14b1920dc3bb/Castle-Howard19.jpg Writing - Step Inside Castle Howard, a British Icon in the Midst of a Major Restoration - Make it stand out Ancient Roman statues and busts collected by Henry Howard, 4th Earl of Carlisle on his second Grand Tour are displayed in the Great Hall. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/c9248e31-a8fc-4940-86e6-c55727d3553d/Castle-Howard20.jpg Writing - Step Inside Castle Howard, a British Icon in the Midst of a Major Restoration - Make it stand out An Imari ceramic vase fitted as lamp with a shade of gathered Claremont silk with antique 18th-century Florentine trim stands atop a desk in the Little Sitting Room. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/da3b4660-d31e-4fad-8406-04ae10be4f28/Castle-Howard21.jpg Writing - Step Inside Castle Howard, a British Icon in the Midst of a Major Restoration - Make it stand out Furnishings staged for placement in the Great Hall. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/c22e2387-d938-40bb-830c-eff03d789d4d/Castle-Howard22.jpg Writing - Step Inside Castle Howard, a British Icon in the Midst of a Major Restoration - Make it stand out Renzullo devised new bed hangings for the Castle Howard Bedroom after consulting archives at the Victoria and Albert Museum. https://www.sarah-archer.com/writing/hanahana-polished-steel-flower-stand-designed-by-kazuyo-sejima-for-driade monthly 0.5 2025-08-18 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/c8c7f51d-8f76-40b4-9a24-a3083e051913/Hanahana1.jpg Writing - "Hanahana" Polished Steel Flower Stand Designed by Kazuyo Sejima for Driade - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/99b556f6-1633-4d4f-8f1c-6554b6f30017/Hanahana8.jpg Writing - "Hanahana" Polished Steel Flower Stand Designed by Kazuyo Sejima for Driade - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.sarah-archer.com/writing/a-philadelphia-glass-artist-has-made-a-secular-sanctuary-for-the-ages monthly 0.5 2025-05-12 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/b3da8323-2d94-4ee0-a47e-d466c31a8c82/Schaechter1+%281%29.jpg Writing - A Philadelphia Glass Artist Has Made a Secular Sanctuary for the Ages - Make it stand out “Super/Natural” by Judith Schaechter at the James A. Michener Art Museum in Doylestown, Pa. Photo Credit - Hannah Yoon for The New York Times https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/4d851926-5d81-4ff1-a96b-04bf9bd998a9/Schaechter1+%282%29.jpg Writing - A Philadelphia Glass Artist Has Made a Secular Sanctuary for the Ages - Make it stand out “Judith Schaechter: Super/Natural,” is showing at the James A. Michener Art Museum in Doylestown, Pa., through Sept. 14. Photo Credit - Hannah Yoon for The New York Times https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/7ab66f5e-2918-435a-a35e-c33cc3b214bd/Schaechter1+%283%29.jpg Writing - A Philadelphia Glass Artist Has Made a Secular Sanctuary for the Ages - Make it stand out Schaechter outside her dome at the Michener. The show also includes nine glass panels and two drawings created by the artist. Photo Credit - Hannah Yoon for The New York Times https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/74af17f5-b8e3-4c60-8905-ab78dd9ea088/Schaechter1+%284%29.jpg Writing - A Philadelphia Glass Artist Has Made a Secular Sanctuary for the Ages - Make it stand out The dome features a swirl of birds, stars, insects and fantastical plants. Photo Credit - Hannah Yoon for The New York Times https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/22d746dc-0baf-4216-a212-7d00378e5c0e/Schaechter1+%285%29.jpg Writing - A Philadelphia Glass Artist Has Made a Secular Sanctuary for the Ages - Make it stand out Inside the 8-foot dome, a look to its top reveals colorful birds flying overhead. Photo Credit - Hannah Yoon for The New York Times https://www.sarah-archer.com/writing/the-marble-chest-inspired-by-palestinian-embroidery monthly 0.5 2025-08-18 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/e2610d24-3b7e-4f16-9bc1-20e77fc5b14d/Dai1.jpg Writing - The Marble Chest Inspired by Palestinian Embroidery - Make it stand out The White Bridal Chest designed by sisters Nisreen Abu Dail and Nermeen Abu Dai for their niece, Shams. https://www.sarah-archer.com/writing/for-an-indian-textiles-designer-it-takes-many-villages monthly 0.5 2025-05-12 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/a77b9115-ea6f-443b-9106-486705db12d5/Dudhat1+%281%29.jpg Writing - For an Indian Textiles Designer, It Takes Many Villages - Make it stand out Brinda Dudhat, the founder of Morii Design in the city of Gandhinagar, India. Her company collaborates with more than 160 textile workers across the country. Photo Credit - Ezra Alcantra/IOTA, Perth https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/40e6dbb0-b28c-4105-99e4-4f3d7c96ce8e/Dudhat1+%282%29.jpg Writing - For an Indian Textiles Designer, It Takes Many Villages - Make it stand out A Morii Design piece featuring contemporary Rabari hand embroidery crafted over patchwork made from Bela block-printed fabric, combined with naturally dyed cotton and silk fabrics. Photo Credit - Morii Design https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/6e17e472-da1c-44bb-b812-5c13d4ba125c/Dudhat1+%283%29.jpg Writing - For an Indian Textiles Designer, It Takes Many Villages - Make it stand out More contemporary Rabari hand embroidery over a base patchwork of naturally dyed cotton and mul fabrics. Rabari embroidery originated in Rajasthan and Gujarat in the 14th century. Photo Credit - Morii Design https://www.sarah-archer.com/writing/palm-springs-modernism-week-2025 monthly 0.5 2025-08-18 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/0f246582-41e1-4765-9a90-e391130aa8f7/Palm-Springs-Modernism1.jpeg Writing - Palm Springs Modernism Week 2025: AD PRO’s Essential Guide to the Midcentury Festival - Make it stand out The Kaufmann Residence, which Richard Neutra designed in 1946 for department store mogul Edgar J. Kaufmann, Sr. The two-acre property will be open for garden tours during Palm Springs Modernism Week 2025. Photography courtesy Modernism Week https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/e0cf9a8c-87fb-44df-ba18-59c2cf0e9074/Palm-Springs-Modernism3.jpeg Writing - Palm Springs Modernism Week 2025: AD PRO’s Essential Guide to the Midcentury Festival - Make it stand out Modernist architect Albert Frey’s Frey House II will be open for ticketed tours during Palm Springs Modernist Week 2025. Photography courtesy Modernism Week https://www.sarah-archer.com/writing/see-this-household-objects-of-the-90s-recreated-in-clay monthly 0.5 2025-02-14 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/8d316a0a-90bd-4bb9-b2bc-030369d37d30/Household-Objects-Clay1.jpg Writing - See This: Household Objects of the ’90s, Recreated in Clay - Make it stand out Artist Stephanie Shih conjures a poignant domestic drama by recreating the symbols of temptation, vice, convenience and self-improvement that defined American life in the 1990s.Credit...© Stephanie H. Shih, Courtesy of the artist and Alexander Berggruen, NY. Photo: Robert Bredvad https://www.sarah-archer.com/writing/5-interior-design-trends-that-will-define-2025 monthly 0.5 2025-02-14 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/f2b94530-e512-4904-9418-90aa473932da/5-trends-20251.jpg Writing - 5 Interior Design Trends That Will Define 2025 - Make it stand out Layered, personality-driven spaces–like the storybook bedroom at Adam Lippe’s Berkshires home–will be among the top interior design trends of 2025. Photo": Isabel Parra / Styling: Mieke ten Have https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/4ee3e83d-9e12-457c-b0e5-de7151cdf3ce/5-trends-20252.jpg Writing - 5 Interior Design Trends That Will Define 2025 - Make it stand out A primary bedroom of a Hampstead family pied-à-terre by De Rosee Sa leans into the softer, earthy palette that many experts expect will predominate in 2025. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/a66ddff4-4dea-4758-93bd-87a4830af13e/5-trends-20253.png Writing - 5 Interior Design Trends That Will Define 2025 - Make it stand out A living space designed by AD100 alumna Lauren Geremia boasts curved wood furniture—a hot item for the new year. Laure Joliet https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/2888c968-90d4-44f6-aafa-c3b7e2c49857/5-trends-20254.jpeg Writing - 5 Interior Design Trends That Will Define 2025 - Make it stand out A London residence by Vabel makes good use of Ligne Roset’s Togo sofa—a model that cofounder Jeremy Spencer praises for its versatility. Courtesy of Vabel https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/9d4719f6-c7a3-4013-9004-30966e708a52/5-trends-20255.jpg Writing - 5 Interior Design Trends That Will Define 2025 - Make it stand out Chairs by the English Arts and Crafts architect John Campbell flank a dining table in a stylish Long Island home designed by Hadley Wiggins. Photo: Pernille Loof / Styling: Michael Reynolds https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/a444722f-d4eb-4d79-8593-14c0c6404796/5-trends-20256.jpg Writing - 5 Interior Design Trends That Will Define 2025 - Make it stand out In 2025, expect to see all-in looks—whether through engulfing color or floor-to-ceiling art (as seen here in the Manhattan home of James LaForce and Stephen Henderson, designed by AD100 debut Ryan Lawson). Photo: Stephen Kent Johnson / Styling: Colin King / Art: Elvin Rodriquez, Mark Beard, Bradley Narduzzi, Guno Park, Peter Harvey, Andrew Kenned https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/a7c0f585-92ba-4da6-87f5-7e412ee92d99/5-trends-20257.png Writing - 5 Interior Design Trends That Will Define 2025 - Make it stand out Rayman Boozer of Apartment48 has long embraced big personality in interiors—such as in this colorful, layered bedroom he designed. Courtesy of Apartment48 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/8ed9ae17-998a-4c1b-8c0d-11c8d7509a45/5-trends-20258.jpg Writing - 5 Interior Design Trends That Will Define 2025 - Make it stand out Gloria Steinem’s New York City apartment Photo: William Abranowicz / Styling: Mieke ten Have https://www.sarah-archer.com/writing/from-basketry-to-clay-the-bahamas-to-new-york monthly 0.5 2025-02-14 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/fb5b1036-4854-4ba6-8a24-d7130a0f6fb6/Anina-Major1.jpg Writing - From Basketry to Clay, the Bahamas to New York - Make it stand out An exhibition of Anina Major’s sculpture “All Us Come Across Water” at the Pamela Salisbury Gallery in Hudson, N.Y., this year.Credit...Alice Finta, via Pamela Salisbury Gallery, Hudson, NY https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/cb98df17-999e-4556-a05b-632de697ef28/Anina-Major2.jpg Writing - From Basketry to Clay, the Bahamas to New York - Make it stand out “Beneath the Docks,” from 2022, takes the form of a basket covered with an algae-colored glaze.Credit...via the artist. Photo by Andrew White. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/eca02cc9-6954-4c44-984c-9ef781a705da/Anina-Major3.jpg Writing - From Basketry to Clay, the Bahamas to New York - Make it stand out “Hermit Armor,” 2024, is designed to capture the stance of a cautious crab on the go.Credit...via the Artist https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/7f378293-2df1-46c1-90fa-069c347dc025/Anina-Major4.jpg Writing - From Basketry to Clay, the Bahamas to New York - Make it stand out Ms. Minor’s exhibition “The Landing,” at the Armory Show in New York City this year. She was awarded the Pommery Prize at the show.Credit...Silvia Ros, via TERN Gallery, The Bahamas. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/40aa0541-87bc-4cbc-921f-4c43616af3fd/Anina-Major5.jpg Writing - From Basketry to Clay, the Bahamas to New York - Make it stand out “The Pearl,” 2021, made from glazed stoneware and sand.Credit...via the artist. Photo by Andrew White. https://www.sarah-archer.com/writing/flourishing-in-place monthly 0.5 2025-02-14 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/280d84d6-e6b8-4f89-963e-7420c6ba38a9/Flourishing-in-Place1.jpg Writing - Flourishing in Place - Make it stand out Photo by Casey Woods. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/faaf6185-59fb-4eea-843c-042bafc92040/Flourishing-in-Place2.jpg Writing - Flourishing in Place - Make it stand out Photo by Casey Woods. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/0cf54a3c-5065-42fc-8a16-76f632bfde0c/Flourishing-in-Place3.jpg Writing - Flourishing in Place - Make it stand out Photo by Casey Woods. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/f966c619-aaec-43f0-9040-573f0a91152c/Flourishing-in-Place4.jpg Writing - Flourishing in Place - Make it stand out Photo by Casey Woods. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/3d723470-2982-45f3-9c97-869d3b4aaf24/Flourishing-in-Place5.jpg Writing - Flourishing in Place - Make it stand out Photo by Casey Woods. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/a865acae-c0a6-4b94-b33d-4cefd8af2373/Flourishing-in-Place6.jpg Writing - Flourishing in Place - Make it stand out Photo by Casey Woods. https://www.sarah-archer.com/writing/clean-dirt monthly 0.5 2025-02-14 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1739576882562-7WDW7A5OTXXTK0MFVYV7/Perkins+School+for+the+Blind+1916.jpg Writing - Clean dirt - Make it stand out Children in a Sandbox at the Perkins School for the Blind, Watertown, MA, 1916. Courtesy Perkins School for the Blind. https://www.sarah-archer.com/writing/why-skirted-furniture-endures monthly 0.5 2025-02-14 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1142f0d3-b2a2-4ea7-b48f-abeb27384d1f/Sarah-Archer-Skirted-Furniture1.jpg Writing - Why Skirted Furniture Endures - Make it stand out A wool felt Holland & Sherry table skirt with Samuel & Sons trim helps anchor the great room of a Miles Redd-designed Adirondacks lodge. The club chairs wear a Lee Jofa linen. Credit: Noel Dewitt. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/99b07598-d8df-4d30-9ae1-9e86f9d4d435/Sarah-Archer-Skirted-Furniture2.jpg Writing - Why Skirted Furniture Endures - Make it stand out A Chelsea Textiles checked fabric skirts the sink of the wood-paneled kitchen in a Connecticut cabin designed by Virginia Tupker. Frank Frances https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/c59e34bd-da35-412e-b64f-a9782d7f771a/Sarah-Archer-Skirted-Furniture3.jpg Writing - Why Skirted Furniture Endures - Make it stand out The Duchess of Devonshire’s bedroom at Chatsworth, seen in a 1985 edition of AD, featured a skirted dressing table, billowing chintz curtains, and a canopy bed. Derry Moore https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/c2d5f08d-657f-4eb8-92f1-887825a76a8d/Sarah-Archer-Skirted-Furniture4.jpg Writing - Why Skirted Furniture Endures - Make it stand out Skirts augment the plush living room sofas of this Georgetown house designed by Anthony P. Browne and featured in a 1993 issue of AD. Bruce Katz https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/5becf0bf-c6ad-4c85-92d2-14a09981d722/Sarah-Archer-Skirted-Furniture5.jpg Writing - Why Skirted Furniture Endures - Make it stand out JP Demeyer & Co. fabric skirts the counter of the mudroom of Jean-Philippe Demeyer’s Bruges abode. Miguel Flores-Vianna https://www.sarah-archer.com/writing/4-ceiling-trends-that-give-new-weight-to-the-fifth-wall monthly 0.5 2025-02-14 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/20e43a7d-6d3a-44f7-8fee-0f116e859908/Sarah-Archer-Ceiling-Trends01.png Writing - 4 Ceiling Trends That Give New Weight to the “Fifth Wall” - Make it stand out AD PRO Directory-listed firm James Thomas applied a faux tortoiseshell ceiling in this Gold Coast library. Courtesy James Thomas. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/2d56a043-1d3a-4aaf-8341-78e23272d70b/Sarah-Archer-Ceiling-Trends02.png Writing - 4 Ceiling Trends That Give New Weight to the “Fifth Wall” - Make it stand out In a small space, like the anteroom Studio Vero took on in this West London flat, going for a bold ceiling treatment can pack a stylish wallop. Simon Brown courtesy of Studio Vero https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/cb376e97-4dd7-4023-83b3-baaa16c94521/Sarah-Archer-Ceiling-Trends03.png Writing - 4 Ceiling Trends That Give New Weight to the “Fifth Wall” - Make it stand out Marguerite Rodgers in Philadelphia used a stairwell’s skylight to dramatic effect. Halkin Mason courtesy of Marguerite Rodgers https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/b1a0a8df-bc6f-4b7f-b2dd-676019523dc0/Sarah-Archer-Ceiling-Trends04.png Writing - 4 Ceiling Trends That Give New Weight to the “Fifth Wall” - Make it stand out Think of a skylight like “artwork for the ceiling,” says Marco Angelucci of Marguerite Rodgers. Halkin Mason courtesy of Marguerite Rodgers https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/2759a3eb-381c-4f11-910e-cfaf091b7fd1/Sarah-Archer-Ceiling-Trends05.png Writing - 4 Ceiling Trends That Give New Weight to the “Fifth Wall” - Make it stand out Henri Matisse’s famous cutouts served as the jumping-off point for this colorful entryway by Sarah Vaile for the Lake Forest Showhouse. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/c4a5a53b-e4ba-45e4-a2f1-32dc3b88021b/Sarah-Archer-Ceiling-Trends06.png Writing - 4 Ceiling Trends That Give New Weight to the “Fifth Wall” - Make it stand out At Centre Point in London, Angel O’Donnell commissioned a multicolor ceiling painting from the London Mural Company. Taran Wilkhu courtesy of Angel O'Donnell https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/93a2d694-ca9f-4d83-ae24-347f489ca4c8/Sarah-Archer-Ceiling-Trends07.png Writing - 4 Ceiling Trends That Give New Weight to the “Fifth Wall” - Make it stand out The metallic ceiling of this Lower East Side apartment by Builtin Studio helps to disguise ductwork. Jeff Cate courtesy of Builtin https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/abfe6d2f-6f89-436d-b3b9-e124ae0aef11/Sarah-Archer-Ceiling-Trends08.png Writing - 4 Ceiling Trends That Give New Weight to the “Fifth Wall” - Make it stand out Designers needn’t hide industrial nitty-gritty in an interior—by contextualizing it with polished features, as Banda did with this coffered ceiling layered over concrete, existing elements can feel elevated and unique. Nicole Franzen https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/a436dda2-7005-4130-b491-ca5fc4217d5f/Sarah-Archer-Ceiling-Trends09.png Writing - 4 Ceiling Trends That Give New Weight to the “Fifth Wall” - Make it stand out Restored cornicing in this London home by De Rosee Sa helps to bring back some of the structure’s original character. Richard Green courtesy of De Rosee Sa https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/e978352b-b78f-4518-aa89-73714e43ad8c/Sarah-Archer-Ceiling-Trends10.png Writing - 4 Ceiling Trends That Give New Weight to the “Fifth Wall” - Make it stand out The details offer chic contrast with some of the home’s more modern millwork. Richard Green courtesy of De Rosee Sa https://www.sarah-archer.com/writing/elizabeth-baird monthly 0.5 2025-02-14 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/362af163-3806-41e9-864c-e48177222237/Sarah-Archer-Elizabeth-Baird1.jpg Writing - Elizabeth Baird Brings This Rosewood Home Down to Earth - Make it stand out Photo by Casey Dunn. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/3be784a8-9faa-4990-a96c-1a426f2c3d30/Sarah-Archer-Elizabeth-Baird2.jpg Writing - Elizabeth Baird Brings This Rosewood Home Down to Earth - Make it stand out Photo by Casey Dunn. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/dff4a4cf-d537-4a27-ba40-51dbee881b0f/Sarah-Archer-Elizabeth-Baird3.jpg Writing - Elizabeth Baird Brings This Rosewood Home Down to Earth - Make it stand out Photo by Casey Dunn. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/4cde6104-7e63-4cd8-a536-2802a1828034/Sarah-Archer-Elizabeth-Baird4.jpg Writing - Elizabeth Baird Brings This Rosewood Home Down to Earth - Make it stand out Photo by Casey Dunn. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/89a37226-f97d-45e1-921f-87abb5d33e5f/Sarah-Archer-Elizabeth-Baird5.jpg Writing - Elizabeth Baird Brings This Rosewood Home Down to Earth - Make it stand out Photo by Casey Dunn. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/ef2bcf8c-8d55-4bf1-a974-f5ad1df262a2/Sarah-Archer-Elizabeth-Baird6.jpg Writing - Elizabeth Baird Brings This Rosewood Home Down to Earth - Make it stand out Photo by Casey Dunn. https://www.sarah-archer.com/writing/the-case-for-the-all-red-room monthly 0.5 2024-08-29 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/f3b6eea0-7503-46f6-9ec5-a0e7dada85d1/Sarah-Archer-All-Red-Room1.jpg Writing - The Case for the All-Red Room - Make it stand out Lacquered bookshelves make a statement in an all-red library dreamed up by Bruce Bierman. Credit: Eric Piasecki https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/3d47f927-a072-4f2c-a796-dd4c62c4fd84/Sarah-Archer-All-Red-Room2.jpg Writing - The Case for the All-Red Room - Make it stand out Decorator Miles Redd lacquered the paneling in the library of this Houston home in a fire-engine shade. Credit: Thomas Loof https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/56221cf2-c872-49ef-8073-b12270c09420/Sarah-Archer-All-Red-Room3.jpg Writing - The Case for the All-Red Room - Make it stand out A traditional dining room in all red by Adele McGann in Colchester, England. Credit: Tim Beddow https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/60844368-08eb-44a7-b67c-4575d817f0ad/Sarah-Archer-All-Red-Room4.jpg Writing - The Case for the All-Red Room - Make it stand out James Costos reclines on a plush sofa upholsered in Sforza fabric by Fadini Borghi in the sitting room of the Madrid home he shares with Michael S. Smith. (Smith designed the residence.) Fortuny’s Glicine in Museum Red adorns the walls. Photo: Simon Upton; Styling: Carolina Irving https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/33bb4a18-8b4c-40fd-b34a-5a95da6a38d3/Sarah-Archer-All-Red-Room5.jpg Writing - The Case for the All-Red Room - Make it stand out Harry Nuriev’s concept for the New York chapter of Silencio, a members’ club, taps into Twin Peaks aesthetics—sans the zigzag floor. Credit: Pauline Shapiro for Silencio https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/5aa3bcef-74bf-4a27-be7b-6704e8a44086/Sarah-Archer-All-Red-Room6.jpg Writing - The Case for the All-Red Room - Make it stand out Ken Fulk’s take on the Red Salon at Red Salon at Schloss Leopoldskron involved key moments of crimson in furniture and accessories. Credit: Richard Schabetsberger courtesy of Ken Fulk https://www.sarah-archer.com/writing/5-kitchen-trends-taking-over-homes-now monthly 0.5 2024-08-31 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/b645cb8b-18f5-461a-a669-c57d5763d1be/Sarah-Archer-Kitchen+Trends1.jpg Writing - 5 Kitchen Trends Taking Over Homes Now - Make it stand out Linoleum–seen on the floors of this Echo Park kitchen she designed–is one of designer Leah RIng's go-to materials for kitchens. Credit: Stephen Paul courtesy Leah Ring / Another Human https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/cf537b37-fb1a-4845-af69-73dead6cf4d3/Sarah-Archer-Kitchen+Trends2.jpg Writing - 5 Kitchen Trends Taking Over Homes Now - Make it stand out In his own family’s sustainability-minded home, Isaac Resnikoff opts for induction cooking using a Dacor appliance. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/3aabfc96-0820-4e34-a616-98e132a9f35e/Sarah-Archer-Kitchen+Trends3.jpeg Writing - 5 Kitchen Trends Taking Over Homes Now - Make it stand out In the Pasadena home of Andrea Voth and Michael Santioni, designer Jamie Haller installed a handy pass-through between the kitchen and the living room. Jenna Peffley https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/7d3849a4-f690-4517-99b0-041fd244e25c/Sarah-Archer-Kitchen+Trends4.jpeg Writing - 5 Kitchen Trends Taking Over Homes Now - Make it stand out “They didn’t want the pressure of being on display while cooking,” Haller told AD at the time of publication. Jenna Peffley https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/b59e6ba3-cde5-4391-bb12-c585a4f00614/Sarah-Archer-Kitchen+Trends5.jpg Writing - 5 Kitchen Trends Taking Over Homes Now - Make it stand out Laura Kim and Linus Adolfsson’s industrial-style kitchen in downtown Manhattan features an array of light metals. Photo: Trevor Tondro / Styling: Dorcia Kelley https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/23e197b8-a911-4513-a4d4-80e2798fef58/Sarah-Archer-Kitchen+Trends6.jpg Writing - 5 Kitchen Trends Taking Over Homes Now - Make it stand out Another Human’s renovation of the kitchen for Frank House—a Buff, Straub and Hensman midcentury home in Pasadena, California—uses a deep blue tile across the walls. Lance Gerber courtesy of Another Human https://www.sarah-archer.com/writing/doomsday-design-the-reality-of-disaster-preparedness-in-america monthly 0.5 2024-08-31 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/a20e2ffe-507b-40ac-a1c9-08ebc425b35f/Sarah-Archer-Doomsday2.jpg Writing - Doomsday Design: The Reality of Disaster Preparedness in America - Make it stand out Photo: Courtesy of Makhno Studio https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/3b516052-bb86-4205-8e28-cdfd9cd47c17/Sarah-Archer-Doomsday3.jpg Writing - Doomsday Design: The Reality of Disaster Preparedness in America - Make it stand out Photo: Courtesy of Makhno Studio https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/27ecd8e2-e49b-4c52-afb1-526ed6d0c390/Sarah-Archer-Doomsday4.gif Writing - Doomsday Design: The Reality of Disaster Preparedness in America - Make it stand out Imagery: Courtesy of Makhno Studio https://www.sarah-archer.com/writing/emily-lauren-interiors monthly 0.5 2024-09-02 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/d090c2f8-dabc-4eaf-94ac-58aadb3380b0/Sarah-Archer-Emily-Lauren-Interiors1.jpg Writing - 2024 General Excellence in Interior Design: Emily Lauren Interiors - Make it stand out Photos by Madeline Harper. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/5bd7e833-d899-4ebd-9f44-de5f13b5c8d2/Sarah-Archer-Emily-Lauren-Interiors2.jpg Writing - 2024 General Excellence in Interior Design: Emily Lauren Interiors - Make it stand out Photos by Madeline Harper. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1b6197c4-b157-4bf2-bb3c-4f1768427e98/Sarah-Archer-Emily-Lauren-Interiors3.jpg Writing - 2024 General Excellence in Interior Design: Emily Lauren Interiors - Make it stand out Photos by Madeline Harper. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1c800a81-36f3-4421-b4dc-5320603b34e8/Sarah-Archer-Emily-Lauren-Interiors4.jpg Writing - 2024 General Excellence in Interior Design: Emily Lauren Interiors - Make it stand out Photos by Madeline Harper. https://www.sarah-archer.com/writing/palm-royale-is-the-most-stylish-show-on-tv-right-now monthly 0.5 2024-08-29 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/86fd42de-f8b9-4433-adfd-adfd86e7d082/Sarah-Archer-Palm-Royale2.jpg Writing - Palm Royale Is the Most Stylish Show on TV Right Now - Make it stand out The Palm Royale character Dinah (Leslie Bibb) has a Grecian pool that echoes that of Guest’s Palm Beach estate. Photo: Erica Parise / Courtesy of Apple TV+ https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/9ada93ff-faf7-48fc-a72d-a0a87912ed8f/Sarah-Archer-Palm-Royale3.jpg Writing - Palm Royale Is the Most Stylish Show on TV Right Now - Make it stand out The design team scouted properties in California that had some features in common with the Spanish-influenced architecture of Addison Mizner, which shaped Palm Beach starting in the 1920s. Photo: Robert Ascroft / Courtesy of Apple TV+ https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/0ac6a5e4-f3fb-4760-8b7f-bd8a37b11750/Sarah-Archer-Palm-Royale4.jpg Writing - Palm Royale Is the Most Stylish Show on TV Right Now - Make it stand out Copious examples of tropical taxidermy frame Evelyn’s (Allison Janney) luxurious nest. Courtesy of Apple TV+ https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/d65b1108-c733-424c-a1da-02f31f99ec6a/Sarah-Archer-Palm-Royale5.jpg Writing - Palm Royale Is the Most Stylish Show on TV Right Now - Make it stand out Linda (Laura Dern) reclines in the chic Dellacorte poolhouse, the domain of Ricky Martin’s character, Robert. Courtesy of Apple TV+ https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/9c6078bd-b051-4aee-b11d-372352f686f7/Sarah-Archer-Palm-Royale6.jpg Writing - Palm Royale Is the Most Stylish Show on TV Right Now - Make it stand out The grand estate of Norma Dellacorte (Carol Burnett) channels the signature glamour of society interior designer Tony Duquette. Photo: Erica Parise / Courtesy of Apple TV+ https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/f70a3f19-1d53-44b3-82e4-0534a088c3d1/Sarah-Archer-Palm-Royale7.jpg Writing - Palm Royale Is the Most Stylish Show on TV Right Now - Make it stand out Norma Dellacorte’s mansion evokes 1930s high-society glamour, a bygone era even from the perspective of the show, which takes place in 1969. Photo: Beth Dubber / Courtesy of Apple TV+ https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/7f9a8027-3e97-4c2a-aabf-a2f736976cd9/Sarah-Archer-Palm-Royale8.jpg Writing - Palm Royale Is the Most Stylish Show on TV Right Now - Make it stand out Taxidermy and its attendant plumage telegraphs the decadence and showmanship of Palm Royale’s elite social circle. Photo: Erica Parise / Courtesy of Apple TV+ https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/97737008-c6cd-413a-973a-398aed8419ae/Sarah-Archer-Palm-Royale9.jpg Writing - Palm Royale Is the Most Stylish Show on TV Right Now - Make it stand out The Dellacorte mansion glimmers with mirrors, antiques, and chandeliers, but isn’t pastel or especially preppy. Photo: Erica Parise / Courtesy of Apple TV+ https://www.sarah-archer.com/writing/a-panorama-of-design monthly 0.5 2024-08-25 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/7d242234-52f6-40f4-a7af-6254147bc353/Sarah-Archer-Panorama3.jpg Writing - When Sneakers Became a Serious Asset Class - Make it stand out A Nike sneaker designed in collaboration with (and signed by) the rapper MF Doom. Recently, sneakers have started to attract higher prices at auction. Credit - Sotheby's https://www.sarah-archer.com/writing/opinion-everyone-has-an-opinion-about-martha-stewart monthly 0.5 2024-08-27 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/97f89afa-c57f-4e3c-8faa-23f700933eac/Martha.jpg Writing - Opinion: Everyone has an opinion about Martha Stewart - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.sarah-archer.com/writing/art-for-lifes-sake monthly 0.5 2024-08-27 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/f4e5e38b-cff8-4686-aa92-874f6e72b73e/Rago-1.png Writing - Art for Life's Sake - Make it stand out Left: Toshiko Takaezu Makaha Blue USA, 1993 glazed porcelain 47 ¾ h x 17 w x 17 ¼ d in (121 x 43 x 44 cm) A monumental example of this form. Incised signature near base ‘TT’. LITERATURE: Toshiko Takaezu: An Essential Balance, Perimeter Gallery exhibition catalog, pg. 6 illustrates this example EXHIBITED: Toshiko Takaezu: New Works, Featuring the Makaha Blue Forest, 1997, Charles Cowles Gallery, New York Toshiko Takaezu: An Essential Balance, 13 October – 25 November 2000, Perimeter Gallery, Chicago PROVENANCE: Perimeter Gallery, Chicago Right: Toshiko Takaezu Makaha Blue USA, 1994 glazed porcelain 31 ½ h x 10 ½ w x 10 d in (80 x 27 x 25 cm) Incised signature near base ‘TT’. LITERATURE; Toshiko Takaezu: An Essential Balance, Perimeter Gallery exhibition catalog, pg. 7 illustrates this example EXHIBITED: Toshiko Takaezu: New Works, Featuring the Makaha Blue Forest, 1997, Charles Cowles Gallery, New York Toshiko Takaezu: An Essential Balance, 13 October – 25 November 2000, Perimeter Gallery, Chicago PROVENANCE: Perimeter Gallery, Chicago https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/5f4a416b-5c10-4a9d-a3f8-7c8ee0886368/Rago-2.png Writing - Art for Life's Sake - Make it stand out Judy Kensley McKie Fish Bench USA, 1999 patinated bronze 18 h x 76 w x 29 d in (46 x 193 x 74 cm) Incised signature, date and number to underside ‘JKM 1999 8/10’. This work is number 8 from the edition of 10. LITERATURE: The Furniture Art of Judy Kensley McKie, exhibition catalog, unpaginated https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/e4185920-2b55-41bb-b65d-591baaacb605/Rago+3.png Writing - Art for Life's Sake - Make it stand out Rudy Autio Esplanade USA, 2000 hand-built glazed stoneware 33 h x 23 w x 23 d in (84 x 58 x 58 cm) Incised signature and date near base ‘Autio ABC 10/00’. PROVENANCE Archie Bray Foundation for the Ceramic Arts, Helena, MT https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/b9860e33-54dd-43ae-9f47-81b94e125945/Rago-4.png Writing - Art for Life's Sake - Make it stand out Wendell Castle Triad Chair USA, 2007 gel-coated fiberglass, gold leaf 34 h x 35 ½ w x 28 d in (86 x 90 x 71 cm) Carved signature, date and number to underside ‘Castle 07 7/8’. This work is number 7 from the edition of 8 plus 2 artist’s proofs and is registered with the artist’s studio as number 1411C. LITERATURE Wendell Castle: A Catalogue Raisonné 1958–2012, Eerdmans, pg. 393, no. v.21 references the edition PROVENANCE The Artist Friedman Benda, New York Marilyn Levine KCP Bag Canada/USA, 1984 hand-built and glazed earthenware, metal 8 ½ h x 11 w x 10 ½ d in (22 x 28 x 27 cm) PROVENANCE T he Clay Studio, Philadelphia https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/ff3a19a9-7eba-4ab5-9c05-02555f65892e/Rago-5.png Writing - Art for Life's Sake - Make it stand out Toots Zynsky Untitled USA, 1993 filet de verre fused and thermo-formed glass threads 6 ½ h x 10 ¾ w x 6 ½ d in (17 x 27 x 17 cm) Signed to underside ‘Z’. PROVENANCE Snyderman Gallery, Philadelphia https://www.sarah-archer.com/writing/the-clay-studio monthly 0.5 2024-08-27 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/71c37e88-2361-42a9-bbe2-7d4dd2a82206/Sarah-Archer-Clay-Studio1.jpg Writing - The Clay Studio Puts Down New Roots in Philadelphia - Make it stand out COURTESY © 2023 HALKIN MASON PHOTOGRAPHY https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/883c0f05-eae4-485d-8c8e-aad5dd7bae97/Sarah-Archer-Clay-Studio2.jpg Writing - The Clay Studio Puts Down New Roots in Philadelphia - Make it stand out The facilities include a stocked glaze lab, a prototyping studio, and a large array of kilns. Furniture, plumbing, and HVAC all feature state-of-the-art equipment and strategies to make The Clay Studio an international leader in ceramic arts. COURTESY HALKIN MASON https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/9d6b6cfc-be0e-42b3-b7b8-1994305ed699/Sarah-Archer-Clay-Studio3.jpg Writing - The Clay Studio Puts Down New Roots in Philadelphia - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/cc20a81c-ae78-403b-b3ed-1153cd3ef2ca/Sarah-Archer-Clay-Studio4.jpg Writing - The Clay Studio Puts Down New Roots in Philadelphia - Make it stand out The building’s first-floor gallery includes the beloved “mug wall,” a retail showcase of the artists-in-residence’s mugs. COURTESY SAM OBERTER PHOTOGRAPHY https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/c307d3d1-533e-4170-89bd-a48cd0dc9d47/Sarah-Archer-Clay-Studio5.jpg Writing - The Clay Studio Puts Down New Roots in Philadelphia - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/bcd55112-52fe-416c-8db1-7b604b679374/Sarah-Archer-Clay-Studio6.jpg Writing - The Clay Studio Puts Down New Roots in Philadelphia - Make it stand out The building also houses a permanent art collection on the top level and a rooftop deck and garden. COURTESY SAM OBERTER PHOTOGRAPHY https://www.sarah-archer.com/writing/millennials-embrace-bicentennial-style monthly 0.5 2024-08-25 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/ac60296c-2597-4885-a14a-3e52e35eaf91/bicentennial-millennial1.jpg Writing - Millennials Embrace Bicentennial Style - Make it stand out Erick J. Espinoza, a 32-year-old designer, typifies the “bicentennial millennial.” Credit - Lauren Lancaster for The New York Times https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/a5f43484-99bf-4e4e-8af6-a77039d4aecd/bicentennial-millennial2.jpg Writing - Millennials Embrace Bicentennial Style - Make it stand out Mr. Espinoza’s equestrian-themed bedroom represents an amped-up style of Americana. Credit - Lauren Lancaster for The New York Times https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/83b73702-34ea-4ddc-8536-1b270524e641/bicentennial-millennial3.jpg Writing - Millennials Embrace Bicentennial Style - Make it stand out Camille Okhio, a subject of the book “The New Antiquarians: At Home with Young Collectors.” Credit - Brian W. Ferry https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/f8ef0f2a-c89d-4441-ab99-24c9d993e361/bicentennial-millennial4.jpg Writing - Millennials Embrace Bicentennial Style - Make it stand out Vintage Americana is sold at the Six Bells, Audrey Gelman’s Brooklyn boutique. Credit - Lauren Lancaster for The New York Times https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/160bfd7e-b62c-4ef9-91e6-de58c989b89c/bicentennial-millennial5.jpg Writing - Millennials Embrace Bicentennial Style - Make it stand out According to Mr. Espinoza, “Even really serious and intense works of American folk art are still whimsical, graphic and humorous.” Credit - Lauren Lancaster for The New York Times https://www.sarah-archer.com/writing/dorothy-liebes monthly 0.5 2024-08-25 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/353f2240-0178-4603-8eef-27c602fa3509/Sarah-Archer-Dorothy-Liebes1.jpg Writing - An Exhibition Celebrating Dorothy Liebes’s Distinct Weavings - Make it stand out Left: a sample card showing a circa 1945 Dorothy Liebes textile design. Right: Liebes, standing, in her studio with associates working at their looms circa 1957. Credit - Left: Cooper Hewitt, Smithsonian Design Museum, 1972-75-114. Photo: Matt Flynn, © Smithsonian Institution. Right: Dorothy Liebes Papers, Archives of American Art, Smithsonian Institution https://www.sarah-archer.com/writing/cats-eye-view monthly 0.5 2023-10-03 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/b60561a2-82ec-4e32-bd7a-59aa03b17410/cats-eye-view01.jpg Writing - A Cat's Eye View - Make it stand out Saul Steinberg with cat in his Amagansett, Long Island, studio, 1974. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/0102efcf-6ee0-49f7-b1fb-c81911daeeb8/cats-eye-view02.jpg Writing - A Cat's Eye View - Make it stand out Eames Molded Fiberglass Armchairs painted by Saul Steinberg during a visit to Eames Studio in 1950. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/ab1cdc03-1050-48d8-86ac-cc618be2696d/cats-eye-view03.jpg Writing - A Cat's Eye View - Make it stand out An Eames La Chaise prototype painted by Saul Steinberg during a visit to Eames Studio in 1950. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/6158c35a-dc39-4f23-972f-3edfc830e324/cats-eye-view04.jpg Writing - A Cat's Eye View - Make it stand out The Steinberg Cat, painted by Saul Steinberg on an Eames Molded Fiberglass Armchair, 1950. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/3dbe0636-ccba-4a68-bae7-240258804d00/cats-eye-view05.jpg Writing - A Cat's Eye View - Make it stand out Ray and Charles Eames in the living room, 1958. Photo: Julius Shulman photography archive, 1935–2009. The Getty Research Institute. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/deacc8b1-6ae9-4b0b-a5d5-7c45d3078ecf/cats-eye-view06.jpg Writing - A Cat's Eye View - Make it stand out A still from the Eameses’ short film, Powers of Ten, 1977. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/f29ef663-8192-41d7-893e-d2ddd72df854/cats-eye-view07.jpg Writing - A Cat's Eye View - Make it stand out Saul Steinberg, View of the World from 9th Avenue Cover of The New Yorker, March 29, 1976 Cover reprinted with permission of The New Yorker magazine. All rights reserved. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/539c9be0-397a-4718-b478-36aee41db491/cats-eye-view08.jpg Writing - A Cat's Eye View - Make it stand out Saul Steinberg, lampoons of chair designs, 1946–49, as published in The Art of Living, 1949. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/f1553fa3-1e61-47ca-b67b-ddd09e3b4301/cats-eye-view09.jpg Writing - A Cat's Eye View - Make it stand out Saul Steinberg, Untitled, 1950, published in Flair, March 1950. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/929f22b8-0187-47a2-8b55-7420ebd2604d/cats-eye-view10.jpg Writing - A Cat's Eye View - Make it stand out Saul Steinberg, Chest of Drawers Cityscape, 1950, published in Flair, September 1950. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/eb25b891-3b65-4a81-a56d-0187ba8f4f66/cats-eye-view11.jpg Writing - A Cat's Eye View - Make it stand out Saul Steinberg, Looking Down, 1988, felt marker, crayon, colored pencil, conté, and collage on paper, 20 x 14 in. The Saul Steinberg Foundation, New York https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/ed3d26c6-8138-4573-ad64-33f668b9e291/cats-eye-view12.jpg Writing - A Cat's Eye View - Make it stand out Saul Steinberg, drawing accompanying Russell Lynes, “Highbrow, Middlebrow, Lowbrow, Harper’s Magazine, February 1949, p. 24 https://www.sarah-archer.com/writing/good-taste monthly 0.5 2023-07-03 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/4035b740-88ce-4387-a632-78a96ef60c67/good-taste1.jpg Writing - Is It Time to Do Away With “Good Taste”? - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/27b662cc-6d46-48e5-aad6-348b59bbb8cc/good-taste2.jpeg Writing - Is It Time to Do Away With “Good Taste”? - Make it stand out Elsie de Wolfe reclining on a rattan lounger—a material the decorator loved. Photo: Bettmann https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/323f53c8-8255-43a1-897d-bf818f29736b/good-taste3.jpg Writing - Is It Time to Do Away With “Good Taste”? - Make it stand out An Edward F. Caldwell & Co. chandelier designed for Colony Club in New York. Photo: Cooper-Hewitt National Design Library / Smithsonian Libraries and Archives https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/557118ba-0f51-4bea-a355-a2cb9c766dd6/good-taste4.jpeg Writing - Is It Time to Do Away With “Good Taste”? - Make it stand out Above, some of Buatta’s own collections, which were auctioned by Sotheby’s in 2020. Photo: The Washington Post/Getty Images https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/b2a5bc0d-cc5a-4d92-b488-b7f639a1cf25/good-taste5.jpeg Writing - Is It Time to Do Away With “Good Taste”? - Make it stand out Lilly Pulitzer at a poolside party in Palm Beach in the 1950s. Photo: Slim Aarons/Getty Images https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/c62e2029-6dc8-40a3-8f51-9ecd553ce9ad/good-taste6.jpeg Writing - Is It Time to Do Away With “Good Taste”? - Make it stand out The Jungle Room, as it became known after the public opening of Graceland in 1982, is widely accepted as the ne plus ultra of kitsch decorating. The tiki-inflected room features green shag carpeting, elaborately carved furniture, faux animal fur upholstery, and wood-paneled walls. The space served as a den for the King of Rock and Roll, as well as a recording studio in his later years. Photo: Paul Natkin/Getty Images https://www.sarah-archer.com/writing/luxury-underfoot monthly 0.5 2023-07-03 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/097752b9-5ca7-4b26-a414-954db2d4faa1/Screen+Shot+2023-07-03+at+5.08.07+PM.png Writing - Luxury underfoot - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/d9aeb187-9e6f-4554-af2f-1b5b17777ae1/Screen+Shot+2023-07-03+at+5.08.54+PM.png Writing - Luxury underfoot - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/6f304c63-35a5-4f3f-8ecf-5f05716d04b8/Screen+Shot+2023-07-03+at+5.09.09+PM.png Writing - Luxury underfoot - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.sarah-archer.com/writing/an-irish-abbey-where-the-grass-is-always-warmer monthly 0.5 2023-07-03 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/416fb5d0-6288-4fe5-83a7-d660aabbbf17/Irish-Abby1.jpg Writing - An Irish Abbey Where the Grass Is Always Warmer - Make it stand out Evening prayers at St. Mary’s Abbey in Ireland, where nuns make handmade cards, candles and Eucharistic bread and tend the abbey’s 250 acres.Credit...Karen Cox for The New York Times https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/116beb6f-c8f2-4208-8554-6ebf12fe2cc7/Irish-Abby2.jpg Writing - An Irish Abbey Where the Grass Is Always Warmer - Make it stand out A view of St. Mary’s Abbey in County Waterford, near Ireland’s southeastern coast.Credit...Karen Cox for The New York Times https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/abd5207b-5ab7-44e5-bc88-6e2363eb321b/Irish-Abby3.jpg Writing - An Irish Abbey Where the Grass Is Always Warmer - Make it stand out Sheep and lambs on the abbey’s farm.Credit...Karen Cox for The New York Times https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/ed9265ca-308b-4ced-875c-288b0c8ae959/Irish-Abby4.jpg Writing - An Irish Abbey Where the Grass Is Always Warmer - Make it stand out Sister Lily Scullion, 78, grew up on a farm and came up with the idea of growing miscanthus.Credit...Karen Cox for The New York Times https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/3d504f9a-b474-4de8-8d45-17d38150acd2/Irish-Abby5.jpg Writing - An Irish Abbey Where the Grass Is Always Warmer - Make it stand out After it is harvested, miscanthus is stored in a large shed on the abbey’s farm. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/d5f658a4-3762-43b3-b64e-9a57c586def9/Irish-Abby6.jpg Writing - An Irish Abbey Where the Grass Is Always Warmer - Make it stand out Dried miscanthus is used as fuel to heat the abbey’s buildings.Credit...Karen Cox for The New York Times https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/f54f387f-92dc-4bfa-8747-efa232009e18/Irish-Abby7.jpg Writing - An Irish Abbey Where the Grass Is Always Warmer - Make it stand out Cows are part of the landscape at the abbey. https://www.sarah-archer.com/writing/the-enduring-appeal-of-ugly-design monthly 0.5 2023-06-07 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/af9d33a3-4607-40c1-be47-7433109fc297/Ugly-Design1.jpg Writing - The Enduring Appeal of “Ugly” Design - Make it stand out Lizzie Soufleris https://www.sarah-archer.com/writing/has-brutalist-architecture-hit-the-saturation-point monthly 0.5 2023-06-07 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/060a6383-69d1-4617-ab31-41e15d52e818/Brutalist-Architecture1.jpg Writing - Has Brutalist Architecture Hit the Saturation Point? - Make it stand out The entry of Abbott cofounder Jose Alvare’s historic loft in Williamsburg. Photo: Nick Glimenakis https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/8e8fe2d3-d7c6-4a8b-b9b2-0eac76e69eb7/Brutalist-Architecture2.jpg Writing - Has Brutalist Architecture Hit the Saturation Point? - Make it stand out The SKKN by Kim product lineup includes a vanity tray, a round container, a canister, a tissue box, and a waste basket. Photo courtesy of SKKN by Kim https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/31e7a415-ce18-4c5b-b4d5-6be95920da4f/Brutalist-Architecture3.jpg Writing - Has Brutalist Architecture Hit the Saturation Point? - Make it stand out This guest bedroom inside a brutalist home in Milan showcases nudes from the client’s photography collection alongside a sculptural side table by George Mohasseb. The wall and cabinet are sheathed in nabuk leather, and the bath, beyond, is clad in emerald green quartzite. Photo: DePasquale+Maffini https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/9444080a-d0c0-49a5-8731-1250db39ecb7/Brutalist-Architecture4.jpg Writing - Has Brutalist Architecture Hit the Saturation Point? - Make it stand out The spacious play area of Evan Yurman’s home in the Catskills features a locally made table with stools purchased from a nearby Waldorf school fair, an Eames lounge chair, and a painting by Augustus Thompson. Photo: Chris Mottalini https://www.sarah-archer.com/writing/vivid-colorful-marble-is-everywhere-right-now monthly 0.5 2023-06-07 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/4ce78218-03a5-4878-883c-18d02ed664b7/Vivid-Marble_1.jpeg Writing - Vivid, Colorful Marble Is Everywhere Right Now - Make it stand out Above: In lieu of a neutral marble backsplash, New York design duo Le Whit selected a jaw-dropping Breccia Capraia slab with subtle wine-colored swirls inside this chic apartment. Photo: Nicole Franzen https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/f88d1c6a-9f1c-4450-b1ee-9f8af1794394/Vivid-Marble_2.jpg Writing - Vivid, Colorful Marble Is Everywhere Right Now - Make it stand out In a recent project on Manhattan’s Upper East Side, architect Michael K. Chen selected a dramatic Cassiopeia marble for a powder room’s vanity. Photo: Max Burkhalter https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/0763d6f7-8ad7-4d0f-9f91-917b50c2151d/Vivid-Marble_3.jpg Writing - Vivid, Colorful Marble Is Everywhere Right Now - Make it stand out This striking Paris bathroom, designed by Hugo Toro, features three types of vivid marbles, including the deep green Alpine marble cladding the tub and walls. Photo: Stephan Julliard https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/45a365a4-7887-4086-b492-583bf02585f2/Vivid-Marble_4.jpg Writing - Vivid, Colorful Marble Is Everywhere Right Now - Make it stand out SolidNature’s striking presentation during Milan Design Week this spring in collaboration with OMA and designer Sabine Marcelis. Photo: Courtesy Of SolidNature https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/0a6be036-debd-43d0-8749-afbfc73d40ba/Vivid-Marble_5.jpeg Writing - Vivid, Colorful Marble Is Everywhere Right Now - Make it stand out This vanity in a Brooklyn brownstone designed by Home Studios is made from Giallo Siena marble from BAS Stone. Photo: Brian Ferry https://www.sarah-archer.com/writing/2022/9/20/why-are-we-yearning-for-70s-decor-again monthly 0.5 2022-09-20 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/5e9bb3d3-afa9-4f2c-aa11-225028d340c0/Seventies-Decor-Again_1.jpg Writing - Why Are We Yearning for ’70s Decor Again? - Make it stand out Evidence is everywhere that ’70s decor is back with a vengeance—including in the living room of Elaine Welteroth, designed by Night Palm. Photo: Frank Frances https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/f75f0a5d-2aaa-410f-8c4c-04fea3ea7e0d/Seventies-Decor-Again_2.jpg Writing - Why Are We Yearning for ’70s Decor Again? - Make it stand out The bedroom of Elaine Welteroth, designed by Night Palm and seen in the pages of AD, leans into ’70s decor. Photo: Frank Frances https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/dcd06a1f-f9ef-4896-ba19-503d5e62f649/Seventies-Decor-Again_3.jpg Writing - Why Are We Yearning for ’70s Decor Again? - Make it stand out Marion Mailaender identifies artist Maria Pergay’s work in stainless steel as an influence in her interiors. Evidence abounds in her sleek, ’70s-inspired Paris kitchen. Photo: Romain Laprade https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/4e52a4f2-1a9d-4714-a62b-b88590501c03/Seventies-Decor-Again_4.jpg Writing - Why Are We Yearning for ’70s Decor Again? - Make it stand out A library designed by Alex P. White channels the 1970s with its plush, enveloping sofa and rich color palette. Photo: Chris Mottalini https://www.sarah-archer.com/writing/2022/9/20/pennsylvanias-longwood-gardens-restores-its-century-old-orchid-house monthly 0.5 2022-09-20 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/f6e66e83-b618-43cf-be39-1e7fb5bc92df/Longwood-Gardens-Orchid-House_1.jpeg Writing - Pennsylvania’s Longwood Gardens Restores Its Century-Old Orchid House - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1f12773d-d797-4c94-a423-4840da5413eb/Longwood-Gardens-Orchid-House_2.jpeg Writing - Pennsylvania’s Longwood Gardens Restores Its Century-Old Orchid House - Make it stand out William Francis, the Chief Engineer at Longwood who supervised all garden construction from 1906-1924, stands in the Orchid House. photo by: Longwood Gardens https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/d679928e-efe2-416a-bbfe-acc4d11702bd/Longwood-Gardens-Orchid-House_3.jpeg Writing - Pennsylvania’s Longwood Gardens Restores Its Century-Old Orchid House - Make it stand out Longwood Gardens’ Gina Sinovich, associate director of construction management, compares mosaic concrete samples during the construction process. photo by: John Milner Architects https://www.sarah-archer.com/writing/2022/9/20/the-aboveground-pool-is-chic-now monthly 0.5 2022-09-20 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/40d8f0d4-b28c-4c6a-b910-2be5eff47af4/above-ground-pools_1.jpeg Writing - The Aboveground Pool Is Chic Now - Make it stand out Above ground pools are experiencing a renaissance, thanks to prefab solutions like stock tanks and Modpools, which are made from shipping containers. Here, a Modpool at the Marfa, Texas home of Douglas Friedman bears out the point. Photo: Douglas Friedman https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/f9a0e7e4-361d-4d32-a031-6931397ce00b/above-ground-pools_2.jpeg Writing - The Aboveground Pool Is Chic Now - Make it stand out A stock tank pool by Cowboy Pools. Photo: Cristina Fisher / Cowboy Pools https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/16983b09-c044-45ef-aef1-3a9d5862d2ce/above-ground-pools_3.jpeg Writing - The Aboveground Pool Is Chic Now - Make it stand out A daytime shot of Friedman’s cool pool in Marfa, Texas. Photo: Douglas Friedman https://www.sarah-archer.com/writing/2022/5/24/can-cat-friendly-design-be-chic monthly 0.5 2022-05-24 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/4817dde4-eefb-4084-88b0-f8a8f24fd251/CatArch_1.png Writing - Can Cat-Friendly Design Be Chic? - Make it stand out Hamlet VIII, the lobby cat of the Algonquin Hotel in New York City, is arguably the longest-standing resident of the legendary auberge. So when a recent renovation of the property came to pass, Stonehill Taylor applied concepts of cat-friendly design to ensure that he and the inn’s more temporary guests could live in harmony. Courtesy Stonehill Taylor https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/4ddb3319-30ce-4e45-a130-a65c0b86453b/CatArch_2.png Writing - Can Cat-Friendly Design Be Chic? - Make it stand out Some of the less feline-centric furnishings in the lobby of The Algonquin. Photo: Eric Laignel https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/b3a67f34-086f-47ca-b3be-52822c1b70a5/CatArch_3.png Writing - Can Cat-Friendly Design Be Chic? - Make it stand out New lighting in the 1902 Beaux Arts hotel. Photo: Eric Laignel https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/cf117870-9a28-4250-b158-515dd612274e/CatArch_4.png Writing - Can Cat-Friendly Design Be Chic? - Make it stand out Photo: Eric Laignel https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/b76e1f84-2ff8-4ad3-96f6-81b344b4214d/CatArch_5.png Writing - Can Cat-Friendly Design Be Chic? - Make it stand out According to Algonquin lore, there has been a semiofficial hotel cat living in the lobby since the 1920s. In 1932, the hotel’s owner, Frank Case, rescued a local stray. The actor John Barrymore, who was starring in a Broadway production of Hamlet at the time, insisted that the cat adopt the Shakespearean name, unwittingly starting a tradition that has now lasted for nearly a century. Seven Hamlets have preceded the hotel’s current concierge, and female Algonquin cats are named Matilda. (So far, there have been three.) Photo courtesy Stonehill Taylor https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/706d668e-d307-463a-a6fd-f26e51a991f5/CatArch_6.png Writing - Can Cat-Friendly Design Be Chic? - Make it stand out Loughhead anticipated that Hamlet would be a “fancy, filet mignon–eating cat,” but, in fact, he was rescued by a humane organization in Florida who responded to a national search and flagged the orange tabby as the perfect fit: “They said ‘we have your cat,’” Loughhead says. “This cat is incredibly bossy, direct, funny, the man in charge of every situation, but on top of that he’s pleasant with everybody. He’s happy to see everyone.” Photo: Eric Laignel https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/e6dfb7f8-bb6a-4388-999d-1426250149b5/CatArch_7.png Writing - Can Cat-Friendly Design Be Chic? - Make it stand out An Al Hirschfeld illustration harks back to The Algonquin’s vicious circle heyday. Photo: Eric Laignel https://www.sarah-archer.com/writing/2022/5/24/wall-to-wall-carpet-is-back-and-were-not-mad-about-it monthly 0.5 2022-09-20 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/9d992950-f57f-44f2-9563-b35b30005e93/WallToWall_1.png Writing - Wall-to-Wall Carpet Is Back (and We’re Not Mad About It) - Make it stand out Mint green carpet in Mark Grattan’s Mexico City home. Maureen M. Evans. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/b649111d-32eb-47b2-ab9d-e6005ff84aa8/WallToWall_2.png Writing - Wall-to-Wall Carpet Is Back (and We’re Not Mad About It) - Make it stand out A red carpeted set from Netflix’s Halston. The late designer’s office is an oft-cited reference for the wall-to-wall trend. Atsushi Nishijima/Netflix. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/bec87859-de3a-4c60-9b74-bc02e96f04b2/WallToWall_4.png Writing - Wall-to-Wall Carpet Is Back (and We’re Not Mad About It) - Make it stand out Mark Grattan installed white wall-to-wall carpet in his Mexico City bedroom. His cat, Amiga, surely approves. Maureen M. Evans. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/cee7e14f-5930-4509-a49a-a2dff279dff7/WallToWall_3.png Writing - Wall-to-Wall Carpet Is Back (and We’re Not Mad About It) - Make it stand out A plush floral carpet in the Robert McKinley–designed Sant Ambroeus, Brookfield Place. Nicole Franzen. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/79c8b7a4-8bfd-4714-91d8-2363c9467440/WallToWall_5.png Writing - Wall-to-Wall Carpet Is Back (and We’re Not Mad About It) - Make it stand out A leopard print carpet by House of Hackney brings luxe, old-world glamour to the Nines. Liz Clayman. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/091dab37-8d20-422b-918e-4748f6d9bafd/WallToWall_6.png Writing - Wall-to-Wall Carpet Is Back (and We’re Not Mad About It) - Make it stand out Designer Gail Davis specified an oversize rug in her client’s home office, a move that gives the immersive feel of wall-to-wall carpeting. Mike Van Tassell. https://www.sarah-archer.com/writing/2022/5/24/makers-from-meissen-to-cindy-sherman-bring-whimsy-to-your-winter-table monthly 0.5 2025-05-12 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/bf739cf3-8f5c-4734-9020-8acecd5f3190/WinterTable_1.jpeg Writing - Makers from Meissen to Cindy Sherman Bring Whimsy to your Winter Table - Make it stand out Contemporary photographer Cindy Sherman worked with the Ancienne Manufacture Royale de Limoges to produce this 1990 tureen featuring a portrait of Sherman dressed as 18th-century courtier and tastemaker Madame de Pompadour. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/420e15a6-7fc1-414a-aa8d-65b4eda88dfc/WinterTable_2.jpeg Writing - Makers from Meissen to Cindy Sherman Bring Whimsy to your Winter Table - Make it stand out Renowned German porcelain maker Meissen created this pair of swans in the late 18th or early 19th century. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/734f16e8-5b61-4514-9232-6c5624fed1cb/WinterTable_3.jpg Writing - Makers from Meissen to Cindy Sherman Bring Whimsy to your Winter Table - Make it stand out This 1784 vessel by French silversmith Jean-Baptiste-François Chéret is topped with an elegant bunch of carrots, celery and cauliflower. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/4e8cb81b-05d9-4073-ae40-8aed2473208e/WinterTable_4.jpeg Writing - Makers from Meissen to Cindy Sherman Bring Whimsy to your Winter Table - Make it stand out These 19th-century English tureens were produced by makers Flight, Barr & Barr (left) and Wedgwood (right). https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/301fb5eb-b1e4-4b83-a5da-80f37089f806/WInterTable_5.jpeg Writing - Makers from Meissen to Cindy Sherman Bring Whimsy to your Winter Table - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/f7642197-5b58-4560-b96d-389a9898d7b3/WInterTable_6.jpg Writing - Makers from Meissen to Cindy Sherman Bring Whimsy to your Winter Table - Make it stand out Tiffany & Co. created a number of tureens in the neoclassical style, such as this early-20th-century piece. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/6280c842-cdb3-454a-a829-320962fe8aed/WInterTable_7.jpeg Writing - Makers from Meissen to Cindy Sherman Bring Whimsy to your Winter Table - Make it stand out Some of the most whimsical dishes have realistic shapes, like this ca. 1765 faience cabbage and 1950s Majolica fish. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/036ec458-d173-4ebf-80c9-f3f40256aca8/WInterTable_8.jpeg Writing - Makers from Meissen to Cindy Sherman Bring Whimsy to your Winter Table - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/75f94f01-f7c3-49f0-a1e6-63974b9256a9/WInterTable_9.jpeg Writing - Makers from Meissen to Cindy Sherman Bring Whimsy to your Winter Table - Make it stand out Mid-century French artisan Gustave Reynaud of Atelier le Mûrier was known for his earthy ceramics, like this 1960s tureen. https://www.sarah-archer.com/writing/2022/2/4/bartram-and-influence-on-american-gardening monthly 0.5 2022-02-07 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/39b5d6c6-8d6c-4699-9a42-c5052d724a01/BartramHouse Writing - Bartram and Influence on American Gardening - Make it stand out House of John Bartram, the colonial botanist and agriculturist, near Philadelphia. Courtesy New York Public Library. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/f5ccb27d-fb68-4460-9411-3bd500a56e87/Bartram_2.jpeg Writing - Bartram and Influence on American Gardening - Make it stand out William Bartram drawing/James Trenchard engraving: “Bignonia Bracteata. Journ. page.” or Georgia bark (Pinckneya bracteata). Engraving by James Trenchard, possibly for 1786 (Story) edition of “Travels.” APS-B. S. Barton Collection Hallock & Hoffmann, p. 295 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/fb1a4a41-1bb7-40d0-8bf2-d34dd06f6af7/Bartram_3.jpg Writing - Bartram and Influence on American Gardening - Make it stand out John Bartram House & Garden, 54th Street & Lindbergh Boulevard, Philadelphia, Philadelphia County, PA Photos from Survey HALS PA-1. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/a30b68b6-1b98-456f-a789-b68d0200ace5/Bartram_4.jpg Writing - Bartram and Influence on American Gardening - Make it stand out John Bartram House & Garden, 54th Street & Lindbergh Boulevard, Philadelphia, Philadelphia County, PA Photos from Survey HALS PA-1. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/d844cf42-654b-4685-aba6-a65734423339/Bartram_5.jpg Writing - Bartram and Influence on American Gardening - Make it stand out A drawing by William Bartram showing specimen plants in Williamsburg, VA, [Williamsburg, Virginia, ca. 1740]. Courtesy Library of Congress https://www.sarah-archer.com/writing/2022/5/24/this-throwback-fabric-trend-is-back-in-a-major-way monthly 0.5 2022-05-24 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/4dca5946-e773-4d4f-bd02-63128d100e94/Moire_1.png Writing - This Throwback Fabric Trend Is Back in a Major Way - Make it stand out From left: A runway look from Christian Siriano’s Spring/Summer 2022 collection, a moiré armchair from Gucci home, and a mini dress by designer Brandon Maxwell. Courtesy Christian Siriano, Gucci, and Net-a-Porter. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/240fbbb5-979d-4e84-aab8-20ad2871fa45/Moire_2.png Writing - This Throwback Fabric Trend Is Back in a Major Way - Make it stand out A maximalist cape ensemble in acid green moiré silk on Christian Siriano’s runway last fall. Christian Siriano. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/e9bb60ce-b0b1-4b23-bbde-eed55ff6f822/Moire_3.png Writing - This Throwback Fabric Trend Is Back in a Major Way - Make it stand out Inside the Robert McKinley-designed Sant Ambroeus Brookfield place. Salmon-colored moiré silk covers the walls of the dining rooms. Nicole Franzen. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/bde91c4b-0380-45f6-8e1a-10d64a7fdf6c/Moire_4.png Writing - This Throwback Fabric Trend Is Back in a Major Way - Make it stand out Campbell-Rey’s Fabrizia cocktail chair. Courtesy the Invisible Collection. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/a2cd1794-d768-4a96-9a74-a7c9b6e7369f/Moire_5.png Writing - This Throwback Fabric Trend Is Back in a Major Way - Make it stand out A Moiré-covered powder room in a Brooklyn apartment designed by Jett Projects. Christian Harder. https://www.sarah-archer.com/writing/2022/2/4/benchmark-for-modernity monthly 0.5 2022-02-07 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/ea07331a-8b86-4b01-ab1a-8d092b9c95f5/Bench_1.jpg Writing - Benchmark for Modernity - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/ad8bc4c0-2dde-4ace-aaeb-8620835b8d89/Bench_2.jpeg Writing - Benchmark for Modernity - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/3f23c060-083c-42e9-bc10-a35c59cd16b3/Bench_3.jpeg Writing - Benchmark for Modernity - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/cdaf2529-5bd6-4838-aa88-32b103e0aae1/Bench_4.jpeg Writing - Benchmark for Modernity - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/decaad47-4c48-4766-a4ef-ed8d422b2140/Bench_5.jpeg Writing - Benchmark for Modernity - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/e33bdbac-0752-4496-ba95-d2ef544ebe4a/Bench_6.jpeg Writing - Benchmark for Modernity - Make it stand out An History of Modern Furniture from Prehistoric Times to the Post War Era by Gilbert Rohde, illustrated by Peggy Ann Mack, 1942. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/276c47fc-46a9-4d26-8cb1-bada9201fe25/Bench_7.jpg Writing - Benchmark for Modernity - Make it stand out Storage Wall featured in Life magazine, January 22, 1945. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/11dc816f-510b-48de-a236-b6a0ea7fddd2/Bench_8.jpeg Writing - Benchmark for Modernity - Make it stand out Herman Miller advertisement designed by Irving Harper, 1947. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/4ead35ed-9c58-43d7-9a69-71f584f8c343/Bench_9.jpeg Writing - Benchmark for Modernity - Make it stand out Herman Miller advertisement designed by Irving Harper, 1952. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/c7dd69d3-4931-4c93-9249-17392890e938/Bench_10.jpeg Writing - Benchmark for Modernity - Make it stand out The Cane Bench was designed for residential spaces and—similar to the Platform Bench—was used for seating, table, and storage applications. It was often paired with Nelson’s Rosewood Group cases (later the Thin Edge Group) and was finished to match. Here the classic classic combo is featured in 1956. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/f082cfab-79c7-4527-8b75-421d95fad05b/Bench_11.jpeg Writing - Benchmark for Modernity - Make it stand out Original Cane Bench drawing from the Nelson Office, c. 1952. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/d5a63c2b-7f63-47c7-a7ce-cf427a081c54/Bench_12.jpeg Writing - Benchmark for Modernity - Make it stand out Herman Miller advertisement designed by Irving Harper, 1950. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/ba2aca06-2276-4309-bf93-1fb353be2995/Bench_13.jpeg Writing - Benchmark for Modernity - Make it stand out No. 4691 and 4992 benches with No. 4710, 4711, and 4743 Basic Cabinet Series phonograph cases designed by George Nelson, 1952. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/b5b0e7ff-8e69-45c4-8dee-95008c06e52a/Bench_14.jpeg Writing - Benchmark for Modernity - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.sarah-archer.com/writing/2022/2/4/these-interior-design-trends-will-define-our-homes-in-2022 monthly 0.5 2022-02-04 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/51bfcdcc-94c8-4329-88a5-a85aeebd2dab/Elle_1.png Writing - These Interior Design Trends Will Define Our Homes in 2022 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/b3ca93ff-85ba-4b5d-96f3-9a68a43c1a73/Elle_2.png Writing - These Interior Design Trends Will Define Our Homes in 2022 - Make it stand out The color-drenched home of French lighting designer Marie-Lise Féry. Pierrick Verny. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/4edcba50-4457-4b37-98a4-7e443ae43037/Elle_3.png Writing - These Interior Design Trends Will Define Our Homes in 2022 - Make it stand out Knoll’s multipurpose Grasshopper table can serve as a desk or a dining table. Eric Staudenmaier. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/c0bcc1ea-72ff-4cbb-884f-08a42236afa5/Elle_4.png Writing - These Interior Design Trends Will Define Our Homes in 2022 - Make it stand out A vignette from Object + Thing’s presentation at The Noyes House in New Canaan, Connecticut. Craft-inspired works include (from left) a painting by Tomoo Gokita, a pair of chairs by Daniel Valero, and vases by Frances Palmer. Michael Biondo. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/188b8853-330b-49c8-b381-e84a372f45eb/Elle_5.png Writing - These Interior Design Trends Will Define Our Homes in 2022 - Make it stand out A view of the Ganni store in Amsterdam. Many of the displays are made from recycled materials, such as the central table. Courtesy of GANNI. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/34e80fdc-897c-4a0c-a66b-283144e3815b/Elle_6.png Writing - These Interior Design Trends Will Define Our Homes in 2022 - Make it stand out A ’70s inspired rug designed by ELLE DECOR A-List designer Ken Fulk for Pierre Frey. Philippe Garcia. https://www.sarah-archer.com/writing/2022/2/4/americas-best-independent-design-shops-yowie monthly 0.5 2023-06-12 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/3e27bdb3-4a20-446c-a211-1638ba4f60e7/Yowie_1.jpeg Writing - America’s Best Independent Design Shops: Yowie - Make it stand out Shannon Maldonado launched Yowie online in 2016 and opened the Queen Village storefront one year later. Photo by Angela Hau https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/78852b4c-04cd-43e4-8851-d7b535880720/Yowie_2.jpeg Writing - America’s Best Independent Design Shops: Yowie - Make it stand out Photo by Angela Hau https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/fc405a71-beed-4970-bde0-36e785149991/Yowie_3.jpeg Writing - America’s Best Independent Design Shops: Yowie - Make it stand out Photo by Angela Hau https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/c34b0076-d2dd-4c32-82eb-7c18fbc7f416/Yowie_4.jpeg Writing - America’s Best Independent Design Shops: Yowie - Make it stand out Photo by Angela Hau https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/510b173a-eda3-453b-847b-155491b76fc4/Yowie_5.jpeg Writing - America’s Best Independent Design Shops: Yowie - Make it stand out Photo courtesy of Yowie https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/5cdbf85e-bba6-4213-a7c7-a115af3168d9/Yowie_6.jpeg Writing - America’s Best Independent Design Shops: Yowie - Make it stand out Photo courtesy of Yowie https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/44a0347a-a9bc-4baf-a62e-1ef5875bf99b/Yowie_7.jpeg Writing - America’s Best Independent Design Shops: Yowie - Make it stand out Photo courtesy of Kenni Field/Moon and Arrow https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1144016e-c417-4c42-af4d-a8fe5dd906c5/Yowie_8.jpeg Writing - America’s Best Independent Design Shops: Yowie - Make it stand out Photo courtesy of Yowie https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/7fca0924-c467-4b33-89b7-6b08401b8a24/Yowie_9.jpeg Writing - America’s Best Independent Design Shops: Yowie - Make it stand out Photo courtesy of Yowie https://www.sarah-archer.com/writing/2021/7/21/what-cat-people-can-teach-us monthly 0.5 2022-02-04 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1627055625732-KIR5W1XDS6IC7B5UJSGZ/moshow.jpg Writing - What Cat People Can Teach Us - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1627055652193-JR2KUYSG3SP9WAPO9JCM/trapking.jpg Writing - What Cat People Can Teach Us - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.sarah-archer.com/writing/2021/7/6/the-myth-of-bedroom-privacy monthly 0.5 2022-02-04 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1625593036061-O7HXOUIOY68I5I8G4PCU/Marie-Antoinette-marie-antoinette-27292491-1500-1000.jpg Writing - The Myth of Bedroom Privacy - Make it stand out Little privacy for the Dauphine. Sofia Coppola’s “Marie Antoinette,” 2006. https://www.sarah-archer.com/writing/2022/2/4/the-advocate monthly 0.5 2023-06-12 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/fe2bc76e-099a-4ae0-bc3b-4bf318861e30/TheAdvocate_1.jpg Writing - The Advocate - Make it stand out Ruth DeYoung Kohler II (right) loved artists. She’s pictured here in 2014 with the artist Mac Maker in front of the Culinary Art Car he created with Sheboygan community members as part of Kohler’s Connecting Communities program. Photo courtesy of the John Michael Kohler Arts Center. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/9b9caf87-2268-4a95-bc08-abe71ca068d1/TheAdvocate_2.jpg Writing - The Advocate - Make it stand out Tom LaDousa and Jack Earl, the first Arts/Industry residents, with Kohler Co. experimental caster Clayton Hill in 1974. Photo courtesy of the John Michael Kohler Arts Center’s Arts/Industry Artist Archives. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/ef1ab15f-bc17-451e-a918-d1b76017b52d/TheAdvocate_3.jpg Writing - The Advocate - Make it stand out Kohler Co. associates standing in front of their portraits by Arts/Industry artist in-residence Ann Agee (front row, center) at Kohler Co. Pottery in 1991. Photo courtesy of the John Michael Kohler Arts Center’s Arts/Industry Artist Archives. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/5baebaec-9243-4f09-821f-cf9cfa9b5bcf/TheAdvocate_4.jpg Writing - The Advocate - Make it stand out Arts/Industry artist-in-residence Risa Puno in the Kohler Co. Foundry in 2018. Photo courtesy of the John Michael Kohler Arts Center. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/817ddab4-fd6e-4c15-9dc7-0bffc9aa7e04/TheAdvocate_5.jpg Writing - The Advocate - Make it stand out Ruth Kohler chats with artist Xenobia Bailey during a celebration of the John Michael Kohler Arts Center’s American Story series in 2009. Photo courtesy of the John Michael Kohler Arts Center. https://www.sarah-archer.com/writing/2022/2/4/the-post-pandemic-home monthly 0.5 2022-02-04 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/c7a74ded-a4f3-4236-b3a5-0b5e3cb03a2b/The+Post-Pandemic+Home_1.jpg Writing - The Post-Pandemic Home - Make it stand out Shown here, a naturally dyed apron by L.I.M., photographed by Daniel Costa. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/b63b1af0-41dd-464b-a48b-d13978128889/The+Post-Pandemic+Home_2.png Writing - The Post-Pandemic Home - Make it stand out Terra Cotta and other grounded tones will continue to have relevance. Left: a page from PANTONE VIEW HOME’s color forecast for 2021. Middle, Textiles collected by Coren Sharples of SHoP Architects. Right: a patterned bread inspires color and texture for interior finishes in a Trend Union photo by Danial Costa. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/f1a5dfc2-7451-44ab-8a58-c9ce4822f85f/The+Post-Pandemic+Home_3.png Writing - The Post-Pandemic Home - Make it stand out Philip Fimmano of Trend Union sees an intimate link between color, material, and a transformational creativity. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/dd9e1b0d-7762-480b-877e-5a84e02a7f5f/The+Post-Pandemic+Home_4.png Writing - The Post-Pandemic Home - Make it stand out Danielle Kanak of Ewing Cole emphasizes a connection to nature. https://www.sarah-archer.com/writing/2022/2/4/nurturing-a-creative-practice monthly 0.5 2023-06-12 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/01424963-1857-4c8e-90d6-d6c63f1309ef/michele-quan-1.jpeg Writing - Nurturing a Creative Practice - Make it stand out Michele Quan in her Brooklyn studio. Photo by Bobby Fisher. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/3fc056b7-993d-43a7-bf93-bff4b4e06a8e/michele-quan-2.jpeg Writing - Nurturing a Creative Practice - Make it stand out Stacked Rocks, hand-built and hand-painted stoneware. Photo by Bobby Fisher. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/88115314-b4eb-463b-bfed-160011a1b48e/michele-quan-3.jpeg Writing - Nurturing a Creative Practice - Make it stand out After tagging images, Quan creates inspiration boards in her sketchbooks. She calls them “my studio in a book.” Photo courtesy of MQuan Studio. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1cad5ad6-2fe3-4c06-b652-0192541b9ad3/michele-quan-4.jpeg Writing - Nurturing a Creative Practice - Make it stand out PLT10 White Discs with Featherbones measures 41 x 25 in. and includes stoneware, porcelain, walnut, and hemp. Photo courtesy of MQuan Studio. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/03084966-bf82-495f-bcec-b28fb0215b41/michele-quan-5.jpeg Writing - Nurturing a Creative Practice - Make it stand out Quan is inspired by Hilma af Klint. She created this collection of pieces for the Guggenheim’s retrospective show Hilma Af Klint: Paintings for the Future in October 2018. Photo by Allison Chipak, courtesy of The Guggenheim Store. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/57f17154-6abc-47e5-96ef-e111c6d33e22/michele-quan-6.jpeg Writing - Nurturing a Creative Practice - Make it stand out Inside Quan’s Saugerties, New York, studio. Photos courtesy of MQuan Studio. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/adf9a9e0-8c1b-4aba-870f-c33f68aca3c3/michele-quan-7.jpeg Writing - Nurturing a Creative Practice - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.sarah-archer.com/writing/2022/2/4/for-one-enterprising-gallery-all-of-philadelphia-is-an-exhibitionnbspstage monthly 0.5 2022-02-04 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/4114b702-1298-423b-b8e8-b440cb36ca5d/Paradigm_1.jpeg Writing - For One Enterprising Gallery, All of Philadelphia Is an Exhibition Stage - Make it stand out A sculptural mural by Mather graces the lobby of the Heid, a residential building in the city’s Callowhill area. Photos courtesy of Paradigm Gallery https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/df66670c-d769-4adf-a883-242e76f5f231/Paradigm_2.jpeg Writing - For One Enterprising Gallery, All of Philadelphia Is an Exhibition Stage - Make it stand out PARADIGM GALLERY founders Sara McCorriston and Jason Chen curated the art collection for Dolce Italian, a restaurant at the W hotel in Philadelphia, including works by Albert Chamillard and HYLAND MATHER. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/fbce9d52-c687-45f1-a071-9baa3bac72b4/Paradigm_3.jpeg Writing - For One Enterprising Gallery, All of Philadelphia Is an Exhibition Stage - Make it stand out Paradigm’s blowout 10th-anniversary exhibition featured works by more than 130 artists. Photo courtesy of Paradigm Gallery https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/019ba2ba-1a4b-4cd9-b7f2-d24083da09a1/Paradigm_4.jpeg Writing - For One Enterprising Gallery, All of Philadelphia Is an Exhibition Stage - Make it stand out An ongoing public-art series coordinated by the gallery in collaboration with art magazine HAHA brought work by the artist MY DOG SIGHS to this building on the corner of Fifth and South Streets. Photo by Langston Clement https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/8ec9ac77-7bb3-4904-b902-4c04a20af325/Paradigm_5.jpeg Writing - For One Enterprising Gallery, All of Philadelphia Is an Exhibition Stage - Make it stand out Mural commissions are a specialty of Paradigm Art Advisory. This one, by Dora Cuenca, is in the penthouse of the Heid. Photo courtesy of Sonder https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/60ee31bc-e152-4085-b960-8fda48061f35/Paradigm_6.jpeg Writing - For One Enterprising Gallery, All of Philadelphia Is an Exhibition Stage - Make it stand out Paradigm Gallery’s program also includes contemporary photography, like THE SALON OF OLUCHI ONEYA AND LEENOS THE FORGIVING, 2018, by SHAWN THEODORE. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/abb6f744-631f-4906-bd2c-57c10dd5c4d2/Paradigm_8.jpeg Writing - For One Enterprising Gallery, All of Philadelphia Is an Exhibition Stage - Make it stand out A grouping of works by KELLY KOZMA, Hilary White, ALEX ECKMAN-LAWN, Courtney Brown and JASON ANDREW TURNER adorns a guest room at Hotel Revival Baltimore. Photo by Eric Laignel https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/e0469364-44f2-4757-aaed-99e213014b5b/Paradigm_9.jpeg Writing - For One Enterprising Gallery, All of Philadelphia Is an Exhibition Stage - Make it stand out McCorriston has a personal fondness for textile art, such as Vanessa Barragão’s 2017 piece FULL MOON. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/d873985a-73d2-4f5c-b0f4-9f0df18fe686/Paradigm_10.jpeg Writing - For One Enterprising Gallery, All of Philadelphia Is an Exhibition Stage - Make it stand out To Know the Difference, by painter KATHERINE FRASER, was an anniversary gift from the artist to McCorriston and her partner, Langston Clement. “It’s been an important piece of artwork to Langston and me since we first set eyes on it,” says McCorriston. https://www.sarah-archer.com/writing/2022/2/4/the-gifts-in-making-batrice-coron monthly 0.5 2023-06-12 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/e720618d-a76b-4fc4-8dd8-450e3f352b79/beatrice-coron-at-work-1.jpeg Writing - The Gifts in Making: Béatrice Coron - Make it stand out ↑ Béatrice Coron is a paper artist based in New York. Photo: Ric Kallaher https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1d6bb88f-36cc-4b5e-baea-739e235c02cc/beatrice-coron-grow-your-strength-2.jpeg Writing - The Gifts in Making: Béatrice Coron - Make it stand out Grow Your Strength is part of Béatrice Coron’s cut-paper Fashion Warriors series. Photo: Etienne Frossard, courtesy of Béatrice Coron https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/bd0dc32d-f92a-4c5e-81bf-38632c02f7cd/beatrice-coron-manhatten-3.jpeg Writing - The Gifts in Making: Béatrice Coron - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/34e26bcc-5ee0-4696-ab15-20b78b92d572/beatrice-coron-manhatten-detail-4.jpeg Writing - The Gifts in Making: Béatrice Coron - Make it stand out Coron created cityscapes of New York’s five boroughs, including Manhattan. Photos: Etienne Frossard, courtesy of Béatrice Coron https://www.sarah-archer.com/writing/2022/2/4/the-gifts-in-making-sang-joon-park monthly 0.5 2023-06-12 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/366b9297-af55-4f38-a316-42c1f8348350/sang-joon-park-studio-1.jpeg Writing - The Gifts in Making: Sang Joon Park - Make it stand out ↑ Born in Dae Jeon, South Korea, Sang Joon Park is a ceramist living and working in upstate New York. Photo: Courtesy of Sang Joon Park https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/6ae058dd-84f3-4658-af3b-aba3a67d0a50/sang-joon-park-memory-of-longview-2.jpeg Writing - The Gifts in Making: Sang Joon Park - Make it stand out Sang Joon Park stacks ceramics to create sculptural works, such as the vertical Memory of Longview. Photo: Sang Joon Park https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/18b25d80-2889-4c29-a775-b15297a38916/sang-joon-park-inhwamun-vase-3.jpeg Writing - The Gifts in Making: Sang Joon Park - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/744b9988-4f45-4306-9c46-c0b07bac5305/sang-joon-park-inhwamun-detail-4.jpeg Writing - The Gifts in Making: Sang Joon Park - Make it stand out Inhwamun is a Korean stamping technique that creates overall patterns, like these small flowers, on the surface of the clay. Photos: Courtesy of Sang Joon Park https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/fe749e12-d3d0-4935-be51-0e83bce5b952/sang-joon-park-inhwamun-plates-drop-shadow-5.jpeg Writing - The Gifts in Making: Sang Joon Park - Make it stand out Photo: Courtesy of Sang Joon Park https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/0640de5f-1684-4f95-b7da-717be9265a6c/sang-joon-park-studio-outdoor-6.jpeg Writing - The Gifts in Making: Sang Joon Park - Make it stand out Park uses wheel-thrown, stoneware clay with red slip for the ceramics that Min Ju Kim decorates with inhwamun patterns. Photo: Courtesy of Sang Joon Park https://www.sarah-archer.com/writing/2021/1/8/santa-is-a-mom monthly 0.5 2022-02-04 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1610467941984-B4V2S356Q2LN48MUDFL0/christmas-balloon.jpg Writing - Santa Is a Mom Photo: Adriana Duduleanu/EyeEm/Getty Images https://www.sarah-archer.com/writing/2022/2/4/the-gifts-in-making-dyani-white-hawk monthly 0.5 2023-06-12 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/fbec9884-f738-4f1f-b355-37c3eb7d7f42/dyani-white-hawk-mia-studio-1.jpeg Writing - The Gifts in Making: Dyani White Hawk - Make it stand out ↑ Dyani White Hawk (Sičáŋǧu Lakota) is a visual artist and independent curator based in Minneapolis, Minnesota. Photo: Courtesy of Dyani White Hawk https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/5dc60a14-a389-4a77-b850-1e6c4cd74f42/dyani-white-hawk-she-gives-quiet-strength-vii-full-drop-shadow-2.jpeg Writing - The Gifts in Making: Dyani White Hawk - Make it stand out She Gives (Quiet Strength VII) is part of Dyani White Hawk’s Quiet Strength series of paintings. “She” refers to the land, Indigenous women, and all women. Photos: Courtesy of Dyani White Hawk https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/9169656f-7451-45b2-8710-2196965aca1f/dyani-white-hawk-she-gives-quiet-strength-vii-detail-3.jpeg Writing - The Gifts in Making: Dyani White Hawk - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/ae9b011a-bfe4-4664-822f-8dcf83d054d5/dyani-white-hawk-carry-ii-detail-4.jpeg Writing - The Gifts in Making: Dyani White Hawk - Make it stand out Made from buckskin, synthetic sinew, thread, glass beads, brass sequins, and a copper vessel and ladle, Carry II (2019) is the second piece in White Hawk’s Carry series. White Hawk says the series consists of functional works that critique discriminatory hierarchies that have “othered” work by Native artists, while encouraging careful consideration of what Native artists choose to carry forward. Photos: Courtesy of Dyani White Hawk https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/2c46d60f-f301-4406-b475-c9a04255aba5/dyani-white-hawk-carry-ii-5.jpeg Writing - The Gifts in Making: Dyani White Hawk - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/7ed84972-c388-427b-b286-a899ab6088b2/dyani-white-hawk-mia-studio-6.jpeg Writing - The Gifts in Making: Dyani White Hawk - Make it stand out Photo: Courtesy of Dyani White Hawk https://www.sarah-archer.com/writing/2021/1/8/in-the-midcentury-american-home-radical-design-began-in-the-kitchen monthly 0.5 2022-02-04 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1610470680342-E7J1J5LAY2CFQABFAZZE/1-Copy-of-Better-Homes-Decorating-Book-1975-page-258-Cover.jpeg Writing - In the Midcentury American Home, Radical Design Began in the Kitchen A Techicolor kitchen featured in the 1975 Better Homes Decorating Book. Photo (c) 1975 Meredith Corporation https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1610471264970-1XPYSZK40C8V47SE8GL3/2-Frigidaire-1968-Sales-Poster-3.jpg Writing - In the Midcentury American Home, Radical Design Began in the Kitchen A 1968 Frigidaire ad for a new avocado-green refrigerator. Photo courtesy of Electrolux Home Products https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1610471408069-K03C02BPFFHW8L9Y690R/3-MC261-23-16-2048x1593.jpg Writing - In the Midcentury American Home, Radical Design Began in the Kitchen In the early 20th century, Christine Frederick sought to make the kitchen more efficient by conducting experiments applying theories of scientific management. Here, she consults with an Applecroft Home Experiment Station “home motion” evaluator, 1912–14. Photo courtesy of the Schlesinger Library, Radcliffe Institute, Harvard University https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1610471470486-SMPDZHPI4V0ZZZ1JEQJ7/4-Whirlpool_LC-L901A-59-8225-4-JPG.jpg Writing - In the Midcentury American Home, Radical Design Began in the Kitchen Ann Anderson at the command center of the RCA Whirlpool Miracle Kitchen during a demonstration at the 1959 American National Exhibition in Moscow. Photo by Robert S. Lerner Photography LLC https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1610471584128-3AHFWI7LYEKNQTU3JB44/4-ElliottErwitt_USSRMoscow1959NikitaKHRUSHCHEVandRichardNIXON_PDNBGallery_master.jpg Writing - In the Midcentury American Home, Radical Design Began in the Kitchen Moscow (Nikita Khrushchev and Richard Nixon), 1959, Elliott Erwitt https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1610471674174-D4JGDVO00V4NCJG9WH3O/5-Whirlpool_LC-L901A-59-8225-2-JPG.jpg Writing - In the Midcentury American Home, Radical Design Began in the Kitchen Was a vacuuming robot too good to be true in the 1950s? Yes. In fact, it was radio controlled by a man hidden behind a two-way mirror. Photo by Robert S. Lerner Photography LLC https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1610471740368-PO2TLTPBZYTPBQQAYVKZ/6-172141-1.jpg Writing - In the Midcentury American Home, Radical Design Began in the Kitchen A portable grill in a demonstration kitchen at the 1961 GM Motorama Exhibit. Photo courtesy of General Motors LLC https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1610471802417-OACM5EQCDFOQL3T65QEC/7-Worlds-Fair-House-Catalog-3.jpg Writing - In the Midcentury American Home, Radical Design Began in the Kitchen An Asian-themed kitchen in the Formica World’s Fair House catalogue, 1964. Photo courtesy of Formica Group https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1610471986036-TI5A0VEVN1JW5OWVXBDE/8-Wilson-House-Kitchen-2048x1641.jpg Writing - In the Midcentury American Home, Radical Design Began in the Kitchen Color-blocked laminated cabinets and countertops fill the kitchen of the Historic Wilson House, in Temple, Texas. Photo (c) Wilsonart LLC https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1610472037987-NLAUIR5UP3VBTEU43V1B/9-H3NWA-1382x2048.jpeg Writing - In the Midcentury American Home, Radical Design Began in the Kitchen The styles that would dominate decor in the 1970s are foreshadowed in this 1965 interior from Better Homes Kitchen Ideas, complete with matching harvest-gold refrigerator, cabinets, plates and chairs; faux-wood paneling; earth-tone accessories; and shag rug. Photo (c) 1965 Meredith Corporation https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1610472267013-3PWQ48Q0SKVLWGV3Z15S/10-KohlerAvocado-copy-1815x2048.jpg Writing - In the Midcentury American Home, Radical Design Began in the Kitchen An avocado-green sink featured in a Kohler brochure from the 1970s (photo courtesy of Kohler Co.). https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1610472321398-H6NOHEAN8SAKFZC428BH/11-KitchenAid-Golden-Harvest.jpg Writing - In the Midcentury American Home, Radical Design Began in the Kitchen A 1969 ad for KitchenAid appliances in Golden Harvest (photo courtesy of Whirlpool Corporation). https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1610472466528-6AO7EVK5V5RCX5DD6XCV/12-Colani1.jpg Writing - In the Midcentury American Home, Radical Design Began in the Kitchen https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1610472485973-07ZEQ617M4FWVQE20WM7/13-Colani3.jpg Writing - In the Midcentury American Home, Radical Design Began in the Kitchen Even the futuristic Kitchen Satellite, 1970, by Luigi Colani for Poggenpohl, sported an earth-tone palette inside. Photos courtesy of Poggenpohl Mobelwerke https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1610472593663-Z0X1YNU3PE81ZK5LS3WD/14-Roper-ad-1971NEW.jpg Writing - In the Midcentury American Home, Radical Design Began in the Kitchen Roper appliances appropriated the style and lingo of the women’s liberation movement for this 1971 ad. Photo courtesy of Whirlpool Corporation https://www.sarah-archer.com/writing/2021/1/8/across-new-york-city-private-garden-landscapes-are-the-latest-designer-draw monthly 0.5 2022-02-04 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1610470213678-SE02VL8FBCJ40BFNYNN5/1-77-Greenwich_Roof-Deck_Credit_Binyan-Studios.jpg Writing - Across New York City, Private Garden Landscapes Are the Latest Designer Draw Future Green Studio designed a series of terraces for 77 Greenwich, a new tower in Manhattan. 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Victoria & Albert Museum, London. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1605821052414-I6KJQWZCNKSW3PK84FAP/false%2Bprinciples.jpg Writing - In memoriam: At Home in a Changing World False Principle no. 16, Furnishing cotton fabric made in Lancashire ca. 1850, designer unknown. Victoria and Albert Museum, London. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1605821159745-KEGMWFP6V3H8J7KWODAX/morris.jpg Writing - In memoriam: At Home in a Changing World - These thinkers and makers produced Arts and Crafts treasures that are still beloved now, but they didn’t transform British taste as thoroughly as they’d hoped. Fruit (Pomegranate) Wallpaper designed by William Morris, c. 1866, London, England. Gift of Mrs. Anthony N.B. Garvan, 1970, Philadelphia Museum of Art. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1605821239553-A91FXE0EH7F2LC3EP60J/morris%281%29.jpg Writing - In memoriam: At Home in a Changing World Calyx pattern fabric by Lucienne Day, 1951, © Robin and Lucienne Day Foundation. Victoria and Albert Museum, London. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1605821335965-MLP0PMFP1LE3FNVPD838/festival%2Blounge.jpg Writing - In memoriam: At Home in a Changing World Royal Festival Hall lounge chairs, designed by Robin Day, produced by Hille, 1951, in situ at the Royal Festival Hall, 1951. © Robin & Lucienne Day Foundation https://www.sarah-archer.com/writing/2020/11/19/lessons-from-utopia monthly 0.5 2020-11-30 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1605823019872-K8Z61C12F01UEXCH5BBU/Screen+Shot+2020-11-19+at+4.54.44+PM.png Writing - Lessons from Utopia https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1605822992018-EAGKJGICV0OL0TUGZW7R/Screen+Shot+2020-11-19+at+4.55.09+PM.png Writing - Lessons from Utopia https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1605823045436-IC511G3GYH1TS3CHIJBO/Screen+Shot+2020-11-19+at+4.54.59+PM.png Writing - Lessons from Utopia https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1605822961764-YYE66P98BO322L0SCMCM/Screen+Shot+2020-11-19+at+4.55.25+PM.png Writing - 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Why the American Flag Has Had so Many Different Star Configurations World War II U.S. flag with 48 Stars, 1940s https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1606755737613-VBT7KRXRZ62FXY13L469/AmericanFlag-4.png Writing - Why the American Flag Has Had so Many Different Star Configurations Small-scale flag with 13 stars in a medallion configuration, late 19th century https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1606755777139-L3F2SFQ4I2U0SBHJ9LT7/AmericanFlag-5.jpg Writing - Why the American Flag Has Had so Many Different Star Configurations Small U.S. Navy boat ensign with 13 stars, 1906 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1606755947974-ZKJR3ST7G8PT4PYMK5XJ/AmericanFlag-6.png Writing - Why the American Flag Has Had so Many Different Star Configurations Flag with 35 Stars in a medallion configuration and a large haloed center star, 1863–65 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1606756024722-RMRJ4EPZAABJHBP2BDSA/AmericanFlag-7.jpg Writing - Why the American Flag Has Had so Many Different Star Configurations Flag with 44 stars that form the letters U.S., 1890 https://www.sarah-archer.com/writing/2020/11/30/california-classic monthly 0.5 2020-12-07 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1606754065405-STBQ47LEPEOXU4PRJUOD/california-classic-1.jpg Writing - California Classic Founded by Edith Heath in 1947 in Sausalito, California, Heath Ceramics continues to produce stylish, thoughtfully made wares under the leadership of Robin Petravic and Catherine Bailey today. Photo: Courtesy of Heath Ceramics https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1606754180587-DQTLOBUE3KBHVPOG23GH/california-classic-2.jpg Writing - California Classic The San Francisco storefront of Heath Ceramics, also home to the company’s tile factory. Photo: Courtesy of Heath Ceramics https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1606754276274-BT30MH1TC7R3HFHVXCV2/california-classic-3.jpg Writing - California Classic Since 1959, Heath Ceramics has formed, glazed, trimmed, and fired stylish, contemporary dinnerware in this Sausalito, California, factory. Photo: Courtesy of Heath Ceramics, Brian & Edith Heath Foundation, and the Environmental Design Archives, University of California, Berkeley https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1606754642442-TC0Z4FDFP0OWICBNCOOA/california-classic-4.jpg Writing - California Classic Packing plates in the Heath Factory. Photo: Brian & Edith Heath Foundation and the Environmental Design Archives, University of California, Berkeley https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1606754700796-71N0CO5U6BDJSZYRPB24/california-classic-5.jpg Writing - California Classic Though the company adopted industrial techniques to ramp up production, Edith Heath threw prototypes by hand. Photo: Brian & Edith Heath Foundation and the Environmental Design Archives, University of California, Berkeley https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1606754783623-OK0WELBDP5ZHO6IU9AUI/california-classic-6.jpg Writing - California Classic A vintage photo of liquid clay being poured out of a slipcast mold at Heath’s Sausalito factory. (The company uses slipcast molds to form wares with complex shapes, such as teapots, vases, and pitchers.) Photo: Brian & Edith Heath Foundation and the Environmental Design Archives, University of California, Berkeley https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1606754862626-NQOM1BL7FYYM5FMMPQEP/california-classic-7.jpg Writing - California Classic A peek inside Heath’s showroom in San Francisco’s Mission District. Photo: Mariko Reed, courtesy of Heath Ceramics https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1606754949550-NNWPAVS2OJCUR4U79RLH/california-classic-8.jpg Writing - California Classic Heath’s wares come in a range of colors that work well together, making it easy to mix and match. These are the new glazes in the company’s Coupe line. Photo: Jeffery Cross, courtesy of Heath Ceramics https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1606755061100-GAVKD3IYA2N7ANQ39786/california-classic-9.jpg Writing - California Classic The Chez Panisse line, combining French elegance and California clay, was created in 2006 with chef Alice Waters. Photo: Courtesy of Heath Ceramics https://www.sarah-archer.com/writing/2020/11/30/in-these-smart-playrooms-form-follows-fun monthly 0.5 2021-01-12 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1606756629928-CTI80K35653JS1RMBVNS/SmartPlayroom-1.jpg Writing - In These “Smart” Playrooms, Form Follows Fun The ball pit (or rather, block pit) inside New York's Manhattan House apartments. Image courtesy Smart D2 Playrooms https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1610469390701-94CDCHC6ZJSLU6UGJ8AK/SmartPlayroom-2.jpg Writing - In These “Smart” Playrooms, Form Follows Fun The founders ham it up in Nicky Hilton Rothschild's play space. Image courtesy Smart D2 Playrooms https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1610469452017-6WLH1ZRGS0OALF94U1C1/SmartPlayroom-3.jpg Writing - In These “Smart” Playrooms, Form Follows Fun A view to the arts and crafts area of a playroom in Greenwich, Connecticut. Image courtesy Smart D2 Playrooms https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1610469501408-D42X9CX4ABQVBAJOF4YX/SmartPlayroom-4.jpg Writing - In These “Smart” Playrooms, Form Follows Fun Nicky Hilton Rothschild's playroom features an candy-themed mural and a play kitchen area. Image courtesy Smart D2 Playrooms https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1610469553290-PPWPQIKP125AZL73K2M8/SmartPlayroom-5.jpg Writing - In These “Smart” Playrooms, Form Follows Fun Another view into the Greenwich “Groovin' Garage” transformation. The “smart” designs allow for open-ended, spontaneous play. Image courtesy Smart D2 Playrooms https://www.sarah-archer.com/writing/2020/11/30/from-clay-to-car monthly 0.5 2021-07-23 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1606759615507-AKNCWN0P9NVCJG8Z1KCZ/ClayToCar-1.png Writing - From Clay to Car https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1606759710407-89MS2LJQ1J424AUQV13U/ClayToCar-2.png Writing - From Clay to Car https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1606762692264-SMTCNEQQCEAWKKHXETP5/ClayToCar-3.png Writing - From Clay to Car https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1606762820085-94BWXH4GX2NG27TOS74Z/ClayToCar-4.png Writing - From Clay to Car https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1606763226293-9A76O6O6X581UJR3EFLV/ClayToCar-5.png Writing - From Clay to Car https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1606763266198-MPCGOJE1M9M3YJLN4Y69/ClayToCar-6.png Writing - From Clay to Car https://www.sarah-archer.com/writing/2020/11/30/craft-on-tv monthly 0.5 2020-12-07 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1606763731255-CVSXDINLUC4A4G383VXZ/1-NBC-Making-It-contestants.jpg Writing - Craft on TV Contestants on the first season of NBC’s Making It await the judges’ critique of terrariums inspired by their hometowns. At the end of the episode, one contestant was sent home. Paul Drinkwater, NBCU Photo Bank, NBCUniversal via Getty Images https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1606763840991-64USMJDY4R58KSSZ73FF/2-NBC-Making-It-hosts-and-judges.jpg Writing - Craft on TV Comedian Amy Poehler (second from right) and woodworker Nick Offerman (second from left) host Making It, a reality TV show challenging contestants’ creativity and ability to work under pressure. Paul Drinkwater, NBCU Photo Bank, NBCUniversal via Getty Images https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1606763911802-KJJZKJIMKXFY3HNPYPQG/3-Blown-Away-Kathering-Gray.jpg Writing - Craft on TV In the Netflix glassblowing competition Blown Away, judging occurs in a white cube gallery. Artist, professor, and ACC Fellow Katherine Gray (center) approaches critiques from an academic perspective. David Leyes, courtesy of Marblemedia https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1606763987991-5OK58KYATOSFVNO8LD54/4-Blown-Away-Alexander-Rosenberg.jpg Writing - Craft on TV Blown Away competitor Alexander Rosenberg gained thousands of Instagram followers and an increase in commission inquiries. Kids interested in trying the art form send him fan mail. David Leyes, courtesy of Marblemedia https://www.sarah-archer.com/writing/2020/12/7/the-visionary-interiors-that-shaped-the-way-we-live monthly 0.5 2021-01-12 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1607361417347-EDUGYTGIOQ7KSZBZV26W/VDM-Home-Stories-Bo-Bardi.jpg Writing - The Visionary Interiors That Shaped the Way We Live Architect Lina Bo Bardi surveys the view from her Casa de Vidro in São Paulo, Brazil—one of 20 pioneering interiors showcased in the Vitra Design Museum's latest show. Photo: Francisco Albuquerque; courtesy Instituto Bardi / Casa de Vidro https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1610468351464-4SJ4PCS58FIVHVTJKJR5/2-VDM_Home-Stories_Villa-Trianon.jpg Writing - The Visionary Interiors That Shaped the Way We Live A scene from Elsie de Wolfe's 80th birthday party, celebrated in 1938 at her sumptuous home, Villa Trianon, in Versailles, France. Photo: Roger Schall; courtesy Jean-Frédéric Schall https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1610468423183-RZ5TKQGWXGQHR0M2BXJT/3-VDM-Home-Stories-Panton.jpg Writing - The Visionary Interiors That Shaped the Way We Live Verner Panton's trippy Phantasy Landscape (1970), first shown at Visiona 2 in Cologne, Germany, will be reconstructed at the Vitra Design Museum show. Photo: Verner Panton Design AG, Basel https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1610468462894-XONPHYA52BPMWQYYV6E9/4-VDM-Home-Stories-American-National-Exhibition.jpg Writing - The Visionary Interiors That Shaped the Way We Live Richard Nixon and Nikita Khrushchev during the famous 1959 “Kitchen Debate” at the American National Exhibition in Moscow. Photo: Picture Alliance / Associated Press https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1610468540827-BB08CUGKA28HHCUB2J35/5-VDM_Home_StoriesJochen-Eisenbrand_Chief-curator.jpg Writing - The Visionary Interiors That Shaped the Way We Live Jochen Eisenbrand Photo: Lucia Hunziker https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1610468595493-6CY93VEMXTT0P3TG236C/6-VDM-Home-Stories-Casa-de-Vidro.jpg Writing - The Visionary Interiors That Shaped the Way We Live Lina Bo Bardi's verdant Casa de Vidro (1952) in São Paulo, Brazil. Photo: Nelson Kon https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1610468644129-GUZ68OB0LX6UYSOC0KUY/7-VDM-Home-Stories-Capsule-Tower.jpg Writing - The Visionary Interiors That Shaped the Way We Live A view inside one of the pods that make up Kisho Kurokawa's Nakagin Capsule Tower. In theory, the prefab units could be reconfigured according to the inhabitant's needs. Photo: Noritaka Minami https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1610468772386-XULUJ1E4B0N2RZN0KWAR/8-VDM-Home-Stories-Warhol.jpg Writing - The Visionary Interiors That Shaped the Way We Live Andy Warhol in his iconic Silver Factory. The live/work space went on to forever shape loft-style living. Photo: Nat Finkelstein https://www.sarah-archer.com/writing/2020/12/7/eitherand-where-loom-and-canvas-meet monthly 0.5 2021-01-12 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1607378057371-4BOQSN4KB7JIRL8XX4GO/Screen%2BShot%2B2020-12-07%2Bat%2B4.10.50%2BPM.jpg Writing - Either/And: Where loom and Canvas Meet Mark Barrow and Sarah Parke, Reweave 9.2, 2016 (detail) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1607378088352-35ZAV4Y28L2D88N6FXWN/Screen%2BShot%2B2020-12-07%2Bat%2B4.11.19%2BPM.jpg Writing - Either/And: Where loom and Canvas Meet Samantha Bittman, Interlace 3, 2019 (detail) https://www.sarah-archer.com/writing/2020/12/7/person-place-or-thing monthly 0.5 2021-01-12 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1610476756162-3MK2P1T394BXJVKY6RMW/Eife+Dress+Flanges+2019.jpg Writing - Person, Place, or Thing Maria Eife's "Dress Flanges," Nylon, 2019 https://www.sarah-archer.com/writing/2020/11/30/experimental-spaces monthly 0.5 2020-12-07 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1606765052572-PDL6MIXVMCDTQ1FE5CMV/1-Giselle-Hicks.jpg Writing - Experimental Spaces Two residencies in the Arts/Industry program administered by the John Michael Kohler Arts Center provided clay artist Giselle Hicks the time and space to take big risks and learn industrial techniques. Kohler Co., courtesy of the John Michael Kohler Arts Center https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1606765124103-VYJU4QVYORZFQZAG3742/2-a-Giselle-Hicks-Then-It-Was-Still-II-.jpg Writing - Experimental Spaces Hicks completed And Then It Was Still II (2012), building on what she learned while working on an earlier iteration in a residency (shown on this issue's cover). Kohler Co., courtesy of the John Michael Kohler Arts Center https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1606765176990-CBJK38CW33SANKYB54CF/2-b-Giselle-Hicks-Pattern-Language-casts.jpg Writing - Experimental Spaces Hicks was able to explore themes of social connections and rituals in Pattern Language (2010) using her newfound casting skills. Kohler Co., courtesy of the John Michael Kohler Arts Center https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1606765362405-PZL7A9F8JUYEOWWE80D9/3-a-Doug-Jeck-Chris-Stenzel-+Jen-Elek.jpg Writing - Experimental Spaces Artist in residence Doug Jeck (right) observes gaffers Chris Stenzel and Jen Elek at work in the hot shop. Courtesy of Pilchuck Glass School https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1606765459749-A7ORYVRNOHU9KCVIRP9Y/3-b-Doug-Jeck-with-sculpture.jpg Writing - Experimental Spaces At Pilchuck Glass School last summer, ceramic artist and teacher Doug Jeck got a chance to play with a new medium. Courtesy of Pilchuck Glass School https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1606765512631-L7NBGT7ND7Q8YTBPPN3S/3-c-Doug-Jeck-Glass-Surreal-Sculpture.jpg Writing - Experimental Spaces Jeck used Pilchuck’s studios to build glass pieces that he arranged into surrealistic scenes and photographed around the campus. He also completed pieces inspired by Gift, Man Ray’s famous 1921 sculpture. Doug Jeck https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1606765640526-QQ7IL0E0VANCMJ419RSY/3-d-Doug-Jeck-Man-Ray-inspired-sculpture.jpg Writing - Experimental Spaces Jeck completed pieces inspired by Gift, Man Ray’s famous 1921 sculpture. Doug Jeck https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1606765794701-YKAN6KXTBIAVAUI52SQ0/4-a-Susan-Hamburger-handmade-cast-paper.jpg Writing - Experimental Spaces Hamburger completed Dialectical Folly (2018), a triptych of handmade cast paper inspired by ornate 17th-century pottery, during her residency at Dieu Donné. Courtesy of Dieu Donné https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1606765922916-809OKAAI2MIC6E8IHUPN/4-b-Amy-Jacobs-and-Sarika-Sugla-papermaking.jpg Writing - Experimental Spaces Dieu Donné resident artists bring their ideas to life with the help of the studio’s master collaborators. Here, Amy Jacobs and Sarika Sugla pull a base sheet of paper for Hamburger to build her Wedgwood-inspired work upon. Courtesy of Dieu Donné https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1606765947068-HCPZ89QTLLOQXQ8OPSGA/4-c-Susan-Hamburger-papermaking.jpg Writing - Experimental Spaces Papier-mâché and collage artist Susan Hamburger isn’t new to paper but a 2018 residency at Dieu Donné helped her expand her material knowledge. The residency program specializes in helping artists learn papermaking skills. Courtesy of Dieu Donné https://www.sarah-archer.com/writing/2020/12/7/this-livework-home-in-philadelphia-gets-its-layout-from-the-renaissance monthly 0.5 2020-12-07 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1607364236963-ILXB9K6OOIQH9WBHUOJX/1_charred-cypress-and-stained-cedar-wrap-a-three-story-home-in-south-philadelphia-owners-orna-and-reid-willis-worked-with-local-firm-qb3-to-create-an-open-light-filled-space-in-an-area-better-known-for-row-houses-people-stare-at-our-home-an.jpg Writing - This Live/Work Home in Philadelphia Gets Its Layout From the Renaissance Charred cypress and stained cedar wrap a three-story home in South Philadelphia. Owners Orna and Reid Willis worked with local firm Qb3 to create an open, light-filled space in an area better known for row houses. "People stare at our home and then Reid proceeds to invite them in," says Orna. The windows are by Jeld-Wen. Photo by Halkin Mason https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1607364370432-RP8J6UI47UDZTH27L3HC/2_leather-sling-chairs-from-cb2-surround-a-dining-table-by-joel-duprass.jpg Writing - This Live/Work Home in Philadelphia Gets Its Layout From the Renaissance Leather sling chairs from CB2 surround a dining table by Joel Duprass. Photo by Halkin Mason https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1607364432916-VU0ZYF9DQRXGJ0N5F75L/3_an-indoor-greenhouse-enlivens-the-living-area-track-lighting-by-wac-complements-the-metal-framed-glass-walls-which-were-designed-by-qb3-and-fabricated-by-en-motion-design.jpg Writing - This Live/Work Home in Philadelphia Gets Its Layout From the Renaissance An indoor greenhouse enlivens the living area. Track lighting by WAC complements the metal-framed glass walls, which were designed by Qb3 and fabricated by En Motion Design. Photo by Halkin Mason https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1607364515133-VP9IT5EZIKHO2C0IN4VY/4_i-was-okay-with-any-shape-but-the-only-way-i-could-get-as-much-light-and-open-space-as-i-wanted-was-if-the-house-was-wide-says-orna-the-rug-is-from-cb2.jpg Writing - This Live/Work Home in Philadelphia Gets Its Layout From the Renaissance "I was okay with any shape, but the only way I could get as much light and open space as I wanted was if the house was wide," says Orna. The rug is from CB2. Photo by Halkin Mason https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1607364655743-LNZJ9T5WKGDE8MTQRH9V/5_a-rug-from-cb2-and-plates-by-fornasetti-hang-in-the-stairwell.jpg Writing - This Live/Work Home in Philadelphia Gets Its Layout From the Renaissance A rug from CB2 and plates by Fornasetti hang in the stairwell. Photo by Halkin Mason https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1607364725425-Z7ZIGUR0944CNI0Q9XWQ/6_orna-an-artist-often-holds-workshops-in-her-ground-floor-studio-the-poufs-are-from-target.jpg Writing - This Live/Work Home in Philadelphia Gets Its Layout From the Renaissance Orna, an artist, often holds workshops in her ground-floor studio. The poufs are by the Opalhouse collection from Target. Photo by Halkin Mason https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1607364823106-RHNGW15HCLJC586P9UO8/7_large.jpg Writing - This Live/Work Home in Philadelphia Gets Its Layout From the Renaissance Photo by Halkin Mason https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1607364851244-HU28LK1XZ9DYGPP15T70/8_large.jpg Writing - This Live/Work Home in Philadelphia Gets Its Layout From the Renaissance https://www.sarah-archer.com/writing/2019/10/16/heres-how-color-of-the-year-mania-came-to-be monthly 0.5 2020-11-21 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1571254655117-KP23L16R94Z5P4OLZP6J/image-asset.jpeg Writing - Here's How Color of the Year Mania Came to Be https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1571254458340-0351KEGRYAQXTHNHO8HS/Benjamin+Moore Writing - Here's How Color of the Year Mania Came to Be Last Thursday, Benjamin Moore unveiled “First Light" as its 2020 COTY, along with a complementary “Color Trends” palette. Photo: courtesy Benjamin Moore. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1571254516902-5GXFKVADU9YROE3INMID/Sherwin+Williams Writing - Here's How Color of the Year Mania Came to Be “Naval,” the Sherwin-Williams 2020 COTY. Photo: courtesy Sherwin-Williams. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1571254555216-H7NUS2KRADD2CCV3JFPH/Graham+and+Brown Writing - Here's How Color of the Year Mania Came to Be Graham & Brown, a wallcoverings company that got into the paint business eight years ago, unveiled “Adeline," a forest green, as its 2020 COTY. Photo: courtesy Graham & Brown. https://www.sarah-archer.com/writing/2020/11/30/opposites-attract monthly 0.5 2020-12-07 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1606772235107-F83XGI0U20DQVTCC3ADQ/1-Esherick-house-kitchen.jpg Writing - Opposites Attract To preserve the house's original Wharton Esherick-built kitchen (pictured here), the couple built a second one for daily use in an adjacent utility space. Jared Castaldi https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1606772317540-HUDNZLU2YCXY42EP3UOH/2-Louis-Kahn-house.jpg Writing - Opposites Attract In 2016, the house won a Modernism in America award for outstanding preservation among other midcentury projects, including the Met Breur in New York. Jared Castaldi https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1606772341241-VUTZJIK7RYMQAX8IO7C9/3-Frederick-W-G-Peck-landscape.jpg Writing - Opposites Attract The home’s half-circle brick patio and surrounding stucco knee-wall were designed by landscape architect Frederick W.G. Peck, who also designed the adjacent Pastorius Park. Jared Castaldi https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1606772441451-DZZPSXQHA47U7CVIX65Z/4-Paul-Savidge-and-Dan-Macey.jpg Writing - Opposites Attract Paul Savidge, left, and Dan Macey in their home's living room. The custom floor-to-ceiling bookshelves are ideal for displaying their collection of art and antiques. Jared Castaldi https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1606772498914-G3JFY1IEGJKS2N0P35DJ/5-Paul-Savidge-and-Dan-Macey-living-room.jpg Writing - Opposites Attract Floor-to-ceiling windows of the southeast-facing wall flood the living room with natural light. A chair by Pennsylvania artist Jeffrey Green sits to the right of them. Jared Castaldi https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1606772543250-BFL3M6IMW36AIT2RVY7Q/6-Paul-Savidge-and-Dan-Macey-bedroom.jpg Writing - Opposites Attract A bedroom window overlooks the backyard and Pastorius Park. Above the bed hangs a piece by textile designer Angelo Testa. Jared Castaldi https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1606772576133-AUB1C4LYGAEAHUSMLWYC/7-Paul-Savidge-and-Dan-Macey-bathtub.jpg Writing - Opposites Attract In the bedroom, a fireplace-adjacent bathtub incorporates a retractable bench that can be pulled over it for extra seating. Jared Castaldi https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1606772605752-UAPLKSNMNMLWXX6FES11/8-Paul-Savidge-and-Dan-Macey-fireplace.jpg Writing - Opposites Attract A walnut mantel by contemporary woodworker Bok Read could almost be original to the home. Atop it sits a Harry Bertoia Sounding Sculpture. The Louis Kahn wood stool is part of Margaret Esherick’s dressing-table set, and the iron-and-brass andirons and fireplace tools are by midcentury industrial designer Donald Deskey. Jared Castaldi https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1606772653436-C89XUWE616XD79VHB34W/9-Paul-Savidge-and-Dan-Macey-foyer.jpg Writing - Opposites Attract In the foyer, a piece from Mark Sfirri’s Rejects from the Bat Factory series hangs on a wall over a Mira Nakashima stool. On the floor is a vintage French rug. Jared Castaldi https://www.sarah-archer.com/writing/2020/12/7/paradox-teatro monthly 0.5 2020-12-07 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1607359020634-JI82R8Q6YFL0PP20A2V9/Paradox-Teatro-+artistic-co-directors.jpg Writing - Paradox Teatro Padilla and Steinman with Rubén, the life-sized puppet who stars in Migraciones. Max Haynes https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1607359070983-GJTRDEV5LKJ1PKLWWKUC/Davey-T-Steinman.jpg Writing - Paradox Teatro Paradox Teatro’s artistic co-director Davey T. Steinman in performance. Max Haynes https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1607359125717-CXWD3D7QK8QEC7O7RTCZ/Sofi%CC%81a-Padilla.jpg Writing - Paradox Teatro Sofía Padilla animates a puppet who sketches “photographs” of his journey along the US-Mexico border in Paradox Teatro’s newest show, Migraciones. The live drawings, done in baking soda on a light table, are projected for the audience. Max Haynes https://www.sarah-archer.com/writing/2019/7/31/how-the-television-transformed-our-homes monthly 0.5 2019-09-19 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1564585476875-LA9CPXDFBRF1SEMBV3JE/Patriot_Radio_Portable_Television_1959_Copyright_Cooper_Hewitt_Smithsonian_Design_Museum.jpg Writing - How the Television Transformed Our Homes The Patriot Radio, designed by Norman Bel Geddes for Emerson Radio and Phonograph Corporation, 1940. Collection of the Cooper Hewitt Smithsonian Design Museum. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1564585748160-889MZUPAHBD7R8CQKNPF/Kuba_Komet_Copyright_AP.jpg Writing - How the Television Transformed Our Homes Kuba Komet, designed by the KUBA Corporation, 1957, Wolfenbuttel, West Germany, AP. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1564585524319-C685BA87K0CXP36ZE609/GE_Ad_1960.jpg Writing - How the Television Transformed Our Homes GE Print Ad, 1960. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1564585635553-P7B51RIRQS5AY2TH8TG5/Better+Homes.jpg Writing - How the Television Transformed Our Homes TV placement advice from Better Homes and Gardens’ Decorating Ideas, 1960. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1564585683548-EWSAI80Z6EYOPKE2M0BK/Videosphere_Television_1970_Copyright_Philadelphia_Museum_of_Art.jpg Writing - How the Television Transformed Our Homes Videosphere Television, Made for Victor Company of Japan, Ltd., 1970. Collection of the Philadelphia Museum of Art. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1564585783715-6FEM9NV61PNZWZHQC1CH/image-asset.jpeg Writing - How the Television Transformed Our Homes The Frame TV, designed by Yves Béhar’s studio, Fuseproject, for Samsung. Image courtesy of Samsung US. https://www.sarah-archer.com/writing/2019/7/29/sonya-clark-at-the-fabric-workshop-and-museum monthly 0.5 2019-09-19 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1564432104614-VVGAEZ93S968L9MT3EH2/Sonya-Clark-Woven-Replica-Confederate-Flag-of-Truce.jpg Writing - Sonya Clark at the Fabric Workshop and Museum Sonya Clark in collaboration with the Fabric Workshop and Museum, Philadelphia. Woven replica of the Confederate Flag of Truce (2019). Photo by Carlos Avendaño. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1564432213396-1R14NLNNRBLMBSKE2PEH/image-asset.jpeg Writing - Sonya Clark at the Fabric Workshop and Museum Sonya Clark, in collaboration with the Fabric Workshop and Museum, Philadelphia. Work in progress for Monumental (2019). Photo by Carlos Avendaño. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1564432262615-MLNHWPZG9TEKPKT3RZHO/Sonya-Clark-Confederate-Flag-of-Truce-Detail.jpg Writing - Sonya Clark at the Fabric Workshop and Museum Sonya Clark in collaboration with the Fabric Workshop and Museum in Philadelphia. Woven replica of the Confederate Flag of Truce detail (2019). Photo by Carlos Avendaño. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1564432068813-IXQV87ZD0NTS781RXFVI/Sonya-Clark-Reversals.jpg Writing - Sonya Clark at the Fabric Workshop and Museum Sonya Clark, Reversals (2019), in collaboration with the Fabric Workshop and Museum in Philadelphia. Photo by Carlos Avendaño. https://www.sarah-archer.com/writing/2019/6/3/preview-suzanne-ticks-newest-collection monthly 0.5 2019-09-19 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1559607302342-IZM1N4BCNDR43HSZVLFD/LUUM_FUTURETENSE_2019_44220_CMYK_FLAT_HI.jpg Writing - Preview Suzanne Tick’s Newest Collection Tick developed Future Tense, a new textile collection of five upholstery designs, for Luum. Courtesy Luum. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1559607187080-WCCS2F7J0AGOPN8F0B3A/LUUM_SCHEMA_2019_44311_CMYK_FLAT_HI.jpg Writing - Preview Suzanne Tick’s Newest Collection Future Tense is composed of five upholstery designs; the one seen here is Schema. Courtesy Luum. https://www.sarah-archer.com/writing/2019/6/3/marc-newson-at-gagosian-gallery monthly 0.5 2019-09-19 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1559606091986-ASLUOZQ3RK57W1PXM9YK/marc-newson-cloisonne-black-blossom-lounge-2017%402x.jpg Writing - Marc Newson at Gagosian Gallery Marc Newson, ‘Cloisonné Black Blossom Lounge’, 2017, © Marc Newson. COURTESY: Gagosian / PHOTOGRAPH: Xiangzhe Kong. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1559606130855-F3IAOHFVWQ7ODXG1VAPY/marc-newson-murrina-low-table-yellow-2017%402x.jpg Writing - Marc Newson at Gagosian Gallery Marc Newson, ‘Murrina Low Table Yellow’, 2017 © Marc Newson. COURTESY: Gagosian / PHOTOGRAPH: Jaroslav Kvíz. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1559606183039-DW0KQWQD0XJV0MQACCSQ/marc-newson-blue-glass-chair-2017%402x.jpg Writing - Marc Newson at Gagosian Gallery Marc Newson, ‘Blue Glass Chair’, 2017 © Marc Newson. COURTESY: Gagosian / PHOTOGRAPH: Jaroslav Kvíz. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1559606257524-O6UC7ARN0AP05TQ0WRTU/exhibition-installation-view-2019%402x.jpg Writing - Marc Newson at Gagosian Gallery Exhibition installation view, 2019 © Marc Newson. COURTESY: Gagosian / PHOTOGRAPH: Rob McKeever. https://www.sarah-archer.com/writing/2019/6/3/the-frankfurt-kitchen-changed-how-we-cookand-live monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1559605473715-TDRO6OAOG6N9J29T1K0X/dreamkitchen.jpg Writing - The Frankfurt Kitchen Changed How We Cook—and Live The contemporary “dream kitchen” is spacious, light-filled, and implicitly suburban. (pics721/Shutterstock) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1559605542169-ORVYHAMWCLZX9HJH9XXI/libraryofcongress.jpg Writing - The Frankfurt Kitchen Changed How We Cook—and Live A family in a tenement kitchen in Cincinnati. Even as late as the 1930s, some poor families did not have discrete kitchens or dedicated kitchen furnishings. (Photograph by Carl Mydans/Library of Congress) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1559605635580-D12YVLU6P2OHM5UCHJQ0/frankfurt.jpg Writing - The Frankfurt Kitchen Changed How We Cook—and Live A reconstruction of the Frankfurt Kitchen in the Museum of Applied Arts, Vienna. Schütte-Lihotzky took inspiration from the efficient “galley” kitchens of railway dining cars—a term for small kitchens that has stayed with us. (© Lois Lammerhuber/MAK. Courtesy of MAK – Austrian Museum of Applied Arts, Vienna) https://www.sarah-archer.com/writing/2019/4/30/neon-is-the-ultimate-symbol-of-the-20th-century monthly 0.5 2023-11-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1556649530261-Q1NVHQ85VOKU9KU9FKB5/7ef78ed9a.jpg Writing - Neon Is the Ultimate Symbol of the 20th Century The French film Panic is advertised on the Rialto Theater marquee in Times Square in New York City on November 26, 1947. (AP Photo / Matty Zimmerman) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1556649585798-CCAJAHJ70CNGMCI5UFZZ/7420487cb.jpg Writing - Neon Is the Ultimate Symbol of the 20th Century Workers remove a hammer and sickle from a neon sign that reads “Glory to Communism,” visible on the roof of the Communist-run electricity-board headquarters in Czechoslovakia in 1989. (AP) https://www.sarah-archer.com/writing/2019/3/20/enter-through-the-gift-shop-craft-and-department-stores-in-japan monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1553534595541-1XDCKAQMH99N9GHGOSPA/sc94427.jpg Writing - Enter Through the Gift Shop: Craft and Department Stores in Japan Envelope for postcards of Mitsukoshi Department Store. Leonard A. Lauder Collection of Japanese Postcards, Museum of Fine Art, Boston. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1553534644316-V5OCTD1PU8EFY4RQF6DN/sc78043.jpg Writing - Enter Through the Gift Shop: Craft and Department Stores in Japan Advertisement for Juichiya Department Store, late Meiji era. Leonard A. Lauder Collection of Japanese Postcards, Museum of Fine Arts, Boston. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1553534865585-SR793JL0SX6ZMLEPL9YB/Advertisement+for+the+Mitsukoshi+Dry+Goods+Store+%28Mitsukoshi+gofukuten%29+.jpg Writing - Enter Through the Gift Shop: Craft and Department Stores in Japan Advertisement for the Mitsukoshi Dry Goods Store (Mitsukoshi gofukuten), late Meiji-Taisho era. Leonard A. Lauder Collection of Japanese Postcards, Museum of Fine Arts, Boston. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1553535021096-02YKVCYHC85GB7NAKWRD/Mitsukoshi%2C+Ltd.+Osaka%2C+Japan.jpg Writing - Enter Through the Gift Shop: Craft and Department Stores in Japan Mitsukoshi, Ltd. Osaka, Japan, late Meiji era. Leonard A. Lauder Collection of Japanese Postcards, Museum of Fine Arts, Boston. https://www.sarah-archer.com/writing/2019/3/20/tidying-up-with-marie-kondo-isnt-really-a-makeover-show monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1553110162610-MRRJ6A2CD0COBY6L7M0T/lead_720_405.jpg Writing - Tidying Up With Marie Kondo Isn’t Really a Makeover Show DENISE CREW / NETFLIX https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1553110452354-LU1WHLE0N1P8JMUDOSZG/image-asset.jpeg Writing - Tidying Up With Marie Kondo Isn’t Really a Makeover Show A still from an episode of Tidying Up With Marie Kondo (Netflix) https://www.sarah-archer.com/writing/2019/3/8/the-1950s-holiday-classic-you-wont-hear-at-the-mall-this-year monthly 0.5 2019-09-28 https://www.sarah-archer.com/writing/2020/10/13/philadelphias-craft-renaissance monthly 0.5 2020-12-07 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1607371754934-T2K1N6VEW5ZDMP0GTJZP/1_PhillyCraftRenaissance.png Writing - Philadelphia's Craft Renaissance WOMAN IN COSTUME ON STAGE AT THE MUSEUM OF MERCHANDISE, 1967, FROM THE EVENING BULLETIN. AUDREY SABOL PAPERS, 1962–67. ARCHIVES OF AMERICAN ART, SMITHSONIAN INSTITUTION https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1607371926922-4FHSNBA0QZS763NUA216/2_PhillyCraftRenaissance.png Writing - Philadelphia's Craft Renaissance GEORGE NAKASHIMA WITH HIS DAUGHTER, MIRA, IN HIS WORKSHOP, 1945. WAR RELOCATION AUTHORITY PHOTOGRAPHS OF JAPANESE AMERICAN EVACUATION AND RESETTLEMENT. THE BANCROFT LIBRARY, UNIVERSITY OF CALIFORNIA, BERKELEY https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1607373012923-N897G5EHYXLXFI2N4VPN/3_PhillyCraftRenaissance.png Writing - Philadelphia's Craft Renaissance HELEN DRUTT IN HER GALLERY AT 1625 SPRUCE STREET, 1979 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1607373056484-3QB6JRTOHUOS2INAKSHA/4_PhillyCraftRenaissance.png Writing - Philadelphia's Craft Renaissance INSTALLATION AT HELEN DRUTT GALLERY, 1979, INCLUDING WORK BY RUDOLF STAFFEL, WAYNE HIGBY, WILLIAM DALEY, LIZBETH STEWART, KAREN KARNES, AND JOHN GLICK https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1607373083517-LU5M8RWQAJFUMDH3768G/5_PhillyCraftRenaissance.png Writing - Philadelphia's Craft Renaissance WHARTON ESHERICK WITH OBLIVION, 1934, BY EMIL C. LUKS. WHARTON ESHERICK MUSEUM COLLECTION https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1607373149772-BVOPLYAPVH8QR9N3QQ10/6_PhillyCraftRenaissance.png Writing - Philadelphia's Craft Renaissance PAUL EVANS AND PHILIP LLOYD POWELL OUTSIDE THEIR SHOWROOM IN NEW HOPE, PENNSYLVANIA, CA. 1960. PHOTOGRAPH COURTESY OF DORSEY READING https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1607373384108-DK5STKS3RGLXHO9R3WKG/7_PhillyCraftRenaissance.png Writing - Philadelphia's Craft Renaissance FROM LEFT, METALSMITHS EARL KRENTZIN, RONALD HAYES PEARSON, PHILLIP FIKE, OLAF SKOOGFORS, AND STANLEY LECHTZIN, WITH LECHTZIN’S ELECTROFORMING EQUIPMENT, AT THE 1964 SYMPOSIUM ON METALS AT THE FIRST WORLD CONGRESS OF CRAFTSMEN. PHOTO: © ACC https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1607373435151-XF08OZ3MERUX6ANTXN5K/8_PhillyCraftRenaissance.png Writing - Philadelphia's Craft Renaissance STANLEY LECHTZIN IN THE JEWELRY STUDIO ON THE ELKINS PARK CAMPUS, IN TYLER HALL, 1989. PHOTO: ROBERT E. DIAS, TEMPLE UNIVERSITY LIBRARIES’ SPECIAL COLLECTIONS https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1607373746803-F64GNM8S41VZZVGFNW4H/9_PhillyCraftRenaissance.png Writing - Philadelphia's Craft Renaissance CLAY/PAPER, EXHIBITION AT SNYDERMAN WORKS GALLERY, 1979, INCLUDING WORKS BY ROB SIEMINSKI (FOREGROUND), SUSAN LANGE (WALL MOUNTED), AND MARTHA GITTLEMAN AND MICHAEL OLIJNYK (REAR WALL CASE). https://www.sarah-archer.com/writing/2018/8/29/craft-in-the-abstract-y6j6r-9gb7w-r2a3x monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1544465803536-KBZJT9IICMCEA15LZC1P/ChristmasTreeModern_1.jpg Writing - Making the Christmas Tree Modern A Modern Christmas Tree shown inside the Farnsworth House designed by Mies van der Rohe in 1951. Photograph by J.C. Buck/Courtesy of Modern Christmas Trees https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1544465883701-3CAS9JPF65UE3BSK85OP/ChristmasTreeModern_2.jpg Writing - Making the Christmas Tree Modern Matt Bliss and a Modern Christmas Tree inside Case Study House #22, the Stahl House, designed by Pierre Koenig in 1959. Photograph by J.C. Buck/Courtesy of Modern Christmas Trees https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1544465908534-R84BTWS195GVHH9UV4S8/ChristmasTreeModern_3.jpg Writing - Making the Christmas Tree Modern Lawrence Stoecker poses with one of his early Modern Christmas Trees. Photograph courtesy of Modern Christmas Trees https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1544465941603-60JBZ0N1ZYT71ZDYKA35/ChristmasTreeModern_4.jpg Writing - Making the Christmas Tree Modern Matt Bliss, shown in the late 1970s with his grandfather's earlier version of the tree. Photograph courtesy of Modern Christmas Trees https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1544465974951-UKMWQC0ADKIZ850C66VW/ChristmasTreeModern_5.jpg Writing - Making the Christmas Tree Modern A Modern Christmas Tree shown inside architect Charles Deaton's 1963 Sculptured House (aka the Sleeper House for its starring role in Woody Allen's 1973 film Sleeper). Photograph by J.C. Buck/Courtesy of Modern Christmas Trees https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1544466018042-XGUPB5R9A8C6LF7VON7G/ChristmasTreeModern_6.jpg Writing - Making the Christmas Tree Modern A Modern Christmas Tree shown inside Case Study House #22, the Stahl House, designed by Pierre Koenig in 1959. Photograph by J.C. Buck/Courtesy of Modern Christmas Trees https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1544466049532-4QGVUTUNY3SJ4T21HP19/ChristmasTreeModern_7.jpg Writing - Making the Christmas Tree Modern A Modern Christmas Tree shown inside the Farnsworth House designed by Mies van der Rohe in 1951. Photograph by J.C. Buck/Courtesy of Modern Christmas Trees https://www.sarah-archer.com/writing/2018/8/29/craft-in-the-abstract-y6j6r-9gb7w monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1544465045817-HN95A2Z028F30JETLLZL/DinsneyBook_1.jpg Writing - Designing Disneyland When it opened in 1957, the Monsanto House of the Future measured 1,300 square feet (nearly 121 meters), consisted of 20 separate pieces of molded fiberglass, and sat on a 16-square-foot (about 1.5 meter) block of concrete, with utilities running through a central core. More than 20 million guests visited the forward-thinking experiment before its removal in 1967. Courtesy Disney Enterprises, Inc. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1544465081629-SDMD0XX5SZ6NZTSMVQVK/DinsneyBook_2.jpg Writing - Designing Disneyland The original Disneyland sign on Harbor Boulevard welcomed guests from 1958 to 1989. Its bold colors, shapes, and kinetic exuberance make it an icon of midcentury design. Collection of Dave DeCaro, davelandweb.com https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1544465126880-9LZKJJ7STYYN4GSTUBYW/DinsneyBook_3.jpg Writing - Designing Disneyland Disney and artist Herb Ryman, who had worked on such films as Dumbo and The Wizard of Oz, spent a weekend together at the studio putting Walt’s ideas on paper. “Herbie, this is my dream,” the artist remembered Walt telling him tearfully. “I’ve wanted this for years and I need your help. You’re the only one who can do it.” (art, Herb Ryman, 1953) Copyright © 2018 Disney Enterprises, Inc. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1544465186646-YDFSTCBLWC9BU9REWO5M/DinsneyBook_4.jpg Writing - Designing Disneyland Walt Disney described his park on television in 1954. Copyright © 2018 Disney Enterprises, Inc. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1544465227026-9M654BSHEWBQHNI28Q6W/DinsneyBook_5.jpg Writing - Designing Disneyland One of the original members of the WED model shop, Harriet Burns, helped construct the scale models for Pirates of the Caribbean so that Disney could study every detail from the point of view of guests riding the finished attraction. Though Disney oversaw the construction of the attraction, it did not open until about a year after his death in 1966. Copyright © 2018 Disney Enterprises, Inc. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1544465272814-DBKS8B5BMT4HPOBPE0VF/DinsneyBook_6.jpg Writing - Designing Disneyland Fourteen years before actual astronauts would visit the Moon, the Rocket to the Moon and Astro-Jets attractions offered Tomorrowland guests the simulated thrill of blasting into space. Courtesy Disney Enterprises, Inc. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1544465313985-JW1W8ZIIVHNS9UZO5VOU/DinsneyBook_7.jpg Writing - Designing Disneyland The rare experience of seeing the “backside of water” while the riverboat meanders under the Schweitzer Falls is a highlight of the Jungle Cruise, consistent with Disney’s goal to create the “wonder world of nature’s own realm.” (art, Collin Campbell, 1954 ) Copyright © 2018 Disney Enterprises, Inc. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1544465351768-QGAH8Z7S9XLNINO4H61H/DinsneyBook_8.jpg Writing - Designing Disneyland The Monorail was the first of its kind in the Western Hemisphere and was intended as a realistic preview of transportation in tomorrow’s cities. One of the designers of the Monorail, John Hench, said the modes of transportation at Disneyland not only needed to look good in appearance but also be “a pleasure to watch in action.” (art, Bob Gurr and John Hench, circa 1959) Copyright © 2018 Disney Enterprises, Inc. https://www.sarah-archer.com/writing/2018/12/10/stephianie-syjuco monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1544467771862-2R6TCSBAX4A0JHS8NFJ8/SyjucoEssay_1.png Writing - Stephanie Syjuco Antebellum South (Simplicity) (detail; see below) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1545238970159-9ZLEDN7CGUVMW0YMUEGL/SyjucoEssay_2.png Writing - Stephanie Syjuco FIG. 1 – Cargo Cults: Object Agents, installation view, Bemis Center for Contemporary Arts, Omaha, NE, 2013 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1545239005257-Z2O5JIA7YM49MR1AJISQ/SyjucoEssay_3.png Writing - Stephanie Syjuco FIG. 2 – Cargo Cults: Head Bundle, 2016, archival pigment print. Pennsylvania Academy of the Fine Arts, Museum purchase https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1545239054259-ALVUYEGI2Z25FUWJY2YT/SyjucoEssay_4.png Writing - Stephanie Syjuco FIG. 3 – Cargo Cults: Java Bunny, 2016, archival pigment print. Pennsylvania Academy of the Fine Arts, Museum purchase https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1545239121249-XW1AOGB1OW3ROYJP6JNX/SyjucoEssay_5.png Writing - Stephanie Syjuco FIG. 4 – Chromakey Aftermath 2 (Flags, Sticks, and Barriers), 2017, archival pigment print. Collection of the artist and courtesy RYAN LEE Gallery, New York https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1545239175844-F02MT6ZULRK9F5STFNFN/SyjucoEssay_6.png Writing - Stephanie Syjuco FIG. 5 – Materials used for The Visible Invisible project https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1545239389468-7J3YLV5FNM3OJHQCRLWK/SyjucoEssay_7.png Writing - Stephanie Syjuco FIG. 6 – Left to right, The Visible Invisible: Plymouth Pilgrim (Simplicity), 2018, cotton muslin chromakey back- drop fabric, ribbon, lace, buttons, and display form; Antebellum South (Simplicity), 2018, cotton muslin chromakey back- drop fabric, polyester satin, crocheted cotton, ribbon, lace, buttons, and display form; Colonial Revolution (McCall’s), 2018, cotton muslin chromakey back- drop fabric, ribbon, lace, buttons, and display form. All collection of the artist https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1545239726678-NUQ6QZEVRSEJL84PZVSB/SyjucoEssay_8.png Writing - Stephanie Syjuco FIG. 7 – Total Transparency (Background Layer Bleed), 2017, hand-sewn quilting cotton. Collection of the artist and courtesy RYAN LEE Gallery, New York https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1545239925453-SVN5EEN18G791VTF4WMA/SyjucoEssay_9.png Writing - Stephanie Syjuco FIG. 8 – Total Transparency (Background Layer Bleed) (reverse detail) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1545239970690-2VJALPBQJOY2442FS11S/SyjucoEssay_10.png Writing - Stephanie Syjuco FIG. 9 – Ungovernable (Hoist) (foreground), 2017, sewn muslin and steel armatures. Collection of the artist and courtesy RYAN LEE Gallery, New York https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1545240270430-3UZTQUHNJY6B62YD2V6G/SyjucoEssay_12.png Writing - Stephanie Syjuco FIG. 10 – Total Transparency Filter (Portrait of N), 2017, archival digital print. Collection of the artist and courtesy RYAN LEE Gallery, New York https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1545240334176-57C9HZ6RS0ZY33CIZCUH/SyjucoEssay_11.png Writing - Stephanie Syjuco FIG. 11 – Neutral Calibration Studies (Ornament + Crime), 2016, wooden platform, neutral grey seamless backdrop paper, digital adhesive prints on laser-cut wooden props, dye-sublimation digital prints on fabric, items purchased on eBay and craigslist, photographic prints, artificial and live plants, and neutral calibrated gray paint. Collection of the artist and Nion McEvoy https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1545240955630-X0ZC2QAHKDPZQ4037X0U/SyjucoEssay_14.png Writing - Stephanie Syjuco FIG. 13 – Neutral Calibration Studies (Ornament + Crime) (reverse detail) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1545240823935-64107YBKSYV5E9P4KMOJ/SyjucoEssay_13.png Writing - Stephanie Syjuco FIG. 12 – Neutral Calibration Studies (Ornament + Crime) (detail) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1545240644448-LMBHF7DO8CZHMRR51LE8/SyjucoEssay_15.png Writing - Stephanie Syjuco FIG. 14 – The Counterfeit Crochet Project (Critique of a Political Economy), 2008, installation and participatory work- shop that traveled to Beijing, Istanbul, Manila, Milan, Berlin, Karlsruhe, Gothenburg, Los Angeles, New York, Milwaukee, Jönköping, and San Francisco https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1545241222160-YBPUMHUKNK6DS4EYKE5N/SyjucoEssay_16.png Writing - Stephanie Syjuco FIG. 15 – The Counterfeit Crochet Project (Critique of a Political Economy), 2008 https://www.sarah-archer.com/writing/2018/8/29/craft-in-the-abstract-y6j6r monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1544463257919-P7XS5MVKPCIZHTQ5L8I3/DesignPhiladelphia_1.jpg Writing - Philadelphia Spotlights Design That Solves Problems and Builds Community An aerial view of the DesignPhiladelphia kickoff party at the Bok Bar on the rooftop of the Bok Building. Photo: Joe Kaczmarek https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1544463388315-H08829W2KWKCQFU5L5HN/DesignPhiladelphia_2.jpeg Writing - Philadelphia Spotlights Design That Solves Problems and Builds Community A view of “All of the Lights,” an exhibit of 3D-printed lamps by Budmen Industries. Photo: Joseph Kaczmarek https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1544463422660-BWQOLTXHVWPV785L3PB9/DesignPhiladelphia_3.JPG Writing - Philadelphia Spotlights Design That Solves Problems and Builds Community Custom 3D-printed DesignPhiladelphia logo lamp, part of the “All of the Lights” exhibit by Budmen Industries. Photo: DesignPhiladelphia https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1544463455404-SWVM6SWNE9XUMZM6HP3Z/DesignPhiladelphia_4.jpg Writing - Philadelphia Spotlights Design That Solves Problems and Builds Community The exterior of the Bok Building in South Philadelphia on the evening of the DesignPhiladelphia kickoff party. Photo: DesignPhiladelphia https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1544463497246-MDM9L39FWZN04VKV1B01/DesignPhiladelphia_5.JPG Writing - Philadelphia Spotlights Design That Solves Problems and Builds Community A sampling of Remark Glass mugs made from repurposed glass bottles using traditional glass-blowing techniques. Photo: DesignPhiladelphia https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1544463527297-8HBINF59Y30H31I03LZA/DesignPhiladelphia_6.jpeg Writing - Philadelphia Spotlights Design That Solves Problems and Builds Community Paula Scher of Pentagram delivers a keynote talk during AIA Philadelphia’s Forum on Architecture and Design. Photo: Joseph Kaczmarek https://www.sarah-archer.com/writing/2018/3/27/glenn-adamson-thinks-you-need-less-stuff-yb2ca monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1544461711691-I76S1C3JI3T6W4H8AZ60/LCollins_1.jpg Writing - Bringing Back Op with a World of Zigzags, Sunbursts, and Bullseyes Liz Collins, “Zagreb Mountain Scroll” (2018) Jacquard woven silk and polyester textile on stretcher (306 x 61x 2 inches) (All images courtesy of LMAKGallery, NY) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1544461757841-IAXS9LDORFMW22K3F4BK/LCollins_2.jpg Writing - Bringing Back Op with a World of Zigzags, Sunbursts, and Bullseyes Liz Collins, “Equilibrium” (2018) Acrylic on canvas with stitched rayon and polyester yarns, 36 x 76 inches https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1544461792242-E1JI89S8V2GYGM5H109V/LCollins_3.jpg Writing - Bringing Back Op with a World of Zigzags, Sunbursts, and Bullseyes Liz Collins, “Armor Faucet” (2018) Plywood, nails, plastic and cord (16 x 63 inches) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1544461830645-V4RLSYO4N95OU6YALYVH/LCollins_4.jpg Writing - Bringing Back Op with a World of Zigzags, Sunbursts, and Bullseyes Liz Collins, detail of “Zagreb Mountain Scroll” (2018) Jacquard woven silk and polyester textile on stretcher (306 x 61x 2 inches) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1544461859121-IA6OFINGLM0EZ9LONO85/LCollins_5.jpg Writing - Bringing Back Op with a World of Zigzags, Sunbursts, and Bullseyes Liz Collins, “Partners” (2018) Acrylic on canvas with stitched rayon yarn https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1544461890982-96E6TQPDG2NJRINALR2K/LCollins_6.jpg Writing - Bringing Back Op with a World of Zigzags, Sunbursts, and Bullseyes Liz Collins, “Spirit Spout” (2018) Acrylic on canvas with stitched rayon, PVC, lurex, and polyester yarns (16 x 95 inches) https://www.sarah-archer.com/writing/2018/12/19/lofty-ambitions monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1545243408021-BHAXRA0ZNR5TAPHC85JB/image-asset.png Writing - Lofty Ambitions An appealing arrangement of newly-upholstered vintage Ward Bennett tufted leather chairs and a custom sofa designed by Fisher Grey alongside a custom live edge wood coffee table by John Struble, Saporiti Onda lounge chair and an Arredoluce Triennale floor lamp. Photography by Gregg Krantz https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1545243603583-UJP4PU7HD1RH2HY7I122/Lofty-Ambitions-2.png Writing - Lofty Ambitions Harry Bertoia’s Bird chair for Knoll cozies up to stone- top tables designed by Fisher Grey and a rattan ottoman by Franco Albini. Photography by Gregg Krantz https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1545243874999-QSQ6CYBH9DPZNWSK7RJN/Lofty-Ambitions-3.png Writing - Lofty Ambitions Bennett’s Cartouche sofa in gray mohair is adorned with custom-made vintage textile pillows and set before a series of antique Chinese bamboo screen panels. Photography by Gregg Krantz https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1545243935186-15MVJLM7G6OKHMEOQNWF/Lofty-Ambitions-4.png Writing - Lofty Ambitions The artwork is by Krantz, who is pictured above (standing) with Thibault at a Florence Knoll table. Photography by Gregg Krantz https://www.sarah-archer.com/writing/2018/12/19/about-face monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1545250317777-XRRWCLFDDER05B6GZNNF/TEFAF-About_Face-1.png Writing - About Face Diego Velázquez, Portrait of Juan de Pareja, Oil on canvas, 81.3 cm × 69.9 cm (32.0 in × 27.5 in) Circa 1650 https://www.sarah-archer.com/writing/2018/12/19/from-rouge-to-rage monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1545245322019-D5AMCBMGUE7PWXI097MY/Rouge-to-Rage-2.png Writing - From Rouge to Rage Roly Poly Chair, Faye Toogood, 2014. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1545245375995-FVY2J9213GVX213R0NX1/Rouge-to-Rage-1.png Writing - From Rouge to Rage Giovanni Battista Moroni, Portrait of Prospero Alessandri, 1580. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1545245738236-ZHQ1NHTLCCXXO0ZZKNDW/Rouge-to-Rage-3.png Writing - From Rouge to Rage A Reynolds aluminum advertisement from the 1960s. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1545245801028-D909GP5DW7YBYCDEGZ7V/Rouge-to-Rage-4.png Writing - From Rouge to Rage Pink silk faille cape, Traina-Norell, 1958. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1545245847967-EBGS23ZWQNEBT07F56AJ/Rouge-to-Rage-5.png Writing - From Rouge to Rage https://www.sarah-archer.com/writing/2018/3/27/glenn-adamson-thinks-you-need-less-stuff monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1536254216927-1NVK4826GHF65AM7TCKP/FewerBetterThings1.jpg Writing - Glenn Adamson Thinks You Need Less Stuff Author Glenn Adamson, whose new book Fewer, Better Things: The Hidden Wisdom of Objects(Bloomsbury) argues passionately for well-designed material objects in our increasingly digital age.Courtesy of the author https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1536254264368-A4SFRAICVF6WAZTQWZAU/FewerBetterThings2.jpg Writing - Glenn Adamson Thinks You Need Less Stuff Fewer, Better Things: The Hidden Wisdom of Objects by Glenn Adamson (Bloomsbury) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1536254313994-OR61GNHJ7Z9BZHZP8JF2/FewerBetterThings3.jpg Writing - Glenn Adamson Thinks You Need Less Stuff In Fewer, Better Things Adamson writes of how tools like a humble fretsaw are repositories of centuries of accumulated "material intelligence." Drawing: Polly Becker, 2018/ Courtesy Bloomsbury Publishing https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1536254356826-6VCKII3C97MAHX1S7NS2/FewerBetterThings4.jpg Writing - Glenn Adamson Thinks You Need Less Stuff Seppo ("Snow Peaks"), a legendary 17th-century Japanese tea bowl poetically named for the evocative shape of the highlighted cracks in its artful repair. Adamson writes of the Japanese art of kintsugi, which uses gold in such repairs to symbolize the inherent value in beloved, well-used objects.Drawing: Polly Becker, 2018/ Courtesy Bloomsbury Publishing https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1536254400200-R9YZ0JE5O365I3QKCFSI/FewerBetterThings5.jpg Writing - Glenn Adamson Thinks You Need Less Stuff A laptop's USB power cord whose frayed connection was repaired using Sugru moldable glue, a clay-like substance Adamson extols for how easily it enables the average person to fix all sorts of things, without having to consult an expert or purchase a new version.Drawing: Polly Becker, 2018/ Courtesy Bloomsbury Publishing https://www.sarah-archer.com/writing/2018/8/29/craft-in-the-abstract monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1535553597202-EVF43NTDTSD6VB1JCL17/1950-Miro-Craft-Horizons-Cover.jpg Writing - Craft in the Abstract Detail of Joan Miró, Cahiers d’Art series, 1936, pochoir. Craft Horizons, Spring 1950, Volume 10, Number 1.ACC Library & Archives https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1535554231342-4812TYX4N3YD99INFMRK/Craft-Horizons-Spring-1950-Miro_1.jpg Writing - Craft in the Abstract Joan Miró, Cahiers d’Art series, 1936, pochoir, Craft Horizons, Spring 1950, Volume 10, Number 1 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1535554241339-TNE5GCNGLAZOZIES65ZN/Craft-Horizons-November-December-1958-2.jpg Writing - Craft in the Abstract Russ Etter, Craft Horizons, November/December 1958, Volume 18, Number 6 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1535554247896-CXVFIXT9XPI3AWI5ZEI7/Craft-Horizons-November-December-1967-3.jpg Writing - Craft in the Abstract Sydney Butchkes and Ferdinand Boesch, Craft Horizons, November/December 1967, Volume 27, Number 6 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1535554250975-BP1H0BMF4VRMJ2WSS3WG/Craft-Horizons-November-December-1968-4.jpg Writing - Craft in the Abstract Sydney Butchkes, Untitled, c. 1964, blue, red, amber, and transparent acrylic sheets, 18 x 18 x 18 in. Craft Horizons, November/December 1968, Volume 28, Number 6 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1535554550853-ES6D476AINAXDYV4LVZQ/Craft-Horizons-November-1948-5.jpg Writing - Craft in the Abstract School of Picardy, Angel of the Annunciation, 15th century, Craft Horizons, November 1948 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1535554264177-9OPGOC8JQICVLXB2W48A/Craft-Horizons-November-1947-6.jpg Writing - Craft in the Abstract Sassetta (Stefano di Giovanni), The Journey of the Magi, c. 1433-35, tempera on gold and wood, 8.5 x 11.75 in., Craft Horizons, November 1947, Volume 8, Number 19 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1535554268988-KVVFGBKVKVO08T15NVP7/Craft-Horizons-November-1946-7.jpg Writing - Craft in the Abstract Craft Horizons, November 1946, Volume 6, Number 15 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1535554612819-ILPYFFDDYZXPI9ENLJ6N/Craft-Horizons-February-1945-8.jpg Writing - Craft in the Abstract George Biddle, Untitled, hooked rug, 4 x 6 ft., Craft Horizons, February 1945, Volume 4, Number 8 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1535554618473-ZI836ZAEYDEFET1KRTHW/Craft-Horizons-August-1953-9.jpg Writing - Craft in the Abstract Tapio Wirkkala, Untitled, opalescent glass, Craft Horizons, August 1953, Volume 8, Number 4 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1535554625246-QXQYKG9YFZ7RJGVDZ4DH/Craft-Horizons-August-1954-10.jpg Writing - Craft in the Abstract Alfred Gysi, Untitled, Lissajous figures (pendulum drawings), Craft Horizons, August 1954, Volume 14, Number 4 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1535554634376-ED76GCBYH785FWB99TQ6/Craft-Horizons-June-1952-11.jpg Writing - Craft in the Abstract Richard Lippold, Aerial Act, 1950, brass, copper, nichrome wire, Craft Horizons, May/June 1952, Volume 12, Number 3 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1535554642895-WR3YS6EJCORRLET7GWT3/Craft-Horizons-July-August-1956-Ivan+Chermayeff-12.jpg Writing - Craft in the Abstract Ivan Chermayeff and Robert Brownjohn, Craft Horizons, July/August 1956, Volume 16, Number 4 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1535554650543-SHG7DOQB2MCMI2ICIARC/Craft-Horizons-July-August-1961-13.jpg Writing - Craft in the Abstract Unidentified Tlingit artist, Untitled, 1825 – 1875, handcarved wood, paint, Craft Horizons, July/August 1961, Volume 21, Number 4 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1535554655306-NK7HJHOAOTUIEOZ48PHQ/Craft-Horizons-September-October-1964-14.jpg Writing - Craft in the Abstract Tobias O’Mara, Craft Horizons, September/October 1964, Volume 24, Number 5 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1535554660168-U0NP2D2DQFKABCUE4AT2/Craft-Horizons-May-June-1963-15.jpg Writing - Craft in the Abstract Omero Fromboluti, Untitled, c. 1963, ceramic tile, glass tile, white mastic, 12 x 12 in., Craft Horizons, May/June 1963, Volume 23, Number 3 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1535554671186-7UDR2ZPY5ZZ7BI0H5WL3/Ver-Sacrum-Januar-1898-16.jpg Writing - Craft in the Abstract Alfred Roller and Koloman Moser, Ver Sacrum, January 1898, Volume 1, Issue 1 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1535554678205-PBTI9H3A25RP9E9VF121/The-Home-Craftsman-January-February-1936-17.jpg Writing - Craft in the Abstract H.J. Hobbs ed., The Home Craftsman, January/February 1936, Volume 5 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1535554684561-846XSAA8U1MBDYR1XH39/The-Craftsman-January-1904-18.jpg Writing - Craft in the Abstract Gustav Stickley ed., The Craftsman, January 1904, Volume 5, Number 4 https://www.sarah-archer.com/writing/2018/8/29/encountering-alice-kagawa-parrott monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1536107394211-3DWAVXOQRWAG3ZOZ1ZQ8/AliceKagawa_1.jpg Writing - Encountering Alice Kagawa Parrott Weaving studio used by Alice Kagawa Parrott (unidentified location), 1950s. Courtesy of the Alice Kagawa Parrott Family Trust https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1536107810789-NBPFEB6E47TE6F9OWQ9A/AliceKagawa_2.jpg Writing - Encountering Alice Kagawa Parrott Alice Kagawa Parrott, Chief Pattern, 1974, wall rug tapestry with linen, wool, vegetable- and animal dyed-yarns, 35 x 49.5 x .625 in. Alice Kagawa Parrott Artist File, the American Craft Council Library & Archives, Minneapolis, MN https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1536107810874-LKCKE9PGYX01S5L0N5CH/AliceKagawa_3.jpg Writing - Encountering Alice Kagawa Parrott Alice Kagawa Parrott, Cliff Dwelling, 1973, wall rug tapestry with linen, wool, vegetable-dyed yarns, 68 x 40 x .5 in. Alice Kagawa Parrott Artist File, the American Craft Council Library & Archives, Minneapolis, MN https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1536107816267-84DLIZ2BZ0Y33KBXX673/AliceKagawa_4.jpg Writing - Encountering Alice Kagawa Parrott Alice Kagawa Parrott (1929–2009), Untitled (wall hanging detail), c. 1973. Alice Kagawa Parrott Artist File, the American Craft Council Library & Archives, Minneapolis, MN Ferdinand Boesch https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1536107816861-MS698PHPYCF6Y91KN94P/AliceKagawa_5.jpg Writing - Encountering Alice Kagawa Parrott Todd Webb (1905–2000), Wall hanging, 1963, color slide Alice Kagawa Parrott Artist File, the American Craft Council Library & Archives, Minneapolis, MN https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1536107819925-9RG6E8O4M6MV32D07VYK/AliceKagawa_6.jpg Writing - Encountering Alice Kagawa Parrott Todd Webb, Allen and Alice, 1963, color slide. Alice Kagawa Parrott Artist File, the American Craft Council Library & Archives, Minneapolis, MN https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1536107823294-F4XDBWQ2IWD6JLMY3ZFB/AliceKagawa_7.jpg Writing - Encountering Alice Kagawa Parrott Todd Webb, Alice with friend [possibly Robert G. Harris], 1963, color slide. Alice Kagawa Parrott Artist File, the American Craft Council Library & Archives, Minneapolis, MN https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1536107823610-UKVWLLU2312TG5OAO8SR/AliceKagawa_8.jpg Writing - Encountering Alice Kagawa Parrott Todd Webb, Alice with handweaving, 1963, color slide. Alice Kagawa Parrott Artist File, the American Craft Council Library & Archives, Minneapolis, MN https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1536107824382-LWLAXLZ1EGWMVZMFJX3U/AliceKagawa_9.jpg Writing - Encountering Alice Kagawa Parrott Todd Webb, Alice with Mabel Morrow Looking at Dyed Yarns, 1963, color slide. Alice Kagawa Parrott Artist File, the American Craft Council Library & Archives, Minneapolis, MN https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1536107824900-PFOM7EXQJ794X16HUU92/AliceKagawa_10.jpg Writing - Encountering Alice Kagawa Parrott Todd Webb, Alice at the loom weaving on the rug for World’s Fair exhibit, 1963, color slide Alice Kagawa Parrott Artist File, the American Craft Council Library & Archives, Minneapolis, MN https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1536107829637-P44N66CIQLASYB8579WT/AliceKagawa_11.jpg Writing - Encountering Alice Kagawa Parrott Todd Webb, Alice at the loom weaving on the rug for World’s Fair exhibit, 1963, color slide Alice Kagawa Parrott Artist File, the American Craft Council Library & Archives, Minneapolis, MN https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1536107829979-MR4PY8RN26094USPZ14G/AliceKagawa_12.jpg Writing - Encountering Alice Kagawa Parrott Todd Webb, Alice with yarn drying, 1963, color slide Alice Kagawa Parrott Artist File, the American Craft Council Library & Archives, Minneapolis, MN https://www.sarah-archer.com/writing/2018/8/29/levis-denim-art-contest monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1536109183107-T32ZYU5CWY3PUOS8DT6C/Levis_Header.jpg Writing - Levi's Denim Art Contest Cover image from press kit for the exhibition “Denim Art” held at the Museum of Contemporary Crafts, New York City, March 29-May 26, 1974. Courtesy of the American Craft Council Library and Archives https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1536109644675-FX60D4IQ5MPZXSJZK8LA/Levis_1.jpg Writing - Levi's Denim Art Contest The cover of Levi’s Denim Art Contest Catalogue of Winners Levi's Denim Art Contest Catalogue of Winners, Baron Wolman / Squarebooks in conjunction with Owens & Company, 1974. Design by Tony Lane https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1536109643900-ERKHAPTMKI3JKRAPDXME/Levis_2.jpg Writing - Levi's Denim Art Contest First place entry from Bill Shire, Los Angeles, CA Levi's Denim Art Contest Catalogue of Winners, Baron Wolman / Squarebooks in conjunction with Owens & Company, 1974. Design by Tony Lane https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1536109655657-A7SPSQJFRBNULQ41VGZF/Levis_3.jpg Writing - Levi's Denim Art Contest Third place entry from C. Kenneth Havis, Denton, TX Levi's Denim Art Contest Catalogue of Winners, Baron Wolman / Squarebooks in conjunction with Owens & Company, 1974. Design by Tony Lane https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1536109656421-4FY70CU3ZOOBAPMIU195/Levis_4.jpg Writing - Levi's Denim Art Contest Fourth place entry from Ann Polesny, Altamont, NY Levi's Denim Art Contest Catalogue of Winners, Baron Wolman / Squarebooks in conjunction with Owens & Company, 1974. Design by Tony Lane https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1536109657822-I6ODB90INPCMTKMTK9TC/Levis_5.jpg Writing - Levi's Denim Art Contest Honorable Mention entry from Alexis Pawlik, Guttenberg, NJ Levi's Denim Art Contest Catalogue of Winners, Baron Wolman / Squarebooks in conjunction with Owens & Company, 1974. Design by Tony Lane https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1536109657943-PFOO96I52USN0HCH8G8H/Levis_6.jpg Writing - Levi's Denim Art Contest Cover, Native Funk & Flash: an Emerging Folk Art, Scrimshaw Press, 1974. Cover design by Georgia George https://www.sarah-archer.com/writing/2018/1/16/in-search-of-sleep-with-bob-ross monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1536252673534-XR3GRA96OPA5V0L76F7O/Archer-In-Search-of-Sleep-with-Bob-Ross.jpg Writing - In Search of Sleep, with Bob Ross Sleep stories, which are a cross between Books on Tape and bedtime stories, are the ideal vehicle for Bob Ross’s style of meditative art instruction.Photograph by Acey Harper / The LIFE Images Collection / Getty https://www.sarah-archer.com/writing/2018/3/27/how-furniture-shapes-what-we-teach-children monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1536249517910-MXF10QK6QKBDS6840E2G/KidsFurniture1.jpg Writing - How Furniture Shapes What We Teach Children Puffed Rice , ca. 1918. Photograph.Library of Congress https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1536249563786-0ZB11TNKG010B90Q6UTH/KidsFurniture2.jpg Writing - How Furniture Shapes What We Teach Children Child’s Windsor High Chair, Tulip poplar (seat), oak (arms), maple (legs), paint, 1780–1790. Mount Vernon, Gift of Mary F. Failing, Vice Regent for Oregon, 1912.Courtesy of George Washington's Mount Vernon https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1536249762841-BBXUQUQ0I10F0AD79ZPT/KidsFurniture3.jpg Writing - How Furniture Shapes What We Teach Children A Victorian deportment chair with a caned seat and a carved lyre-shaped splat. Thakeham Furniture, Petworth, U.K. Courtesy of Thakeham Furniture https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1536249819782-JKSCEHAYXTHN7ID0EYLA/KidsFurniture4.jpg Writing - How Furniture Shapes What We Teach Children Tripp Trapp Chair, Designed by Peter Opsvik, adjustable chair for children, Stokke AS, Norway. Courtesy of Stokke/ Photo by Johan Holmquist https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1536249947682-HPE0CT15FJNBTE5YYDJH/KidsFurniture5.jpg Writing - How Furniture Shapes What We Teach Children The Design of Childhood: How the Material World Shapes Independent Kids by Alexandra Lange (Bloomsbury Publishing)Courtesy of Bloomsbury Publishing https://www.sarah-archer.com/writing/2018/8/29/powe-object monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1535558742839-ZTDGCT1CVLLV8RW087SL/Maria-Rose-B-Simpson.jpg Writing - Power Object: Rose B. Simpson’s Maria Rose B. Simpson, Maria, 2014 - Kate Russell, courtesy of the artist https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1535559327553-QAKJCQCWLRCHEFBPZ3MG/Maria-Rose-B-Simpson-night-1.jpg Writing - Power Object: Rose B. Simpson’s Maria Rose B. Simpson, Maria, 2014 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1535559336613-WMIO0HME86LOCD66EFBM/Rose-B-Simpson-and-Models-Denver-Art-Museum-2.jpg Writing - Power Object: Rose B. Simpson’s Maria Rose B. Simpson and models at the Maria Denver Art Museum performance, 2014. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1535559339302-5JB9VEQ2FOU7BB6UCRJ1/Santana-Roybal-Martinez-and-Maria-Martinez-feather-bowl-3.jpg Writing - Power Object: Rose B. Simpson’s Maria Santana Roybal Martinez and Maria Martinez, Feather Bowl, 1948, polished black matte ware, 2 x 14.9 in. Smithsonian American Art Museum. Given in honor of Maria Martinez, the potter of San Ildefonso, and the late Felix S. Cohen. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1535559341451-7PH96SGZP93J45T26AP2/Julian-and-Maria-Martinez-bowl-4.jpg Writing - Power Object: Rose B. Simpson’s Maria Julian Martinez and Maria Martinez, Bowl, n.d., blackware, 6.7 in x 9.5 in. Smithsonian American Art Museum. Gift of International Business Machines Corporation https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1535559347149-5VTGYBH4C20OA4A2TIUA/Julian-and-Maria-Martinez-Plate-5.jpg Writing - Power Object: Rose B. Simpson’s Maria Julian Martinez and Maria Martinez, Plate, ca. 1930s, blackware, 1.9 in. x 14.6 in. Smithsonian American Art Museum. Gift of International Business Machines Corporation https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1535559373542-RIJ2J2UANCN55RP7OHCR/Julian-and-Maria-Martinez-6.jpg Writing - Power Object: Rose B. Simpson’s Maria Julian and Maria Martinez displaying finished pottery, San Ildefonso Pueblo, New Mexico, undated. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1535559378557-OCMCC11ILM0FY2BK7W8X/Albert-de-Alba-Sr-El-Rey-7.jpg Writing - Power Object: Rose B. Simpson’s Maria Albert de Alba, Sr., El Rey, 2011, 1963 Chevrolet Impala. Collection of Albert de Alba, Sr. (Elite Car Club). https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1535559383169-MHGLRSZ4TY5B9ZNX2UMP/Gilbert-Magu-Lujan-Our-Family-Car-8.jpg Writing - Power Object: Rose B. Simpson’s Maria Gilbert “Magu” Luján, Our Family Car, 1984, 1950 Chevrolet Sedan, collection of Paul Dunlap. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1535559387441-NEGJHY9FHEAQSTXR5I3Y/O-G-Abel-Low-teria-9.jpg Writing - Power Object: Rose B. Simpson’s Maria O.G. Abel., Low-tería, 2017, Petersen Automotive Museum, Los Angeles https://www.sarah-archer.com/writing/2018/3/27/artful-furniture-takes-the-stage-in-philadelphia monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1536248154047-GST58OVM967804TCU3VS/Philedelphia+Furniture+Show.JPG Writing - Artful Furniture Takes the Stage in Philadelphia A vanity and stool of padauk and holly by Virginia Blanchard.Courtesy of Virginia Blanchard https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1536248204448-CIMFQ6B4JCN04J1L7EYI/Philedelphia+Furniture+Show+2.jpg Writing - Artful Furniture Takes the Stage in Philadelphia Holly-wood inlay on the surface of Virginia Blanchard's vanity.Courtesy of Virginia Blanchard https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1536248338318-8C4S4G4C62YKEJOZX2J8/Philedelphia+Furniture+Show+3.jpg Writing - Artful Furniture Takes the Stage in Philadelphia Jeremy Zietz's Enfield Blanket Chest is crafted of black walnut lined with cedar.Courtesy of Jeremy Zietz https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1536248371994-EW04FVKR6JCKFOEHXS57/Philedelphia+Furniture+Show+4.JPG Writing - Artful Furniture Takes the Stage in Philadelphia The inscribable tree of life on the interior of the Enfield Blanket Chest by furniture maker Jeremy Zietz.Courtesy of Jeremy Zietz https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1536248463236-TB97218IF59BSCDL4CPE/Philedelphia+Furniture+Show+5.jpg Writing - Artful Furniture Takes the Stage in Philadelphia Meredith Hart's Danish Modern–inspired Buchanan Daybed in walnut.Photo by Megapixie Photography/Courtesy of Meredith Hart https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1536248542346-TE6EUERAOEVFAEC6LT39/Philedelphia+Furniture+Show+6.jpg Writing - Artful Furniture Takes the Stage in Philadelphia Hart intentionally left visible marks of her craftsmanship on the Buchanan Daybed.Photo by Megapixie Photography/Courtesy of Meredith Hart https://www.sarah-archer.com/writing/2018/12/19/keeping-up-with-the-eamses monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1545254659000-FKG5TEKWJ1P57LEIT6OH/KeepingUp.jpg Writing - Keeping up with the Eamses Mira Schendel, Untitled, Gouache and watercolor on paper 1954 In the postwar period, women artists and designers like Mira Schendel trained their aesthetic lenses on traditional imagery of the feminine, particularly interior scenes such as this one. With its off-kilter rendering of everyday objects and dark palette, this scene suggests a domestic landscape, and indeed a world, in a state of flux. IMAGE COURTESY OF BERGAMIN & GOMIDE STAND 95. Photo: Ding Musa https://www.sarah-archer.com/writing/2018/3/27/the-forgotten-everyday-origins-of-craft monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1522186750752-6LHB2IIPXHNIGJEPBH2W/lead_960.jpg Writing - The Forgotten Everyday Origins of ‘Craft’ https://www.sarah-archer.com/writing/2018/3/27/artists-and-designers-tell-new-stories-of-old-silver monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1522186017686-9MGNDY5DZN4V7X77WYZQ/1_Mimlitsch-Gray-Engraving.jpg Writing - Artists and Designers Tell New Stories of Old Silver Myra Mimlitsch-Gray “Magnification: Engraving” (2017) (image courtesy of the artist and the Museum of the City of New York) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1522186042073-RLI36ORSNCZ82PUJCR6B/2_Tiffany-Yarn-Ball-720x720.jpg Writing - Artists and Designers Tell New Stories of Old Silver Tiffany and Co., “Sterling Silver Ball of Yarn” (2017) from the “Everyday Objects” collection (courtesy: Tiffany and Co., New York) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1522186089501-AOHO68CWPNLLLT4OY042/3_MN198690.jpg Writing - Artists and Designers Tell New Stories of Old Silver Installation view of New York Silver, Then and Now at the Museum of the City of New York https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1522186115913-RSM973YTL4TWLS587BYU/4_MN198714.jpg Writing - Artists and Designers Tell New Stories of Old Silver Installation view of New York Silver, Then and Now at the Museum of the City of New York https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1522186150775-3219LCBPBN6QRADY1IJO/5_Boym-Pillinger-720x720.jpg Writing - Artists and Designers Tell New Stories of Old Silver Constantin Boym and Kaminer Haislip, “Pillinger,” (2017) (image courtesy of the artist and the Museum of the City of New York) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1522186187830-3X1UO895O73LDKRS8HYJ/6_Bridges-Tarnish.jpg Writing - Artists and Designers Tell New Stories of Old Silver “Tarnish” by Sheila Bridges, fabricated by Susan Kay Walker, 2017. Image courtesy of the artist and the Museum of the City of New York) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1522186215409-EQT3XUGVK67ON7HODBBX/7_Ubaldo-Bulgari-Dixie-Cup.jpg Writing - Artists and Designers Tell New Stories of Old Silver Ubaldo Vitali for Bulgari, “Dixie Cup” (ca. 1980) sterling silver mug (photo by Gene Young, courtesy Newark Museum) https://www.sarah-archer.com/writing/2018/8/29/wendell-castle monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1536244602020-MH3ZCYPA0ACVSNGV3HEH/WendellCastle_1.jpeg Writing - Wendell Castle, a Legend of the Furniture and Design Worlds, Dies at 85 Wendell Castle portrait with A New Environment (2013) at Friedman Benda, New York (image courtesy Friedman Benda and Wendell Castle) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1536244765593-OD8CWS6RQD3MW0GC2SJ4/WendellCastle_2.jpg Writing - Wendell Castle, a Legend of the Furniture and Design Worlds, Dies at 85 Wendell Castle, "Music Rack" (1964), oak, rosewood; bent lamination, joined, pegged; purchased by the American Craft Council, Museum of Arts and Design (courtesy Museum of Arts and Design) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1536244831797-QXJVG3KRXD9ZRKRLLP0Z/WendellCastle_3.jpeg Writing - Wendell Castle, a Legend of the Furniture and Design Worlds, Dies at 85 Wendell Castle, "Double Chair" (1967), afromosia wood (photo by Jon Lam, courtesy of Friedman Benda) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1536244916226-5UWOD4GKA58RGG2DM1JG/WendellCastle_4.jpeg Writing - Wendell Castle, a Legend of the Furniture and Design Worlds, Dies at 85 Wendell Castle at work in Rochester, New York, 1968 (image courtesy of Friedman Benda Gallery and the artist) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1536244949485-LFDWPTLQQSNQXNSDX6NG/WendellCastle_5.jpg Writing - Wendell Castle, a Legend of the Furniture and Design Worlds, Dies at 85 Wendell Castle, "Molar Group" White Armchair (ca 1969) (image courtesy of 1stDibs) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1536245062414-RD6NZ5U3W6ZYCZYSNDV2/WendellCastle_6.jpeg Writing - Wendell Castle, a Legend of the Furniture and Design Worlds, Dies at 85 Wendell Castle, A New Environment (2013), installation view at Friedman Benda, New York (image courtesy Friedman Benda; photo by Christopher Burke Studios) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1536245307641-4C8OJ5ZO2FO7UF5P4EIV/WendellCastle_7.jpeg Writing - Wendell Castle, a Legend of the Furniture and Design Worlds, Dies at 85 Wendell Castle, "Walnut Sculpture" (1958–59), walnut and brass pins (image courtesy of Friedman Benda and the artist; photo by Adam Reich) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1536245394292-GA53O7BWJ42Q8SQNSX0N/WendellCastle_8.jpeg Writing - Wendell Castle, a Legend of the Furniture and Design Worlds, Dies at 85 Installation view of Wendell Castle Remastered at the Museum of Arts and Design, 2016 (photo courtesy Wendell Castle) https://www.sarah-archer.com/writing/2018/1/14/fake-fur-an-essay monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1515978972280-QDE6QCXIF8Q2SC3FXKKX/FakeFur_1.jpg Writing - Fake Fur: An Essay https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1515979754703-TXPP0NDZBE12020MMEYC/FakeFur_2.jpg Writing - Fake Fur: An Essay https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1515979768262-5OFH9OOZV4PRAWIS772L/FakeFur_3.jpg Writing - Fake Fur: An Essay https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1515979777358-DZ6XXYXEISZQ1WKI04GW/FakeFur_4.jpg Writing - Fake Fur: An Essay https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1515979770588-BCXSOXXKR83U8FYM06N4/FakeFur_5.jpg Writing - Fake Fur: An Essay https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1515979771338-1N63360F1KJLUQD15KCT/FakeFur_6.jpg Writing - Fake Fur: An Essay https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1515979772089-S6T757OHESI31F587SF1/FakeFur_7.jpg Writing - Fake Fur: An Essay https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1515979772715-P09YKAT3QGBJ4YZBJG8A/FakeFur_8.jpg Writing - Fake Fur: An Essay https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1515979774190-QV9BM3OXORWDGY8WVKFB/FakeFur_9.jpg Writing - Fake Fur: An Essay https://www.sarah-archer.com/writing/2018/1/16/handle-with-care-5 monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516140128418-59L82NNYPSZ4ANGMRTG5/HandleWithCare_1.jpg Writing - The Magazine Antiques: Handle with Care #5 Pulegoso Vase, Napoleone Martinuzzi, ca. 1930, Italy. Image courtesy of Wright. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516140172700-NU29L9HRC46WNPQAGW2W/HandleWithCare_2.jpg Writing - The Magazine Antiques: Handle with Care #5 “Credit Card Reliquary Vase and Lid” by Matt Nolen, porcelain, 1991. Museum purchase from Decorative Arts Association Acquisition Fund. Image courtesy of the Cooper Hewitt Smithsonian Design Museum. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516140200578-473DE2AYBGRCD4R1PKY6/HandleWithCare_3.jpg Writing - The Magazine Antiques: Handle with Care #5 Wine Glass, mouth-blown favrile glass, ca. 1900, Tiffany Glass and Decorating Company. Bequest of Joseph L. Morris. Image courtesy of the Cooper Hewitt Smithsonian Design Museum. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516140314535-S9PME8X7INDW5PY0TV0V/HandleWithCare_5.jpg Writing - The Magazine Antiques: Handle with Care #5 Soffiato Vase, Vetreria Artistica Barovier, Italy, ca. 1930. Image courtesy of Wright. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516140238388-GK7AIX2QGTW0ZPRLPLXF/HandleWithCare_4.jpg Writing - The Magazine Antiques: Handle with Care #5 Mosaico Tessuto Vase, Paolo Venini, Italy, 1954. Image courtesy of Wright. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516140266137-HN0Y69CW66ASKJP74HKR/HandleWithCare_6.jpg Writing - The Magazine Antiques: Handle with Care #5 Works in Pulegoso glass exhibited at the IV Triennale di Monza, 1930. Image courtesy of Wright. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516140377075-ARU7DYM61BC3QQKVXV75/HandleWithCare_7.jpg Writing - The Magazine Antiques: Handle with Care #5 The excavations at the Gadachrili Gora site in Georgia. Photograph by Stephen Batiuk. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516140409622-B43C8392P328JJADWRY5/HandleWithCare_8.jpg Writing - The Magazine Antiques: Handle with Care #5 A Neolithic jar found at the site of Khramis-Didi-Gora in Georgia, on display at the Georgian National Museum. Photograph by Mindia Jalabadze/Georgian National Museum. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516140437790-1AVHP6RKDN29IHI7SN10/HandleWithCare_9.jpg Writing - The Magazine Antiques: Handle with Care #5 The base of a Neolithic jar recovered from a Neolithic site in Georgia. Photograph by Judyta Olszewski. https://www.sarah-archer.com/writing/2018/1/17/handle-with-care-4 monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516228281800-1J5PY3VC8GKIHWK6K8B1/A-Red-Man.jpg Writing - The Magazine Antiques: Handle with Care #4 “A Red Man,” dinner plate painted with the slogan “All Power to the Soviets,” designed by Mikhail Adamovich, painted by Maria Kirillova. State Porcelain Factory, USSR, 1921. Hermitage Museum, transferred in 2002 as part of the collection of the Museum of the Imperial Porcelain. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516228370868-945UINPJY9YM7DQOVTHN/Mikhail-M.-Adamovich-1013x1024.jpg Writing - The Magazine Antiques: Handle with Care #4 Porcelain plate decorated by Mikhail M. Adamovich, State Porcelain Factory, USSR, 1921. The Wolfsonian–Florida International University, Miami Beach, Florida, The Mitchell Wolfson, Jr. Collection. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516228501988-OB93TYH8D61B8SCRJWO9/Lilac-Disc-1024x777.jpg Writing - The Magazine Antiques: Handle with Care #4 Cup and Saucer with a Lilac Disc, designed and painted by Ilya Chashnik. State Porcelain Factory, 1923-24, USSR. Hermitage Museum, transferred in 2002 as part of the collection of the Museum of the Imperial Porcelain. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516228549976-R2UQR7FLMJQ10QKXF8XM/Wedding-897x1024.jpg Writing - The Magazine Antiques: Handle with Care #4 “The Wedding,” designed by Kuzma Petrov-Vodkin, painted by Ivan Nazarov, 1923. State Porcelain Factory, USSR, 1921. Hermitage Museum, transferred in 2002 as part of the collection of the Museum of the Imperial Porcelain. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516228652137-DL8GZB8608RGXEV5K7TG/William-1024x730.jpg Writing - The Magazine Antiques: Handle with Care #4 William the hippopotamus. Middle Kingdom, Dynasty 12, reign of Senwosret I to Senwosret II (ca. 1961–1878 B.C.). Faience. From Egypt, Meir, tomb B3; Said Bey Khashaba excavations, 1910. The Metropolitan Museum of Art, New York, Gift of Edward S. Harkness, 1917. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516228679965-PWOWCHBP1HT1DBMU11EU/Carl-Walters-1024x626.jpg Writing - The Magazine Antiques: Handle with Care #4 Hippopotamus, 1936 by Carl Walters (American, 1883–1955). Glazed earthenware, 7 3/4 x 18 1/8 in. (19.7 × 46 cm). The Metropolitan Museum of Art, New York, Purchase, Friends of the American Wing Gift, 2017. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516229545474-9XGLWTFKCTY71A4OPAPP/Clare-Twomey.jpg Writing - The Magazine Antiques: Handle with Care #4 “Made in China” (Detail of 2017 installation at the center) by Clare Twomey, 2010. Collection of the artist, Middlesbrough Institute of Modern Art, photograph by Richard Caspole. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516229763312-X4X8S7JT2QENGOJXPAXH/Song-Dynasty.jpg Writing - The Magazine Antiques: Handle with Care #4 Vase, 960–1280, Song dynasty, China, Artist unknown. Buff stoneware, incised floral designs painted in dark brown on a white cutaway ground. The Fitzwilliam Museum, Cambridge, Bequest of Sir Gervase Beckett, © The Fitzwilliam Museum, Cambridge. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516229628406-D2QETC7545X5SCS6Q7UR/Adam-Buick.jpg Writing - The Magazine Antiques: Handle with Care #4 Moon Jar, 2016 by Adam Buick. Porcelain with white chun glaze. Collection of the artist, Pembrokeshire, Wales, photograph by Jon Stokes. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516229690542-5IE7VOJEOC0CGKA0V45D/Akiko-Hirai.jpg Writing - The Magazine Antiques: Handle with Care #4 Moon Jar, 2016 by Akiko Hirai. Stoneware, porcelain slip, paper fiber, wood ash, and white glaze. Collection of the artist. London, photograph by Jon Stokes. https://www.sarah-archer.com/writing/2018/1/17/the-met-snares-a-splendid-piece-of-southern-stoneware monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516227746166-5WZLFARCF2HNX3PIHRCM/Face-Jug-front-780x1024.jpg Writing - The Met snares a splendid piece of southern stoneware Stoneware Face Harvest Jug, Edgefield District, South Carolina, c. 1845–1855. Courtesy of Crocker Farm. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516227781089-WTY23TC1PQM2WU549B5W/Face-Jug-Stereropticon-1024x595.jpg Writing - The Met snares a splendid piece of southern stoneware An Aesthetic Darkey from “Aiken and Vicinity” by J. A. Palmer, Aiken, South Carolina, 1882. Courtesy of Crocker Farm. https://www.sarah-archer.com/writing/2018/1/16/steampunk-meets-contemporary-luxury-in-amuneals-creations monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516137088311-OPZCLTNSN734YWFTW019/Screen+Shot+2018-01-16+at+4.07.12+PM.png Writing - Steampunk Meets Contemporary Luxury in Amuneal's Creations CEO Adam Kamens has shifted the focus of Amuneal, founded by his parents in 1965 as a magnetic-shielding business, to furniture and custom fabrication. Top: At Hotel Eventi, in Manhattan, the bar features Amuneal’s Collector’s shelving unit and lighting. Photos by Goldenberg Photography https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516137142459-YWWMB70736D07G9PL4ET/Screen+Shot+2018-01-16+at+4.07.22+PM.png Writing - Steampunk Meets Contemporary Luxury in Amuneal's Creations This London kitchen features Amuneal’s double-post Loft shelving system, made from oxidized bronze and blackened-steel posts with oxidized-oak shelves. Photo by Darren Chung Photography https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516137206907-TKGB04I16YDU6YQ40ZQP/Screen+Shot+2018-01-16+at+4.07.32+PM.png Writing - Steampunk Meets Contemporary Luxury in Amuneal's Creations At Amuneal’s American Street Showroom, in Philadelphia, furniture, lighting, art and found objects are on display. Photo by Goldenberg Photography https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516137258605-FH2XLTX9CWN9NYQNPSUZ/Screen+Shot+2018-01-16+at+4.07.44+PM.png Writing - Steampunk Meets Contemporary Luxury in Amuneal's Creations Amuneal’s brass wine room is made from solid bronze and insulated glass, and each door has a custom-machined pull. Photo by Goldenberg Photography https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516137324009-AX4SOWX0UCKCN0C6OL4I/Screen+Shot+2018-01-16+at+4.07.58+PM.png Writing - Steampunk Meets Contemporary Luxury in Amuneal's Creations Amuneal’s Collector’s shelving system doubles as a guardrail along the stairs and platform in the Loews hotel in Minneapolis. Photo courtesy of Amuneal https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516137512222-PYM2AQKF5V28KBLHEDSV/Screen+Shot+2018-01-16+at+4.08.32+PM.png Writing - Steampunk Meets Contemporary Luxury in Amuneal's Creations Amuneal designed, fabricated and installed this custom kitchen in New York. Photo by Goldenberg Photography https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516137574807-B7GJUWKC2N5E652VA6HV/Screen+Shot+2018-01-16+at+4.09.16+PM.png Writing - Steampunk Meets Contemporary Luxury in Amuneal's Creations In this Philadelphia boutique, Amuneal’s brass and silvered-oak Collector’s shelving unit is used to show off merchandise. Custom designed for the space, the unit includes several flexible display options. Photo by Goldenberg Photography https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516137651742-X7PUD95JDZID3M08VHNJ/Screen+Shot+2018-01-16+at+4.09.34+PM.png Writing - Steampunk Meets Contemporary Luxury in Amuneal's Creations In overhauling this Pennsylvania kitchen, Amuneal added hand-polished gloss-white lacquer cabinets complemented by several brass elements, including cabinetry, shelving, retractable brass doors and floor inlays. Photo by Goldenberg Photography https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516137721925-IMGS3Y37XEZNU19WS70G/Screen+Shot+2018-01-16+at+4.09.54+PM.png Writing - Steampunk Meets Contemporary Luxury in Amuneal's Creations When closed, the Murphy bed in this Manhattan apartment looks like a wall of walnut cabinetry with brass inlays. Photo by Goldenberg Photography https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516137785198-YW2ZXKH3KFQVPT37ZO44/Screen+Shot+2018-01-16+at+4.10.13+PM.png Writing - Steampunk Meets Contemporary Luxury in Amuneal's Creations This Philadelphia home office features the Collector’s shelving system in warm brass with oxidized and cerused oak, configured with a partners desk, adjustable display shelving, drawers and lateral files. Photo by Goldenberg Photography https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516137449313-CVUBYJBZXOG6VCT1JFS8/Screen+Shot+2018-01-16+at+4.08.07+PM.png Writing - Steampunk Meets Contemporary Luxury in Amuneal's Creations Amuneal installed this brass unit as part of a full kitchen design in a Pennsylvania home. The brass pops against glossy white lacquered cabinets. Photo by Goldenberg Photography https://www.sarah-archer.com/writing/2018/1/16/ceramic-excellence-for-archie-bray monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516135470429-BRYHO9ATJXT2MAISAI63/ArchieBray_2.jpg Writing - Ceramic Excellence for Archie Bray https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516135365494-W3G1GS7G7M944BRHX8KO/ArchieBray_1.jpg Writing - Ceramic Excellence for Archie Bray https://www.sarah-archer.com/writing/2018/1/17/the-magazine-antiques-handle-with-care-3 monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516236945638-Z9APL0VMA5X2IZTA2L8G/Robert-M.-Howell-1024x833.png Writing - The Magazine Antiques: Handle with Care #3 Robert M. Howell Jr. and wife Marie Howell Flameworking, about 1960. Courtesy Larry Williams archive. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516236896300-QPXHM76EKLFLPN010MSK/John-T.-Backman-Flameworking-1024x836.png Writing - The Magazine Antiques: Handle with Care #3 John T. Backman Flameworking Glass Ship, McCroskey Studio, circa 1930–1939. Courtesy Larry Williams archive. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516237037396-SMGIYEPTK8T4REGFZI6T/Glass-Steam-Engine-1024x936.png Writing - The Magazine Antiques: Handle with Care #3 Great Double Working Glass Steam Engine, Fairy Queen! The Largest Specimen of Glass Work in the World, as Exhibited in this City by the Bohemian Troupe, 1861. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516237110001-76IWLYOILQUO0QYDC70B/Broadside-for-the-Great-Bohemian-Troupe-463x1024.png Writing - The Magazine Antiques: Handle with Care #3 Broadside for the Great Bohemian Troupe of Fancy Glass Blowers A. M. Lunt. Boston: A. M. Lunt, 1869. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516237182969-Y0C5E9L9JXA0TOBD77CH/Doctor-Syntax-1024x666.png Writing - The Magazine Antiques: Handle with Care #3 Doctor Syntax in the Glass-House, Thomas Rowlandson (English, 1756–1827), probably 1820 London. Attributed to R. Ackermann. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516237325953-PYSIV0SK6OFVURN46H6J/Rie-Bowl-1.jpeg Writing - The Magazine Antiques: Handle with Care #3 Straight-sided bowl, circa 1978, by Lucie Rie. Porcelain, golden manganese glaze, two terracotta bands crossed with vertical sgraffito lines, terracotta well and a turquoise ring. 4 3/8 in. high, 5 7/8 in. diameter. Impressed with artist’s seal. Courtesy of Phillips. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516237365775-9MQWWV66ML8HKF3WCPLI/Rie-Bowl-2.jpeg Writing - The Magazine Antiques: Handle with Care #3 Green Footed bowl, circa 1980, by Lucie Rie. Porcelain, deep green glaze with golden lip. 4 1/2 in. high, 7 7/8 in. diameter. Impressed with artist’s seal. Courtesy of Phillips. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516237499335-DCBQWH927FJ9QZRQR0U9/Phillips-Group-1.jpg Writing - The Magazine Antiques: Handle with Care #3 Ceramics by Lucie Rie and Hans Coper with a woven textile by Peter Collingwood. Courtesy of Phillips. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516237431328-8BW45F680OLHASRFVLPE/Philllips-Group-2-1024x661.jpg Writing - The Magazine Antiques: Handle with Care #3 Ceramics by Lucie Rie (on left and right sides) and Hans Coper (in center) with a woven textile by Peter Collingwood (background). Courtesy of Phillips. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516237768255-5TEXTVL312ELACMC3PXX/Cliffe-1.jpg Writing - The Magazine Antiques: Handle with Care #3 Cliffe vessels offered in Clarice Cliff Ceramics: The André Aerne Collection, sold to benefit the Muskegon Museum of Art, 14-25 August 2017, Online. Courtesy of Christie’s. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516237811390-44OBFHUQ74N83WDZU3CJ/Cliffe-2.jpg Writing - The Magazine Antiques: Handle with Care #3 A group of Clarice Cliff tableware offered in Clarice Cliff Ceramics: The André Aerne Collection, sold to benefit the Muskegon Museum of Art, 14-25 August 2017, Online. Courtesy of Christie’s. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516237846542-GP7ZHR86AF6RIWI580NX/Cliffe-3.jpg Writing - The Magazine Antiques: Handle with Care #3 Three Clarice Cliff ‘Inspiration’ vases, second quarter 20th century. Offered in Clarice Cliff Ceramics: The André Aerne Collection, sold to benefit the Muskegon Museum of Art, 14-25 August 2017, Online. Courtesy of Christie’s. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516237876774-L1UYYE13K27PZUR74OU1/Cliffe-4.jpg Writing - The Magazine Antiques: Handle with Care #3 A Clarice Cliff six-piece tea and coffee service, second quarter 20th century, offered in Clarice Cliff Ceramics: The André Aerne Collection, sold to benefit the Muskegon Museum of Art, 14-25 August 2017, Online. Courtesy of Christie’s. https://www.sarah-archer.com/writing/2018/12/19/exposing-time monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1545256473253-GKRNP1PHQ2QMNC3IXES9/TEFAF_ExposingTime-1.png Writing - Exposing Time Vera Lutter, Ambrosius Bosschaert, Bouquet of Flowers on a Ledge, 1619: March 21, 2017, 2017 Unique gelatin silver print © Vera Lutter https://www.sarah-archer.com/writing/2018/1/18/ettore-sottsasss-candy-colored-utopian-design monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516291270205-FLLIQJJMQM65VJLNX5WC/EttoreSottsass_1.jpg Writing - Ettore Sottsass’s Candy-Colored Utopian Design Ettore Sottsass: Design Radical, installation view (photo by the author for Hyperallergic) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516291303423-9IVHTZTQ7CIW4QWCZ42F/EttoreSottsass_2.jpg Writing - Ettore Sottsass’s Candy-Colored Utopian Design Barbara Radice, “Sottsass in India” (1988) (courtesy of Barbara Radice) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516291349289-E1P4EUYEI7FID9X5AHA1/EttoreSottsass_3.jpg Writing - Ettore Sottsass’s Candy-Colored Utopian Design Ettore Sottsass, “Lapislazzuli” (1968–72), shown with an architectural vessel from the Moche culture of Peru, AD 400–600 (photo by the author for Hyperallergic) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516291391741-89QOGTNHLAHCMNIVPP6S/EttoreSottsass_4.jpg Writing - Ettore Sottsass’s Candy-Colored Utopian Design Ettore Sottsass, “Murmansk” fruit dish (1982), silver (courtesy Met Breuer) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516291426116-OUFTU06ZDHQAOK75B9OL/EttoreSottsass_5.jpg Writing - Ettore Sottsass’s Candy-Colored Utopian Design Ettore Sottsass, Valentine Portable Typewriter (1968), ABS plastic and other materials (courtesy Met Breuer) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516291452995-U0CBFZSIL90KDYZ5SC7T/EttoreSottsass_6.jpg Writing - Ettore Sottsass’s Candy-Colored Utopian Design Ettore Sottsass: Design Radical, installation view (photo by the author for Hyperallergic) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516291560124-4AN0LS0LCKDQIVXXTLQF/EttoreSottsass_7.jpg Writing - Ettore Sottsass’s Candy-Colored Utopian Design Ettore Sottsass, “Carlton” Room Divider, (1981), wood, plastic laminate (courtesy Met Breuer) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516291589457-V4HD0HBE1VC0RATCZBH4/EttoreSottsass_8.jpg Writing - Ettore Sottsass’s Candy-Colored Utopian Design Ettore Sottsass, Cabinet No. 56 (2003), wood, ebonized pearwood veneer, acrylic (courtesy Met Breuer) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516291631349-V6NV26LXVGAW082H6A2V/EttoreSottsass_9.jpg Writing - Ettore Sottsass’s Candy-Colored Utopian Design Lapo Binazzi, “Doric Temple” (1971, remade 1980s), latex-covered polyurethane foam, dimensions variable (photo by the author for Hyperallergic) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516291679645-PHBSVQGYAU2HMMQ409N7/EttoreSottsass_10.jpg Writing - Ettore Sottsass’s Candy-Colored Utopian Design Ettore Sottsass, Omaggio 3 (2007), Corian and wood, 75 × 64 1/4 × 59 1/4 in. (courtesy Met Breuer) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516291710305-YJI9HI48HWKLWVTEDPWB/EttoreSottsass_11.jpg Writing - Ettore Sottsass’s Candy-Colored Utopian Design Ettore Sottsass, “The Structures Tremble” (1979), plastic laminate, composition board, painted steel, rubber, glass (courtesy Met Breuer) https://www.sarah-archer.com/writing/2018/1/17/the-magazine-antiques-handle-with-care-2 monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516231274639-PARDRJMWNEUGAIPBTQ3U/Tiffany-NYHS-1.jpg Writing - The Magazine Antiques: Handle with Care #2 A display of Tiffany Studios glass lamps, ca. 1900. Photograph by Corrado Serra, courtesy of the New York Historical Society. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516231308217-P0M8QAD1ODNITW5YVJ88/Dragonfly-1.jpg Writing - The Magazine Antiques: Handle with Care #2 Tiffany Studios Dragonfly table lamp attributed to Clara Driscoll. Image Courtesy of the New York Historical Society. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516231348614-TGBRNSSB31U3G4V4D35Y/Tiffany-Clara-Driscoll.jpg Writing - The Magazine Antiques: Handle with Care #2 Clara Driscoll in a workroom with fellow Tiffany employee Joseph Briggs, 1901. Image courtesy of the Department of American Decorative Arts, the Metropolitan Museum of Art, New York. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516236544631-M3K8IMDX95KRR54XMLP9/Sunflower.jpg Writing - The Magazine Antiques: Handle with Care #2 The Sunflower, Gustav Klimt, Collotype, ca. 1908-14 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516231457006-4F73ZMLJWD1IFETDVPCG/ScorchedBlue.jpg Writing - The Magazine Antiques: Handle with Care #2 Scorched Blue, Fachschule Teplitz, ca. 1900 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516231526986-924ESNCQHK5CQP7KD1FI/Vertebrae.jpg Writing - The Magazine Antiques: Handle with Care #2 Vertebrae Vase by Paul Daschel, ca. 1904, Jason Jacques Gallery, New York https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516231594000-RJBTPYIBWXUKQJ8WJX2N/Judith.jpg Writing - The Magazine Antiques: Handle with Care #2 Judith I, Gustav Klimt, Collotype, ca. 1908-14 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516231675433-BF9I6YWHT2G2Q87N69U3/2016_08_22_JH119-1024x683.jpg Writing - The Magazine Antiques: Handle with Care #2 Installation View, “Window,” porcelain, by Rudolf Staffel, 1982, Promised gift of the Helen Williams Drutt Family Collection, Philadelphia Museum of Art. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516231710974-FXI1NYJBF4QTKIWU1SP3/2016_08_22_JH059-1024x683.jpg Writing - The Magazine Antiques: Handle with Care #2 Detail,”Window,” porcelain, by Rudolf Staffel, 1982, Promised gift of the Helen Williams Drutt Family Collection, Philadelphia Museum of Art. https://www.sarah-archer.com/writing/2018/1/18/open-source-activism monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516292665358-CZPPLI2XVR7U6SF94W9L/OpenSourceActivism_1.jpg Writing - Open-Source Activism Rain or Shine, ca. 1910; photograph of a group of New York suffragettes, Bain News Service, publisher George Grantham Bain Collection, Library of Congress, Washington, DC https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516292691717-W1O5EONBH07NQ3BTX0VO/OpenSourceActivism_2.jpg Writing - Open-Source Activism Tyranny, 1917 Photograph of an American Suffragette with her banner by Harris & Ewing, Harris & Ewing Collection at the Library of Congress, Washington, DC https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516292800899-E25MFKNVTM53WU2E9DRZ/OpenSourceActivism_3.jpg Writing - Open-Source Activism ACT UP, October 11, 1988; photograph of ACT UP raises SILENCE = DEATH banner on the Food and Drug Administration (FDA) offices protesting the slow drug approval process. Scene from “How to Survive a Plague,” directed by David France https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516292867138-HBR968EUY1O9S5B1LWEH/OpenSourceActivism_4.jpg Writing - Open-Source Activism A selection of sewn and appliqued fabric banners designed and made by Stephanie Syjuco in the weeks after the 2016 Presidential Election.Courtesy of Stephanie Syjuco https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516292912715-OC14Y7TTD8SJV9HEX3XU/OpenSourceActivism_5.jpg Writing - Open-Source Activism Artist Thi Bui (right) and her mother hold up the banners they collaboratively made during “Reap What You Sew” held at UC Berkeley. Sponsored by Someday Is Now, an artist collective of UC Berkeley students, staff, and faculty. Prepared in the lead-up to the Presidential Inauguration, these banners were used during the Women’s Marches across the United States. January 13, 2017.Courtesy of Stephanie Syjuco https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516292984297-K5P3ICE190B5L44IBHOC/OpenSourceActivism_6.jpg Writing - Open-Source Activism “Reap What You Sew,” banner making workshops led by Stephanie Syjuco. Hosted by 100 Days Action at Royal Nonesuch Gallery, Oakland, California, January 8, 2017. Pictured: Artist participants finishing their projects. Courtesy of Ken Lo https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516293093515-UPBYHOFMQ5AJNT9ESDZL/OpenSourceActivism_7.jpg Writing - Open-Source Activism Stephanie Syjuco, Chin Up, Fangs Out, 2017, banner. Courtesy of Stephanie Syjuco https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516293163144-FQNWSGL4QVRPNLSK4GDU/OpenSourceActivism_8.jpg Writing - Open-Source Activism Stephanie Syjuco, Lies, Lies, Lies, 2017, banner. Courtesy of Stephanie Syjuco https://www.sarah-archer.com/writing/2017/7/2/inside-philadelphias-new-museum-of-the-american-revolution monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1499030850062-H3Z3CBF0TNP36R0NR4WK/image-asset.jpeg Writing - Inside Philadelphia’s New Museum of the American Revolution The March to Valley Forge, December 19, 1777, was painted by William B.T. Trego in 1883. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1499030918200-3OU8FXFUJYH68KUVZQRA/image-asset.jpeg Writing - Inside Philadelphia’s New Museum of the American Revolution English ceramic punch bowl decorated with the ship Triphena, 1760s. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1499030988664-R0J6S59V1DUS320ZKK6R/image-asset.jpeg Writing - Inside Philadelphia’s New Museum of the American Revolution George Washington’s wartime tent. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1499031025241-QG5XGX91ACV6PZRY1ZLV/image-asset.jpeg Writing - Inside Philadelphia’s New Museum of the American Revolution George Washington’s personal headquarters standard, 1770s. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1499031191170-AUMJOBHH9N1UZDIXUKUU/image-asset.jpeg Writing - Inside Philadelphia’s New Museum of the American Revolution The exterior of the Museum of the American Revolution features a carved excerpt of the Declaration of Independence. https://www.sarah-archer.com/writing/2017/7/23/the-magazine-antiques-handle-with-care-june-2017 monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1500834835047-4JDQ4390D7KDU417T5R9/image-asset.jpeg Writing - The Magazine Antiques: Handle With Care #1 A salt-glazed stoneware presentation vase made at Anna Pottery, in 1886. Courtesy of Jeffrey S. Evans & Associate Auctions, photography by William H. McGuffin. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1500834867885-Y5F6JWNTIIGXMSIAJ0MV/image-asset.jpeg Writing - The Magazine Antiques: Handle With Care #1 An eagle grasps a fish on the side of an 1886 Anna Pottery presentation vase. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1500834914686-JBXYLDRZHQBVGB728YBK/image-asset.jpeg Writing - The Magazine Antiques: Handle With Care #1 A selection of Fat Lava ceramics. Photograph by Nicolas Trembley/Apartamento. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1500835033853-N6QO8TA1SD9Q7O4G95MF/image-asset.jpeg Writing - The Magazine Antiques: Handle With Care #1 Vessel Series II, no.1 by Odundo, 2005–2006. Burnished and carbonized terracotta. Maxine and Stuart Frankel Foundation for Art, Bloomfield Hills, MI. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1500834951113-QXPYDUHL66ME1D00YYFB/image-asset.jpeg Writing - The Magazine Antiques: Handle With Care #1 Untitled by Magdalene Odundo (British, born Kenya, 1950), 1990. Burnished and carbonized terracotta. Maxine and Stuart Frankel Foundation for Art, Bloomfield Hills, MI. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1500834998306-CUVYXPLBYDY7Y9QY61KD/image-asset.jpeg Writing - The Magazine Antiques: Handle With Care #1 Magdalene Odundo. Photo credit: Ben Boswell. https://www.sarah-archer.com/writing/2018/1/18/opt-in-the-power-of-craft-thinking monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1516292248638-FNZATDLZM2INVEGNU0YP/Craft-Horizons-first-issue-cover.jpg Writing - Opt In: The Power of Craft Thinking As yet unnamed first issue of Craft Horizons, 1941, ACC Archives https://www.sarah-archer.com/writing/2017/7/1/the-worst-mcmansion-sins-from-useless-pilasters-to-hellish-transom-windows monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1498958218821-MKFXA3REHHRHQB7KC7GL/image-asset.jpeg Writing - The Worst McMansion Sins, From Useless Pilasters to Hellish Transom Windows Boone County Indiana Exterior (all images copyright Kate Wagner, mcmansionhell.com) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1498958256987-C7B8HUGHFW0YAJ8NIQQU/image-asset.jpeg Writing - The Worst McMansion Sins, From Useless Pilasters to Hellish Transom Windows Exterior McHenry County, Illinois https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1498958303462-RYS5E93QNU9A94PMGB33/image-asset.jpeg Writing - The Worst McMansion Sins, From Useless Pilasters to Hellish Transom Windows Great Room in Polk County Iowa https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1498958394663-PYPQ9QKVBF9DKEHGZOVK/image-asset.jpeg Writing - The Worst McMansion Sins, From Useless Pilasters to Hellish Transom Windows Boone Country Indiana Bedroom https://www.sarah-archer.com/writing/2017/7/1/how-the-1960s-and-70s-counterculture-queered-fashion monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1498966862886-L8Q6RSOX8TVP9X6G0TGF/image-asset.jpeg Writing - How the 1960s and ’70s Counterculture Queered Fashion “Hippie Royalty on the Rocks” (1969) (photo by Karl Ferris, featuring crocheted designs by 100% Birgitta) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1498966920402-BRAP7XL7BIKGICW0WZ1H/image-asset.jpeg Writing - How the 1960s and ’70s Counterculture Queered Fashion Counter-Couture: Handmade Fashion in an American Counterculture, installation view (photo by Jenna Bascom; courtesy of the Museum of Arts and Design) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1498967059731-M8AEABCWU05P8TJIK9JH/image-asset.jpeg Writing - How the 1960s and ’70s Counterculture Queered Fashion Simplicity pattern for Dashiki shirts and dresses (1972) (photo by the author for Hyperallergic) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1498967130116-U75GHCBQ46E5HOH5OD6N/image-asset.jpeg Writing - How the 1960s and ’70s Counterculture Queered Fashion George Edgerly Harris II (AKA Hibiscus) placing a flower in the gun of a soldier, October 1967 (photography by Bernie Boston, via Wikipedia) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1498967164467-PK0SA25HEF4DJEV7BHFR/image-asset.jpeg Writing - How the 1960s and ’70s Counterculture Queered Fashion Cockette Pristine Condition (left) and Cockette Scrumbly Koldewyn (right), opening act for New York Dolls, Matrix, New York, August 1973 (courtesy of Kourosh Larizadeh and Luis Pardo) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1498967224329-A2BS61AXTGBDBZ854WA5/image-asset.jpeg Writing - How the 1960s and ’70s Counterculture Queered Fashion Kaisik Wong, “Yellow and Green Ray Dress and Headdress,” from the Seven Ray series (1974), yellow, gold, and green lamé (courtesy of the DeYoung Museum) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1498967298784-8NCZAVYBI7470OCCY75D/image-asset.jpeg Writing - How the 1960s and ’70s Counterculture Queered Fashion Alex and Lee (1974) (photo by Jerry Wainwright for Native Funk and Flash) https://www.sarah-archer.com/writing/2017/3/13/why-the-closing-of-the-museum-of-contemporary-craft-is-a-major-loss monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1489453216611-NUJ4SU8I1KF7O8E5Y5XN/image-asset.jpeg Writing - Why the Closing of the Museum of Contemporary Craft Is a Major Loss ‘The Living Room, installation view, 2007, at the Museum of Contemporary Craft (photo by Mark Stein; all photos courtesy the Museum of Contemporary Craft unless indicated otherwise) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1489453507200-M32XNOT4Q2ERDCBUTSFE/image-asset.jpeg Writing - Why the Closing of the Museum of Contemporary Craft Is a Major Loss Installation shot of ‘Alien She,’ (2015) including L.J. Roberts’s “We Couldn’t Get In. We Couldn’t Get Out.” (2006–07) at center and “Gay Bashers Come And Get It” (2011) in the background (photo courtesy of L.J. 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The Genre That Wasn’t There: A Wide-Ranging Examination of Postwar Ceramics ‘The Ceramic Presence in Modern Art,’ installation view https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1490707123910-GKDA9RB1UWONT4S6JMO4/image-asset.jpeg Writing - The Genre That Wasn’t There: A Wide-Ranging Examination of Postwar Ceramics John Mason, “Untitled, Vertical Sculpture” (1961), glazed stoneware, 30 x 15 3/4 x 7 3/8 in (click to enlarge) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1490707152280-XI27ZW8FQ879VDDM07QI/image-asset.jpeg Writing - The Genre That Wasn’t There: A Wide-Ranging Examination of Postwar Ceramics Peter Voulkos, Untitled Plate (1996), wood-fired stoneware, 19 x 19 x 5 in https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1490707224567-5M3L538JO9UQHI1NEUD6/image-asset.jpeg Writing - The Genre That Wasn’t There: A Wide-Ranging Examination of Postwar Ceramics Hans Coper, Bottle with Disc and 4 Cycladic forms (ca. 1970–75), stoneware, ranging from 4 1/2 × 3 3/4 × 3 1/2 in to 11 3/4 × 2 × 1 3/4 in https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1490707263250-D36XAZCO9ZQ9JOQTTW2R/image-asset.jpeg Writing - The Genre That Wasn’t There: A Wide-Ranging Examination of Postwar Ceramics Kenneth Price, “Opaline” (2001), painted stoneware, 14 x 13 1/2 x 12 in https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1490707329610-XL8JWLF27ZJMC7D95YHT/image-asset.jpeg Writing - The Genre That Wasn’t There: A Wide-Ranging Examination of Postwar Ceramics Jim Melchert, “The Dream” (1967), stoneware with glaze, overglaze, luster, and decals, 11 x 14 x 17 1/2 in https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1490707289622-MDLFD3O1O3FZ78T9I1M5/image-asset.jpeg Writing - The Genre That Wasn’t There: A Wide-Ranging Examination of Postwar Ceramics Lucie Rie, Vase (ca. 1967), glazed stoneware, 15 3/4 x 6 3/8 x 6 3/8 in (click to enlarge) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1490707352749-87DURIRLXWVRDXACGD2T/image-asset.jpeg Writing - The Genre That Wasn’t There: A Wide-Ranging Examination of Postwar Ceramics Ruth Duckworth, Untitled (ca. 1993), porcelain, 7 1/8 x 9 3/4 x 4 1/2 in https://www.sarah-archer.com/writing/2017/3/28/the-art-of-grace-by-sarah-kaufman-shows-how-to-regain-this-vital-quality monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1490709277859-Q6LIP20RPTA79XUSC3T0/image-asset.jpeg Writing - ‘The Art of Grace,’ by Sarah Kaufman, shows how to regain this vital quality https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1490709246060-OMK8SKODF4HN6UKDGXMR/image-asset.jpeg Writing - ‘The Art of Grace,’ by Sarah Kaufman, shows how to regain this vital quality SARAH L. KAUFMAN SUGGESTS IN HER NEW BOOK THAT THE BABY BOOMER GENERATION HAS DERAILED ETIQUETTE – AND THE GRACE THAT GOES WITH IT. (DEB LINDSEY) https://www.sarah-archer.com/writing/2017/3/28/maker-to-market-ruth-asawa-reappraised monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1490711570632-YLIQB9NZW6GX0TPMWAY7/image-asset.png Writing - Maker to Market: Ruth Asawa Reappraised FIG 1 IMOGEN CUNNINGHAM, RUTH HOLDING A FORM-WITHIN-FORM SCULPTURE, 1952. © IMOGEN CUNNINGHAM TRUST. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1490711777795-Z9BN4SIZPJ6NBP64LH2B/image-asset.png Writing - Maker to Market: Ruth Asawa Reappraised FIG 2 UNTITLED, 1960, COPPER WIRE, 22 × 14 ½ × 8ʹʹ. COURTESY OF MICHAEL ROSENFELD GALLERY, LLC, NEW YORK, NY https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1490711847599-HYVERU5VKSYPHX3WVCRZ/image-asset.png Writing - Maker to Market: Ruth Asawa Reappraised FIG 3 IMOGEN CUNNINGHAM, RUTH AND HER CHILDREN AT HOME, 1957. © IMOGEN CUNNINGHAM TRUST https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1490711893858-W9R5OIXXI505J2RJ8R0U/image-asset.png Writing - Maker to Market: Ruth Asawa Reappraised FIG 4 RUTH ASAWA, HYATT ON UNION SQUARE FOUNTAIN, SAN FRANCISCO, 1973. CAST BRONZE, 13ʹ3ʹʹ DIAMETER × 7ʹ HIGH. PHOTO: AIKO CUNEO © RUTH ASAWA. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1490711942960-Z2L4ERF5OHWI82WAYV5S/image-asset.png Writing - Maker to Market: Ruth Asawa Reappraised FIG 5 RUTH ASAWA, HYATT ON UNION SQUARE FOUNTAIN, SAN FRANCISCO, 1973, DETAIL OF SURFACE RELIEF OF “GATE TO CHINATOWN.” PHOTO: AIKO CUNEO © RUTH ASAWA https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1490711986996-LKZ3PEBXE3X6BRYRK3YS/image-asset.png Writing - Maker to Market: Ruth Asawa Reappraised FIG 6 RUTH ASAWA, HYATT ON UNION SQUARE FOUNTAIN, SAN FRANCISCO, 1973, DETAIL OF SURFACE RELIEF OF “CONSERVATORY OF FLOWERS.” PHOTO: AIKO CUNEO © RUTH ASAWA https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1490712045658-XN6YNOA4H79CU22VDTY4/image-asset.png Writing - Maker to Market: Ruth Asawa Reappraised FIG 7 RONDAL PARTRIDGE, RUTH ASAWA’S LIVING ROOM, 1969. © RONDAL PARTRIDGE ARCHIVE. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1490712097243-I0Q1J9I4R48DH40INQN0/image-asset.png Writing - Maker to Market: Ruth Asawa Reappraised FIG 8 RUTH ASAWA, ANDREA MERMAID FOUNTAIN, GHIRARDELLI SQUARE, SAN FRANCISCO, 1969, CAST BRONZE, 16 FT DIAMETER × 5 FT HIGH. PHOTO: AIKO CUNEO © RUTH ASAWA. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1490712151746-1AGCYPOS855OKDZ977IP/image-asset.png Writing - Maker to Market: Ruth Asawa Reappraised FIG 9 RUTH ASAWA LEADING A WORKSHOP AT THE SAN FRANCISCO EXPLORATORIUM. © EXPLORATORIUM. WWW.EXPLORATORIUM.COM https://www.sarah-archer.com/writing/2017/3/28/razzle-dazzle-review-michael-riedel-pulls-back-the-curtain-on-for-broadway monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1490709435812-JBBBGKH3YC3UW9N3OS1S/image-asset.jpeg Writing - ‘Razzle Dazzle’ review: Michael Riedel pulls back the curtain on for Broadway https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1490709404161-F7J3Q7PIZF45IQTQA37W/image-asset.jpeg Writing - ‘Razzle Dazzle’ review: Michael Riedel pulls back the curtain on for Broadway GERALD SCHOENFELD (LEFT), BERNARD JACOBS (CENTER), AND PHILIP J. SMITH (RIGHT), WEARING STYROFOAM HATS, CELEBRATE AN AMERICAN EXPRESS AD FROM THE 1980S SPOTLIGHTING PRODUCERS. (COURTESY OF BETTY JACOBS) https://www.sarah-archer.com/writing/2017/4/10/the-bauhaus-connection-in-googles-new-logo monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1491859034370-4XAH0QP1331IBA2RZ2FH/image-asset.jpeg Writing - The Bauhaus Connection in Google’s New Logo Google’s new typeface (screenshot via YouTube) https://www.sarah-archer.com/writing/2015/7/29/the-new-tens-two-body-problem monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492088552569-UMHA86QBYWX82VMCALJ5/image-asset.jpeg Writing - The New Ten's Two-Body Problem An English coin featuring a portrait of Elizabeth Photograph by Hoberman Collection/UIG via Getty. https://www.sarah-archer.com/writing/2015/7/28/contemporary-artists-create-a-new-kind-of-order-at-the-barnes-foundation monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492025840681-K4TCW2UCOAK2PY32PI4R/image-asset.jpeg Writing - Contemporary Artists Create a New Kind of Order at the Barnes Foundation Dutch Room at the Barnes Foundation, northwest corner, c. 1952 (photo by Angelo Pinto, Photograph Collection, Barnes Foundation Archives, Merion, PA) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492025869809-DGQ4SCOKHOT3U40X6K9C/image-asset.jpeg Writing - Contemporary Artists Create a New Kind of Order at the Barnes Foundation Judy Pfaff, “Scene I: The Garden. Enter Mrs. Barnes” (2015), commissioned by the Barnes Foundation for ‘Mark Dion, Judy Pfaff, Fred Wilson: The Order of Things’ exhibition (photo by Keristin Gaber, image © The Barnes Foundation) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492025919239-VSIAAEAH4DUJ63BB79ZX/image-asset.jpeg Writing - Contemporary Artists Create a New Kind of Order at the Barnes Foundation Mark Dion, “The Incomplete Naturalist” (2015), installation view, commissioned by the Barnes Foundation for ‘Mark Dion, Judy Pfaff, Fred Wilson: The Order of Things’ exhibition (photo by Rick Echelmeyer, image © The Barnes Foundation) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492025964548-CSW2409UP1LAXWLCXTZD/image-asset.jpeg Writing - Contemporary Artists Create a New Kind of Order at the Barnes Foundation Mark Dion, “The Incomplete Naturalist” (detail, 2015), installation view, commissioned by the Barnes Foundation for ‘Mark Dion, Judy Pfaff, Fred Wilson: The Order of Things’ exhibition (photo by Rick Echelmeyer, image © The Barnes Foundation) (click to enlarge) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492026106504-UWC4VM1EX05WDNOBI53L/image-asset.jpeg Writing - Contemporary Artists Create a New Kind of Order at the Barnes Foundation Judy Pfaff, “Scene I: The Garden. Enter Mrs. Barnes” (detail, 2015), commissioned by the Barnes Foundation for ‘Mark Dion, Judy Pfaff, Fred Wilson: The Order of Things’ exhibition (photo by Keristin Gaber, image © The Barnes Foundation) (click to enlarge) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492026199118-GYORZT9MG8WJHU1KIVZE/image-asset.jpeg Writing - Contemporary Artists Create a New Kind of Order at the Barnes Foundation Fred Wilson, “Trace” (detail, 2015), installation view, commissioned by the Barnes Foundation for ‘Mark Dion, Judy Pfaff, Fred Wilson: The Order of Things’ exhibition (photo by Rick Echelmeyer, image © The Barnes Foundation) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492026269638-HO8FLSZYWRSL8OKF1XYW/image-asset.jpeg Writing - Contemporary Artists Create a New Kind of Order at the Barnes Foundation Fred Wilson, “Trace” (detail, 2015), installation view, commissioned by the Barnes Foundation for ‘Mark Dion, Judy Pfaff, Fred Wilson: The Order of Things’ exhibition (photo by Rick Echelmeyer, image © The Barnes Foundation) (click to enlarge) https://www.sarah-archer.com/writing/2015/7/3/back-to-the-future-30-years-later-or-riding-in-cars-with-millennials monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492087807016-43OKEMVSJ21MKG00JNMI/image-asset.jpeg Writing - ‘Back to the Future’ 30 Years Later, or Riding in Cars with Millennials Marty McFly in Hill Valley, 1955 (image via Huffington Post) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492087834453-WZ4BOP632Y5KDFMD3D61/image-asset.jpeg Writing - ‘Back to the Future’ 30 Years Later, or Riding in Cars with Millennials Doc and Marty’s test run of the DeLorean, 1985 (image via thedissolve.com) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492087873525-WGSPG850NM6UMMYCGBKB/image-asset.png Writing - ‘Back to the Future’ 30 Years Later, or Riding in Cars with Millennials Marty with his parents in high school, 1955 (image via fogsmoviereviews.com) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492087938309-IH4XYF26IB41K23NPU9Y/image-asset.jpeg Writing - ‘Back to the Future’ 30 Years Later, or Riding in Cars with Millennials Biff Tannen and his gang in the 1946 Ford Super Deluxe (via btothef.tumblr.com) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492087995088-MGPI6IOGK00NZRLIRIDJ/image-asset.jpeg Writing - ‘Back to the Future’ 30 Years Later, or Riding in Cars with Millennials Doc Brown returned from the future, 1985 (image via imdb.com) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492088144318-BVRULMWM8FDAG1N30UE4/image-asset.jpeg Writing - ‘Back to the Future’ 30 Years Later, or Riding in Cars with Millennials Doc and Marty just after the test run, 1985 (image via moeatthemovies.com) (click to enlarge) https://www.sarah-archer.com/writing/2015/6/14/the-labyrinth-of-litchfield monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493741978832-LFNXXB4TR0XFNSP9X22H/OITNB_1.jpg Writing - The Labyrinth of Litchfield https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493741978641-H0HLJEFWOFNQXX6NDTGR/OITNB_2.jpg Writing - The Labyrinth of Litchfield https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493741979391-H6X61XEY6F2LGHG4OHEH/OITNB_3.jpg Writing - The Labyrinth of Litchfield https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493741979646-ORF1CEOS68A38HO8PZCF/OITNB_4.jpg Writing - The Labyrinth of Litchfield https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493741980489-I5NCTNG97Q2NEBM4V9JV/OITNB_5.jpg Writing - The Labyrinth of Litchfield https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1491859717181-SWYE70US68NMQXHRDYUV/image-asset.jpeg Writing - The Labyrinth of Litchfield Yael Stone, Taylor Schilling, and Lea DeLaria in Season 3 of Orange Is the New Black. (Photo by JoJo Whilden/Netflix) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1491859804647-TCBVBU1IW4GV4DSEQ8MP/image-asset.jpeg Writing - The Labyrinth of Litchfield Kate Mulgrew and Selenis Leyva in Season 3 of Orange Is the New Black. (Photo by JoJo Whilden/Netflix) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1491859866322-RVQD6MUR9BFONT5OXIG2/image-asset.jpeg Writing - The Labyrinth of Litchfield Kate Mulgrew, Abigail Savage, and Uzo Aduba in Season 3 of Orange Is the New Black. (Photo by JoJo Whilden/Netflix) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1491859951137-XIS343F37BQHFSIA1HME/image-asset.jpeg Writing - The Labyrinth of Litchfield Uzo Aduba and Samira Wiley in Season 3 of Orange Is the New Black. (Photo by JoJo Whilden/Netflix) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1491859979814-BO0TM8MSF197QI58XZNW/image-asset.jpeg Writing - The Labyrinth of Litchfield Laura Prepon and Lori Petty in Season 3 of Netflix's Orange Is the New Black. (Photo by JoJo Whilden/Netflix) https://www.sarah-archer.com/writing/2015/6/12/who-was-eve-arnold-the-woman-behind-some-iconic-photographs monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492026667832-3RSYU7AYDTQZ9GH9XYNO/image-asset.jpeg Writing - Who was Eve Arnold? The woman behind some iconic photographs https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492026701814-HPWCTW98CO71XRBA7BTC/image-asset.jpeg Writing - Who was Eve Arnold? The woman behind some iconic photographs "Eve Arnold: Magnum Legacy" by Janine Di Giovanni (Prestel) https://www.sarah-archer.com/writing/2017/4/12/imagining-real-and-fictional-history monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492027255378-PEJ8WPY6KTKPO7OZ1D4V/MadMenChineseFashion_1.jpg Writing - Imagining Real and Fictional History Scene from ‘The Last Emperor,’ directed by Bernardo Bertolucci (1987) in ‘China: Through the Looking Glass’ at the Metropolitan Museum of Art (photo by the author for Hyperallergic) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492027424219-65BV98IORSQF3I5YBNGD/MadMenChineseFashion_2.jpg Writing - Imagining Real and Fictional History Installation view of Chinese Galleries, Astor Forecourt, Anna May Wong evening dress, John Galliano for House of Dior, autumn/winter 1998–99 haute couture (courtesy Christian Dior Couture, photo © the Metropolitan Museum of Art) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492027451698-JNT42WBB39CZ7V6O1MFT/image-asset.jpeg Writing - Imagining Real and Fictional History Left: shoe, Chinese, 1800–1943 (courtesy the Metropolitan Museum of Art, Gift of Mrs. Robert Woods Bliss, 1943); right: “La Fille de Roi de Chine” flacon perfume bottle, Callot Soeurs (1923) (courtesy Christie Mayer Lefkowith) (photo by the author for Hyperallergic) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492027519375-K85UW3GIV56VWS8ZSV6N/image-asset.jpeg Writing - Imagining Real and Fictional History From left to right: projected image of James McNeill Whistler’s 1864 painting “Purple and Rose: The Lange Leizen of the Six Marks”; Valentino, “Blue Willow Gown” (1968) (photo by the author for Hyperallergic) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492027692422-SQBVJAVCCGJ0LYD0IG2M/image-asset.jpeg Writing - Imagining Real and Fictional History Fred Astaire and Lucille Bremer in ‘Ziegfeld Follies’ (1945) (photo by the author for Hyperallergic) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492027727302-DFIPRJGZMG869VLN5AQ7/image-asset.jpeg Writing - Imagining Real and Fictional History The set for Don Draper’s office, featured in seasons 4–6 of ‘Mad Men’ (photo by Thanassi Karageorgiou, courtesy the Museum of the Moving Image) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492027771647-50B0F45CTSTORT6TS26L/image-asset.jpeg Writing - Imagining Real and Fictional History Detail: Don Draper’s box of secrets revealed, Dick Whitman’s dogtag, letters, and family photos (photo by Thanassi Karageorgiou, courtesy the Museum of the Moving Image) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492027810887-FS3OMDW79IJ9W3GL6XBD/image-asset.jpeg Writing - Imagining Real and Fictional History Installation view of “Creating Character” section, costumes and props for characters including Don Draper, Peggy Olson, Joan Holloway/Harris, Roger Sterling (photo by Thanassi Karageorgiou, courtesy the Museum of the Moving Image) https://www.sarah-archer.com/writing/2015/4/3/the-prehistory-of-the-peeps-diorama monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492088843104-KA8QKXTF0RSEVDNXR602/image-asset.jpeg Writing - The Prehistory of the Peeps Diorama Peeps dioramas occupy an intriguing place in American food culture.Photograph by Joseph Victor Stefanchik for The Washington Post via Gett https://www.sarah-archer.com/writing/2015/3/1/the-international-exhibition-of-modern-jewellery-1890-1961 monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492091455076-8DCLX11D48ISXZH7BHBI/image-asset.png Writing - The International Exhibition of Modern Jewellery, 1890 – 1961 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492091501495-D6W6RUH09EC7C7QASHNY/image-asset.png Writing - The International Exhibition of Modern Jewellery, 1890 – 1961 https://www.sarah-archer.com/writing/2015/2/3/4-in-3-d monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492092200703-2624WVXGLZID4LMO0K4T/image-asset.jpeg Writing - 4 in 3-D The Wedgwoodn’t tureen was made by Michael Eden in 2008 using a plaster and gypsum material with a unique non-fired ceramic coating. Photo courtesy Adrian Sassoon Gallery. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492092231218-3CXOYO3OX4QZZZ3I2XKL/image-asset.jpeg Writing - 4 in 3-D Layers of CNC-cut plywood are clamped together to form Julian Mayor’s 2005 Clone chair. Photo courtesy Julian Mayor/21st century limited edition furniture. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492092267547-HV9I8MVH8HKQSX84FTNB/image-asset.jpeg Writing - 4 in 3-D Mayor/21st century limited edition furniture. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492092305490-RB4GNCVELEY1YGY533NU/image-asset.jpeg Writing - 4 in 3-D Emily Cobb’s Become Undone: The Dove neckpiece was created with glass-filled nylon and sterling silver in 2013. Photo courtesy of the artist. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492092344321-IW2QNT2OQ1IAG8UWJA9G/image-asset.jpeg Writing - 4 in 3-D Extreme Serpent shoes designed by Michaella Janse van Vuuren, 2014, for her Garden of Eden collection. The shoes were customized for the model wearing them by Uformia 3D in Norway and printed by Stratasys Connex3 in Israel. Merwelene van der Merwe studio photo. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492092375064-AFN4IQKPCJYG6JNXOCJW/image-asset.jpeg Writing - 4 in 3-D Van Vuuren’s Stained Glass corset from the Garden of Eden line debuted in February 2014. 3-D printed on the Stratasys Connex3 multi-material multicolor printer, it is customizable using body scans. Yoram Reshef photo. https://www.sarah-archer.com/writing/2015/1/28/50-shades-of-beige monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493742244916-YBKTOP2NC13Q03RVVCN3/50Shades_1.jpg Writing - 50 Shades of Beige https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493742245025-DYICQGKQ08NHZDRAWVJ9/50Shades_2.jpg Writing - 50 Shades of Beige https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493742245287-S8CCPEYBSL458VZMVO75/50Shades_3.jpg Writing - 50 Shades of Beige https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493742245350-DXBQN53QYYVU734KUOO9/50Shades_4.jpg Writing - 50 Shades of Beige https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493742245558-G6SM0BZB0H001ZKE799X/50Shades_5.jpg Writing - 50 Shades of Beige https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493742245813-X28R4BW3WK5JFPE2M6F3/50Shades_6.jpg Writing - 50 Shades of Beige https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493742245807-O02AWWR0IRIR6N3033OB/50Shades_7.jpg Writing - 50 Shades of Beige https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493742246169-DVG1LKMVNQO1HZKFVQ19/50Shades_8.jpg Writing - 50 Shades of Beige https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493742246245-JQUBSMWD1EPI1KN47G4P/50Shades_9.jpg Writing - 50 Shades of Beige https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493742246614-HZR1CF4LPOBKCION7090/50Shades_10.jpg Writing - 50 Shades of Beige https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1491860619651-L2QVVNJJYXITP2756XK9/image-asset.jpeg Writing - 50 Shades of Beige The Jennings sit down to breakfast. Courtesy of FX https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1491860658129-76PU25FQXCB705C1E5FH/image-asset.jpeg Writing - 50 Shades of Beige The set design for the Beeman home in Season 1. Courtesy of John Mott https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1491860686319-LCPO7XB1ERNIA29LTH25/image-asset.jpeg Writing - 50 Shades of Beige An FBI office set from Season 1. Courtesy of John Mott https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1491860718884-NBZB8L7Q2LBG102ZPBNV/image-asset.jpeg Writing - 50 Shades of Beige The design for a Soviet computer lab in Season 2. Courtesy of John Mott https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1491860749474-MY4EYMWIWNJMFCCXHLDE/image-asset.jpeg Writing - 50 Shades of Beige Paige’s orange wallpaper. Courtesy of Craig Blankenhorn/FX https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1491860773951-8DLC5JQSWC5MH1DEJBT8/image-asset.jpeg Writing - 50 Shades of Beige The Soviet Rezidentura, shown in Season 2. Courtesy of John Mott https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1491860800484-VRL1EFUMX5S4MGH49100/image-asset.jpeg Writing - 50 Shades of Beige Philip and Henry at a fair in Season 2. Courtesy of Craig Blankenhorn/FX https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1491860826435-935TGNMB8HNWZ6OY0HC7/image-asset.jpeg Writing - 50 Shades of Beige Philip in a phone booth. Courtesy of Craig Blankenhorn/FX https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1491860873776-QVFWMR9SE4WU87LNVT3Z/image-asset.jpeg Writing - 50 Shades of Beige Philip’s new Camaro. Courtesy of FX https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1491860915024-4Y5OLTVFP8M44O3V9TPY/image-asset.jpeg Writing - 50 Shades of Beige Set design for the Jennings’ house in the Season 1 finale. Courtesy of John Mott https://www.sarah-archer.com/writing/2014/12/11/shopping-for-a-modernist-holiday-tablescape-at-the-cooper-hewitt monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493742463624-5C88YBCHNP0HRVAVJN4V/ModernistHolidayTable_1.png Writing - Shopping for a Modernist Holiday Tablescape at the Cooper Hewitt https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493742457641-FGNFLX0DNZWL8N6MBUYN/ModernistHolidayTable_2.jpg Writing - Shopping for a Modernist Holiday Tablescape at the Cooper Hewitt https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493742461475-USUWZ32UINWJNVXUSY35/ModernistHolidayTable_3.png Writing - Shopping for a Modernist Holiday Tablescape at the Cooper Hewitt https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493742464124-LKOBKUETKP30A48J8NQ1/ModernistHolidayTable_4.png Writing - Shopping for a Modernist Holiday Tablescape at the Cooper Hewitt https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493742464019-ODE8A5M6TL7M3WPSQY1O/ModernistHolidayTable_5.png Writing - Shopping for a Modernist Holiday Tablescape at the Cooper Hewitt https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493742464142-WGTOAG6KG1HQBEZBQ2OA/ModernistHolidayTable_6.jpg Writing - Shopping for a Modernist Holiday Tablescape at the Cooper Hewitt https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493742464239-9VPEEK9IVELR4YRHQDEW/ModernistHolidayTable_7.jpg Writing - Shopping for a Modernist Holiday Tablescape at the Cooper Hewitt https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1491861451780-NAJL2WYZ2BSUF8GXI2BO/image-asset.png Writing - Shopping for a Modernist Holiday Tablescape at the Cooper Hewitt Ori Pepper Grinders by Anderssen & Voll for HAY, $45 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1491861489330-99M9SFHWL88TD7MMLS39/image-asset.jpeg Writing - Shopping for a Modernist Holiday Tablescape at the Cooper Hewitt Cronotime Clock by Pio Manzu for Alessi, $84 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1491861523473-Y9ZQIQR10I12G8KP1BBF/image-asset.png Writing - Shopping for a Modernist Holiday Tablescape at the Cooper Hewitt Diamond Designs Pattern Journal, Pattern by Alexander Girard, $13.99 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1491861555647-P7JBU2YOZDUERESU9V1Z/image-asset.png Writing - Shopping for a Modernist Holiday Tablescape at the Cooper Hewitt Bonnie Vase by Ettore Sottsass for Egizia, $440 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1491861591478-P8QSAD6Q8VQFAQ8123S3/image-asset.png Writing - Shopping for a Modernist Holiday Tablescape at the Cooper Hewitt Ceramic Vinegar Flask by Aldo Bakker for Thomas Eyck, $180 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1491861718412-96ZDENVG19FF8WUHQ29R/image-asset.jpeg Writing - Shopping for a Modernist Holiday Tablescape at the Cooper Hewitt Red and White Vase by Hella Jongerius for Royal Tichelaar Makkum, $775 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1491861746785-9B8YOECJ89O3T5CDY8TG/image-asset.jpeg Writing - Shopping for a Modernist Holiday Tablescape at the Cooper Hewitt American Modern Gravy Boat and Saucer by Russel Wright for Bauer Pottery, $80 https://www.sarah-archer.com/writing/2014/11/24/cracking-open-the-seductive-history-of-porcelain monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492095338562-KI7IDBB5BUIGXTAJNF87/image-asset.jpeg Writing - Cracking Open the Seductive History of Porcelain Work by Chris Antemann at the Meissen Manufactory (all photos by the author for Hyperallergic) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492095376443-ZDDNNBURH5XT8Z4YLW4T/image-asset.jpeg Writing - Cracking Open the Seductive History of Porcelain The Zwinger Palace in Dresden https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492095401400-T6RYPWXFB4HB0IEIHK81/image-asset.jpeg Writing - Cracking Open the Seductive History of Porcelain Porcelain figurines at Meissen (click to enlarge) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492095432551-3P7N8RRKBJRULL3JYLPA/image-asset.jpeg Writing - Cracking Open the Seductive History of Porcelain Antemann at Meissen https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492095489415-QYVOI4MHU551YH3EVSJD/image-asset.jpeg Writing - Cracking Open the Seductive History of Porcelain Inside Meissen https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492095519084-D80OKMV2VWXCQB7QYWTV/image-asset.jpeg Writing - Cracking Open the Seductive History of Porcelain Detail of Antemann’s work, on view at the Portland Art Museum (photo by Kendrick Moholt Photography) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492095575146-PMXLH34GKCQUD6OZN8V2/image-asset.jpeg Writing - Cracking Open the Seductive History of Porcelain Antemann’s work on display at Meissen https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492095628131-X64O6IQFR7KWBLW419GR/image-asset.jpeg Writing - Cracking Open the Seductive History of Porcelain Detail of Antemann’s work, on view at the Portland Art Museum (photo by Kendrick Moholt Photography) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492095694739-9TSGUKXVO0XM2V8PDUFR/image-asset.jpeg Writing - Cracking Open the Seductive History of Porcelain Porcelain figurines at Meissen https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492095722077-34DY09MAKAQIX4NR5T5U/image-asset.jpeg Writing - Cracking Open the Seductive History of Porcelain Antemann at Meissen https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492095748266-MJB8VPWV5JCI1W9T4EWG/image-asset.jpeg Writing - Cracking Open the Seductive History of Porcelain Antemann’s work in production at Meissen https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492095777359-D3JB2YA3IV4LOTP81NEH/image-asset.jpeg Writing - Cracking Open the Seductive History of Porcelain Antemann’s work being glazed https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492095826096-ZO8PKOEIUUQJCKEEBAI9/image-asset.jpeg Writing - Cracking Open the Seductive History of Porcelain A Meissen artist at work on Antemann’s sculpture https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492095854417-UV5MMPCBBZD0K6FN829R/image-asset.jpeg Writing - Cracking Open the Seductive History of Porcelain Antemann’s work at the Portland Art Museum (photo by Kendrick Moholt Photography) https://www.sarah-archer.com/writing/2014/10/29/photographs-from-a-1950s-cross-dressing-retreat monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1496780004585-6PDDM99EQ3YX23CBBNST/image-asset.jpeg Writing - Photographs from a 1950s Cross-Dressing Retreat Photographs from the Casa Susanna collection (all images courtesy Wright) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1496780140220-6S2453OBGJL2GXVLJOUB/image-asset.jpeg Writing - Photographs from a 1950s Cross-Dressing Retreat https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1496780304663-FNG3V2H6YWLPHREF4TMH/image-asset.jpeg Writing - Photographs from a 1950s Cross-Dressing Retreat https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1496780324548-9IEN28ISZKRRV1A0MU17/image-asset.jpeg Writing - Photographs from a 1950s Cross-Dressing Retreat https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1496780342273-LV8L0M15TA7IFO0GQ21V/image-asset.jpeg Writing - Photographs from a 1950s Cross-Dressing Retreat https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1496780439813-DSHTB7HEMDMY0J9FXB6L/image-asset.jpeg Writing - Photographs from a 1950s Cross-Dressing Retreat https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1496780376792-X4ILMBQK0F26QUCW4BH7/image-asset.jpeg Writing - Photographs from a 1950s Cross-Dressing Retreat https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1496780412253-5KOIBSBVUZVXX2G38537/image-asset.jpeg Writing - Photographs from a 1950s Cross-Dressing Retreat https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1496780460720-YI9QK603YET0HABN8AVD/image-asset.jpeg Writing - Photographs from a 1950s Cross-Dressing Retreat https://www.sarah-archer.com/writing/2014/10/1/making-sense-of-a-biennial-of-makers monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492028125226-V2GX83KBJE7MX3O94OC2/image-asset.jpeg Writing - Making Sense of a Biennial of “Makers” Misha Kahn and Anne Libby, “Peach is Back” (2014), concrete, pigment (photo courtesy the Museum of Arts and Design) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492028286457-DIYRNYZQHN890W942TII/image-asset.jpeg Writing - Making Sense of a Biennial of “Makers” Paula Hayes terrarium (2014) (photo by Eric Scott) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492028320315-KH3ZRQP6UCCPT5WOX7U7/image-asset.jpeg Writing - Making Sense of a Biennial of “Makers” Installation view, ‘NYC Makers: The MAD Biennial’ at the Museum of Arts and Design, 2014, with detail of “Stepin One 2” by Rafael de Cárdenas/Architecture at Large (2014) (photo by Benoit Pailley) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492028355940-NX7PDU7JLCPFMYKXNE91/image-asset.jpeg Writing - Making Sense of a Biennial of “Makers” Installation view, ‘NYC Makers: The MAD Biennial’ at the Museum of Arts and Design, 2014, including detail of “Fringe Wall–Copper” (2014) and “Catalogue” 01 (2014) by CONFETTISYSTEM; two iterations of Pig Bench (2014), Heyerdahl Bench, and Heyerdahl Coat Rack/Planter/Lamp, (2014) all by Misha Kahn; “100 Arrows” (2014) by Fredericks & Mae; “Totem” II (2014) by Lindsey Adelman with Nancy Callan; and “X-Tower” 54.4 (2013) by MILGO/BUFKIN , fabricator and Haresh Lalvani, designer (photo by Eric Scott) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492028384316-V9BMO464DR2EZ1Q0ETEI/image-asset.jpeg Writing - Making Sense of a Biennial of “Makers” Installation view, ‘NYC Makers: The MAD Biennial’ at the Museum of Arts and Design, 2014, with detail of “Custom Museum Crate” (2014) by Boxart and of “Which Side Up Table” (2008) by Wendell Castle, within the museum crate (photo by Eric Scott) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492028415299-V28CEJ0OJXRUJJV4768S/image-asset.jpeg Writing - Making Sense of a Biennial of “Makers” Paul J. Smith with Jean Delius, director of the Buffalo YWCA craft program, where Smith studied (photo courtesy Paul J. Smith) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492028444385-LCVJIS1I1TKC8W8UJATX/image-asset.jpeg Writing - Making Sense of a Biennial of “Makers” Thomas Hoving, New York City Parks Commissioner, participating in the “Cartoon Performance” in Central Park, 1966 (photo courtesy American Craft Council) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492028493846-F5TD6MSR0NDP6C4HX7WL/image-asset.jpeg Writing - Making Sense of a Biennial of “Makers” Felicita Bayron photograph and descriptive text from ‘Hands & Heart: A Look at the Traditional Skills of the Lower East Side,’ CAW Collect and the Museum of Contemporary Crafts, 1974 (scan by the author for Hyperallergic) (click to enlarge) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492028537513-8ASC1RTSJRH45FRX4N8N/image-asset.jpeg Writing - Making Sense of a Biennial of “Makers” Parade in midtown Manhattan at end of ‘Make a Banner-Fly a Banner,’ 1973 (photo courtesy American Craft Council) https://www.sarah-archer.com/writing/2014/9/24/they-ferment-for-each-other monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1491939378966-5CZ87EWEVWXQTPL5HYZD/image-asset.jpeg Writing - They Ferment for Each Other https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1491939395778-03J4KBNJFZ46QD2K506I/image-asset.jpeg Writing - They Ferment for Each Other https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1491939409437-IKS9SC8FRO6FI14GV5UZ/image-asset.jpeg Writing - They Ferment for Each Other Gary Ducket Korean Natural Farmspace in Kensington, Philadelphia, PA https://www.sarah-archer.com/writing/2014/9/8/how-design-tells-the-story-on-masters-of-sex monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1491938106749-MBEQ22BL1JDALM101QQB/image-asset.jpeg Writing - How Design Tells the Story on Masters of Sex Lizzy Caplan and Michael Sheen in Masters of Sex. Still from Masters of Sex courtesy of Showtime https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1491938138285-0N8AH4ACVN3IUMXRWMRM/image-asset.jpeg Writing - How Design Tells the Story on Masters of Sex Still fromMasters of Sexcourtesy of Showtime https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1491938285357-1IEX3H5X7NHB7XDP2WQW/image-asset.jpeg Writing - How Design Tells the Story on Masters of Sex Still fromMasters of Sexcourtesy of Showtime https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1491938392077-5SHNSWFC8INUVFWI5Z1E/image-asset.jpeg Writing - How Design Tells the Story on Masters of Sex Still fromMasters of Sexcourtesy of Showtime https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1491938426032-4HPDROTRMAC2EN1CQ4FG/image-asset.jpeg Writing - How Design Tells the Story on Masters of Sex Still fromMasters of Sexcourtesy of Showtime https://www.sarah-archer.com/writing/2018/3/27/an-american-in-meissen monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1522202290581-XYFV7U3TIMKTH36VXSN5/63c028_u4447_01.jpg Writing - An American in Meissen https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1522202290720-R96BQXA8BA1DQPR8MU0X/63C028-U4415-1_01.jpg Writing - An American in Meissen https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1522202291062-MI6UQZMKNY22YRVT50RE/63c028-u4445_01.jpg Writing - An American in Meissen https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1522202291149-ERVPIHLX07JE411H6EUU/65c028-73687_01.jpg Writing - An American in Meissen https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1522202291923-IKN5NPH1ZC23GV2J5EIY/65c028-73688_01_1.jpg Writing - An American in Meissen https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1522202292103-OAM316D42TC2E3TB1MJF/65c028-73689_01.jpg Writing - An American in Meissen https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1522202292315-4ZFYUYIA1BFXTMVQOFSG/65c028-73690_01.jpg Writing - An American in Meissen https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1522202292489-NMMTA5UI0KHK0R25XIUY/aufmacher_antemann_dreams.jpg Writing - An American in Meissen https://www.sarah-archer.com/writing/2014/8/16/the-tortured-soul-of-wit monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1491939864041-GZOEVZ91JQBNLM2BA86S/image-asset.jpeg Writing - The (Tortured) Soul of Wit https://www.sarah-archer.com/writing/2014/6/19/a-shock-of-color-in-the-city monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492028986493-AGXBZJR7Q314DWFOOOLW/image-asset.jpeg Writing - A Shock of Color in the City Katharina Grosse, “psychylustro,” view from the train, the Great Wall, side A (photo by Steve Weinik for the City of Philadelphia Mural Arts Program) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492029034526-B1K9LUHGM3AMA6ZEN278/image-asset.jpeg Writing - A Shock of Color in the City Katharina Grosse, “psychylustro,” Drama Wall (photo by Steve Weinik for the City of Philadelphia Mural Arts Program) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492029067321-2IAX2R465TNB4T7CFDLN/image-asset.jpeg Writing - A Shock of Color in the City Katharina Grosse, “psychylustro” (photo by the author for Hyperallergic) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492029098838-LYJG6UAMVVAK1FY0Q1IX/image-asset.jpeg Writing - A Shock of Color in the City Katharina Grosse, “psychylustro,” Twin Walls (photo by Steve Weinik for the City of Philadelphia Mural Arts Program) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492029153608-X2S7U38AUZCKKIDSNMVT/image-asset.jpeg Writing - A Shock of Color in the City Katharina Grosse, “Just Two of Us” (photo by the author for Hyperallergic) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492029129025-IXATNJAVM6NKZYZJN0QC/image-asset.jpeg Writing - A Shock of Color in the City Katharina Grosse, “Just Two of Us” (photo by the author for Hyperallergic) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492029195671-ZZA1T9ZDMH0QLFV3QTUY/image-asset.jpeg Writing - A Shock of Color in the City Katharina Grosse, “psychylustro,” during the May 17 train tour and dedication4 (photo by Steve Weinik for the City of Philadelphia Mural Arts Program) https://www.sarah-archer.com/writing/2014/6/2/family-style monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1496780628810-E9HA9YWMVWLNNPF0V6QW/image-asset.jpeg Writing - Family Style https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1496780642173-US1Q9KAMC46S8C78MO79/image-asset.jpeg Writing - Family Style https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1496780671354-J9SACQAZKW5LXJ976LXU/image-asset.jpeg Writing - Family Style https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1496780686876-2O3K92Y60DBKK6NUIKFG/image-asset.jpeg Writing - Family Style https://www.sarah-archer.com/writing/2014/5/9/a-design-fair-with-a-sense-of-play monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492029721261-MVOCF1MB3A8KAO5NQCPK/image-asset.jpeg Writing - A Design Fair with a Sense of Play Work by Hella Jongerius, including “Quilted Vases” (2006), at the Collective 2 Design Fair (all photos by the author for Hyperallergic) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492029761113-X2O4S5GFSU3JUIF0RNNA/image-asset.jpeg Writing - A Design Fair with a Sense of Play Installation view of the Hella Jongerius presentation https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492029789457-6GNDQJ0POO8OP9JYKCLJ/image-asset.jpeg Writing - A Design Fair with a Sense of Play A child’s toy on view at the booth of Kinder MODERN https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492029820515-UA7WUBS5NATNT8MRQ26Q/image-asset.jpeg Writing - A Design Fair with a Sense of Play Rachel Timmins, “Rapid Produce Chains,” at Sienna Patti Contemporary https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492029847460-BG9UFDCYGLA4FTS6U6N6/image-asset.jpeg Writing - A Design Fair with a Sense of Play Nanna Melland, “Swarm,” at Sienna Patti Contemporary https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492029884169-QKZ0BODEGA2IRDR7UDA1/image-asset.jpeg Writing - A Design Fair with a Sense of Play Beth Katleman, “Hostile Nature,” at Todd Merrill https://www.sarah-archer.com/writing/2014/4/24/the-meaning-of-clay-at-the-whitney-biennial monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492030346619-WCJGDAJKURL6ZIRIONGL/image-asset.jpeg Writing - The Meaning of Clay at the Whitney Biennial Installation view, works by Sterling Ruby from his ‘Basin Theology’ series (all 2013) at the Whitney Biennial (photo by Hrag Vartanian) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492030372387-3DW83IV988QAD45Z6H34/image-asset.jpeg Writing - The Meaning of Clay at the Whitney Biennial Works by John Mason at the Whitney Biennial, including “The Wall” (2010) in the background and various ceramic works in the foreground (1997–2002) (photo by Hrag Vartanian) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492030403063-X24QLJI4O1VD8HI3KJHY/image-asset.jpeg Writing - The Meaning of Clay at the Whitney Biennial Ceramic work by Shio Kusaka at the Whitney Biennial (photo by Jillian Steinhauer) https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492030438961-HRGGSMC9821UF5P2NIKV/image-asset.jpeg Writing - The Meaning of Clay at the Whitney Biennial Sterling Ruby, “Basin Theology/The Pipe” (2013), ceramic (photo by Jillian Steinhauer) https://www.sarah-archer.com/writing/2018/3/27/solid-state monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1522204557489-JD08PAX7ZIV6BKIALXTN/Screen+Shot+2018-03-27+at+10.35.28+PM.png Writing - Solid State Tsubusa Kato's 2006 Object https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1522204776938-APFG6YF00PTWZONWAFIK/Screen+Shot+2018-03-27+at+10.39.16+PM.png Writing - Solid State Tsehai Johnson's installation Swarm https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1522204837790-UZXRRPV6I6XR397V28C2/Screen+Shot+2018-03-27+at+10.40.12+PM.png Writing - Solid State Seize the Flower in the Mirror, Jae Won Lee https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1522204961778-Y5N8JHRPZ9MX9UZ4Q8O9/Screen+Shot+2018-03-27+at+10.42.23+PM.png Writing - Solid State Tangled Up in You, Beth Cavener https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1522205074276-7KTI8LY7T2B3VCIAPW2J/Screen+Shot+2018-03-27+at+10.44.16+PM.png Writing - Solid State Paradise Chandelier, Chris Antemann https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1522205203723-AQ1DMJZ3LVZXQGPR8TJW/Screen+Shot+2018-03-27+at+10.46.05+PM.png Writing - 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Global Cottage Industry https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1496781882576-QLEF9N0LO9YRRE27DOUC/image-asset.jpeg Writing - Global Cottage Industry https://www.sarah-archer.com/writing/2012/7/1/heart-like-a-wheel monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1492098104137-NUMQ9FPAKHFPTO4ADV7J/image-asset.png Writing - Heart Like a Wheel Kevin Snipes, Unchanged Melody. 2012. Porcelain, glaze, underglaze, oxide wash, mid-range electric. 7 x 3.5 x 3 in. Courtesy of the artist. https://www.sarah-archer.com/writing/2017/4/25/craft-class-and-the-acculturation-at-the-greenwich-house-settlement monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493134516604-DY6XQT9RYSJPDZWFKNTB/image-asset.png Writing - Craft, Class, and the Acculturation at the Greenwich House Settlement Peter Voulkos giving a demonstration at Greenwich House Pottery in 1962. (Greenwich House Pottery Archives) https://www.sarah-archer.com/writing/2011/8/9/the-material-is-the-message monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1491940751657-IMU2WQBBVWJWZISF0TNC/image-asset.jpeg Writing - The Material Is The Message Armada Artist Ian Page at the build site on Broad Street, July 28, 2011. Photograph by Tod Seelie. https://www.sarah-archer.com/writing/2011/6/12/contemporary-clay monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1491947265236-0S5Y89X3ENV5Z5GMTKSO/image-asset.jpeg Writing - Contemporary Clay An untitled 2010 piece by Christine McHorse. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1491947305886-H4ZZR2EJG4QK9VMDMNUO/image-asset.jpeg Writing - Contemporary Clay A trio of 2010 “Heath Hybrid” vases by Silverman https://www.sarah-archer.com/writing/2011/3/11/handmade-for-japan-aid-through-art monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1491947750666-BBAIV2CE1QEBZUVF44AI/image-asset.jpeg Writing - Handmade for Japan: Aid Through Art https://www.sarah-archer.com/writing/2010/3/18/handmade-holiday monthly 0.5 2019-09-28 https://www.sarah-archer.com/writing/2010/1/22/counter-culture-craft monthly 0.5 2019-09-28 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1491949042500-LNT2VT4XCLNWULC9P1K1/CounterCultureCraft_1.jpg Writing - Counter Culture Craft https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1491949042502-SXPHXE17XU8AR1MYFBMO/CounterCultureCraft_2.jpg Writing - Counter Culture Craft https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1491949042811-MLNQL4VLZ6M7G2HT72HM/CounterCultureCraft_3.jpg Writing - Counter Culture Craft https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1491949042865-6DXAWLHHTRUTHGNGYJUO/CounterCultureCraft_4.jpeg Writing - Counter Culture Craft https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1491949042918-807CGDQRRYE21457CMQ2/CounterCultureCraft_5.jpeg Writing - Counter Culture Craft https://www.sarah-archer.com/writing/2017/4/25/kitchen-table-politics monthly 0.5 2020-12-07 https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493135089957-DMRFGQDIR5ARFP77WDR6/image-asset.jpeg Writing - Kitchen Table Politics Pots in Action photo of Julia Galloway’s Obamaware cup with the historic front page of The Washington Post. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493135340541-Y20HQJPYD0VK9K6BKWBP/KitchenTablePolitics_2.jpg Writing - Kitchen Table Politics Ayumi Horie Obamaware cup, 2008, earthenware {h. 3.5 in, w. 3.5 in, d. 3 in}. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493135341174-5ZVJO7N127X2MRI3Q5T8/KitchenTablePolitics_3.jpg Writing - Kitchen Table Politics Donna Flanery Obamaware cup, 2008, earthneware {h. 4 in, w. 3/5 in, d. 3.5 in} https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493135341522-GCC4D6Y7IYO1ETM45HVA/KitchenTablePolitics_4.jpg Writing - Kitchen Table Politics Cindy Sherman Madame de Pompadour (nee Poisson) soup tureen, 1990, porcelain, glazed, silk-screened, painted. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493135341956-JJFCJIISRHE19OE27OZE/KitchenTablePolitics_5.jpg Writing - Kitchen Table Politics Richard Notkin 20th Century Solutions Teapot: Nobody Knows Why, 2003, stoneware, glaze {h. 9.5 in, w. 16 in, d. 11 in}. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493135342024-VBQSH4PGXQLZK93YEVJK/KitchenTablePolitics_6.jpg Writing - Kitchen Table Politics Beth Lo The Republicans’ New Clothes, Obamaware, 2008, porcelain {h. 7.25 in, w. 3.5 in, d. 3.5 in}. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493135342545-Z7ITNA94RYCTQMRP49PC/KitchenTablePolitics_7.jpg Writing - Kitchen Table Politics Paul Preuning Earthenware jug, ca. 1550, attributed to the workshop of Preuning. https://images.squarespace-cdn.com/content/v1/58a21c1486e6c0e601e74867/1493135342666-NBKKB9XAN8DJGM6LNJLR/KitchenTablePolitics_8.jpg Writing - Kitchen Table Politics 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